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Author: Pamela Maxine Potter
Publisher:
Published: 1998
Total Pages: 364
ISBN-13: 9780300072280
DOWNLOAD EBOOKThis study examines the social, economic and intellectual factors that caused German musical scholars to support the ideological aims of the Nazis, and argues that many of the ideas that served the regime survived the Nazi period to influence the conception of music history down to the present.
Author: Dietmar Elger
Publisher: Taschen
Published: 2002
Total Pages: 264
ISBN-13: 9783822820421
DOWNLOAD EBOOKAuthor: Pamela M. Potter
Publisher: Univ of California Press
Published: 2016-06-28
Total Pages: 408
ISBN-13: 0520282345
DOWNLOAD EBOOKThis provocative study asks why we have held on to vivid images of the NazisÕ total control of the visual and performing arts, even though research has shown that many artists and their works thrived under Hitler. To answer this question, Pamela M. Potter investigates how historians since 1945 have written about music, art, architecture, theater, film, and dance in Nazi Germany and how their accounts have been colored by politics of the Cold War, the fall of communism, and the wish to preserve the idea that true art and politics cannot mix. Potter maintains that although the persecution of Jewish artists and other Òenemies of the stateÓ was a high priority for the Third Reich, removing them from German cultural life did not eradicate their artistic legacies. Art of Suppression examines the cultural histories of Nazi Germany to help us understand how the circumstances of exile, the Allied occupation, the Cold War, and the complex meanings of modernism have sustained a distorted and problematic characterization of cultural life during the Third Reich.
Author: Robert Gellately
Publisher: Princeton University Press
Published: 2018-06-05
Total Pages: 339
ISBN-13: 0691188351
DOWNLOAD EBOOKWhen Hitler assumed power in 1933, he and other Nazis had firm ideas on what they called a racially pure "community of the people." They quickly took steps against those whom they wanted to isolate, deport, or destroy. In these essays informed by the latest research, leading scholars offer rich histories of the people branded as "social outsiders" in Nazi Germany: Communists, Jews, "Gypsies," foreign workers, prostitutes, criminals, homosexuals, and the homeless, unemployed, and chronically ill. Although many works have concentrated exclusively on the relationship between Jews and the Third Reich, this collection also includes often-overlooked victims of Nazism while reintegrating the Holocaust into its wider social context. The Nazis knew what attitudes and values they shared with many other Germans, and most of their targets were individuals and groups long regarded as outsiders, nuisances, or "problem cases." The identification, the treatment, and even the pace of their persecution of political opponents and social outsiders illustrated that the Nazis attuned their law-and-order policies to German society, history, and traditions. Hitler's personal convictions, Nazi ideology, and what he deemed to be the wishes and hopes of many people, came together in deciding where it would be politically most advantageous to begin. The first essay explores the political strategies used by the Third Reich to gain support for its ideologies and programs, and each following essay concentrates on one group of outsiders. Together the contributions debate the motivations behind the purges. For example, was the persecution of Jews the direct result of intense, widespread anti-Semitism, or was it part of a more encompassing and arbitrary persecution of "unwanted populations" that intensified with the war? The collection overall offers a nuanced portrayal of German citizens, showing that many supported the Third Reich while some tried to resist, and that the war radicalized social thinking on nearly everyone's part. In addition to the editors, the contributors are Frank Bajohr, Omer Bartov, Doris L. Bergen, Richard J. Evans, Henry Friedlander, Geoffrey J. Giles, Marion A. Kaplan, Sybil H. Milton, Alan E. Steinweis, Annette F. Timm, and Nikolaus Wachsmann.
Author: Jonathan Huener
Publisher: Berghahn Books
Published: 2007-09
Total Pages: 235
ISBN-13: 184545359X
DOWNLOAD EBOOK"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.
