This is the Black Edition version of the book «MOSAIC MANDALA Color By Number» (all the Mandalas are on the Black Backgrounds with other colors combination) This Activity Coloring book helps you to Relax while coloring 30 Beautiful Mandalas on Black Backgrounds. It is Very Simple, as you need just to color Mosaic Elements according to the Numbers, using your favorite colored pens, pencils or markers. Each number refers to the Particular Color from the 22-Color Palette on the back cover. Try your Colors or create Your Own PALETTE on a sample page at the beginning of the book. The MOSAIC Color By Number Books series includes: ANIMAL MOSAIC Color by Number TRAVEL MOSAIC Color by Number CHRISTMAS MOSAIC Color by Number MOSAIC MANDALA Color by Number ANIMAL STENCILS Color by Number MOSAIC MANDALA Color by Number (Black Edition) WORLD of MICE (Stained Glass Color by Number) CHRISTMAS (Stained Glass Color by Number) CHRISTMAS MANDALA Color by Number
Challenge your coloring skills with Color-by-Number: Mandalas, an exciting new way to color by number. Take your love for coloring to the next level, while you relax, unwind, and stretch your artistic skills in a variety of mediums, including colored pencils, markers, and crayons. You'll start your coloring journey with a short introduction detailing a basic color-by-number guide with tips and examples of each medium and then you'll delve into over 30 unique, color-by-number templates that will allow and encourage you to color and create your own masterpieces. As designs become more complex, you'll have less numbers, which will provide you with an additional challenge and encourage you to choose your own colors and patterns to complete the design. Need some ideas to spark your creativity? This book is also includes a full-color reference gallery. With more than 30 color-by-number templates to color, beginners and intermediate artists of all ages will be mesmerized by this unique spin on the traditional color-by-number activity book.
This Mandalas color by number is specially designed for experienced colorists. Realistic effects can be achieve with the help of lightly printed numbers that correspond to a simple color key and this easy to follow color key relives the stress of trying to decide which colors to use when you're confound. All you need to do is to just color mosaic elements according to the numbers, using your favorite colored pens, pencils or markers. So sit back, relax, and color. Each number refers to the particular color from the 20-color palette on the back cover.
Unlock the mystery and magic of sacred geometry to create mandalas using ancient design principles. Pythagoras believed that