Author: Charles Van Ravenswaay
Publisher: University of Missouri Press
Published: 2006
Total Pages: 580
ISBN-13: 9780826217004
DOWNLOAD EBOOKMany Germans who immigrated to America in the nineteenth century settled in the lower Missouri River valley between St. Charles and Boonville, Missouri. In this magnificent book, which includes some six hundred photographs and drawings, Charles van Ravenswaay examines that immigration--who came, how, and why--and surveys the distinctive Missouri-German architecture, art, and crafts produced in the towns or on the farms of the rural counties of Cooper, Cole, Osage, Gasconade, Franklin, Montgomery, Warren, and St. Charles from the 1830s until the closing years of the century. As the immigrants sought to transplant their native culture to the Missouri backwoods, the compromises they were forced to make with conditions in Missouri produced many fascinating and individualistic structures and objects. They built half-timbered, stone, and brick houses and barns with designs reflecting the traditions of the many German regions from which the builders emigrated. The author's far-reaching study of immigrants' arts and crafts included furniture in traditional peasant designs as well as the Biedermeier and eclectic styles, redware and stoneware pottery, textiles, wood and stone carving, metalwares, firearms, baskets, musical instruments, prints, and paintings and identifies craftsmen working in all of these fields. One chapter is devoted to the objects the immigrants brought with them from the Old World. Added to this new printing of The Arts and Architecture of German Settlements in Missouri is a touching and informative introduction by Adolf E. Schroeder. Schroeder's long friendship with Charles van Ravenswaay allows him to reflect on the vast contributions this author made to our knowledge of Missouri's German culture. Everyone interested in architecture, crafts, or Missouriana will find this book indispensable as they savor van Ravenswaay's excellent presentation of the craftsmen and their products against the background of the aspirations and folkways of a distinctive culture.
Author: Stephanie Barron
Publisher: Prestel
Published: 2015
Total Pages: 0
ISBN-13: 9783791354316
DOWNLOAD EBOOKBetween the end of World War I and the Nazi assumption of power, Germany's Weimar Republic (1919-1933) functioned as a thriving laboratory of art and culture. As the country experienced unprecedented and often tumultuous social, economic and political upheaval, many artists rejected Expressionism in favour of a new realism to capture this emerging society. Dubbed Neue Sachlichkeit - New Objectivity - its adherents turned a cold eye on the new Germany: its desperate prostitutes and crippled war veterans, its alienated urban landscapes, its decadent underworld where anything was available for a price. Showcasing 150 works by more than 50 artists, this book reflects the full diversity and strategies of this art form. Organised around five thematic sections, it mixes photography, works on paper and painting to bring them into a visual dialogue. Artists such as Otto Dix, George Grosz and Max Beckmann are included alongside figures such as Christian Schad, Alexander Kanoldt, Georg Schrimpf, August Sander, Lotte Jacobi and Aenne Biermann. Also included are numerous essays that examine the politics of New Objectivity and its legacy, the relation of this new realism to international art movements of the time; the context of gender roles and sexuality; and the influence of new technology and consumer goods. Published in association with the Los Angeles County Museum of Art. AUTHOR: Stephanie Barron is a Senior Curator and heads the Modern Art department at the Los Angeles Contemporary Museum of Art. Sabine Eckmann is the William T. Kemper Director and Chief Curator of the Mildred Lane Kemper Art Museum in St. Louis, Missouri. 300 colour illustrations
Author: Michael H. Kater
Publisher: Yale University Press
Published: 2019-05-21
Total Pages: 388
ISBN-13: 0300245114
DOWNLOAD EBOOK“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship
Author: Pamela M. Potter
Publisher: Univ of California Press
Published: 2016-06-28
Total Pages: 409
ISBN-13: 0520957962
DOWNLOAD EBOOKOne thinks of the arts in Nazi Germany as struggling in an oppressive system, yet evidence has repeatedly shown that conditions were far more favourable than we assume. Potter conducts a historiography of Nazi arts, examining writings from the last seven decades to demonstrate how historical, moral, and intellectual conditions have sustained a distorted characterization of cultural life in the Third Reich. Showing how past research has revealed the decentralized nature of Nazi arts policies, Potter argues that the insulation of academic disciplines allowed outdated presumptions about Nazi micromanagement of the arts to persist.
Author: Lilian Karina
Publisher: Berghahn Books
Published: 2004
Total Pages: 400
ISBN-13: 9781571816887
DOWNLOAD EBOOKThe Nazis burned books and banned much modern art. However, few people know the fascinating story of German modern dance, which was the great exception. Modern expressive dance found favor with the regime and especially with the infamous Dr. Joseph Goebbels, the Minister of Propaganda. How modern artists collaborated with Nazism reveals an important aspect of modernism, uncovers the bizarre bureaucracy which controlled culture and tells the histories of great figures who became enthusiastic Nazis and lied about it later. The book offers three perspectives: the dancer Lilian Karina writes her very vivid personal story of dancing in interwar Germany; the dance historian Marion Kant gives a systematic account of the interaction of modern dance and the totalitarian state, and a documentary appendix provides a glimpse into the twisted reality created by Nazi racism, pedantic bureaucrats and artistic ambition.
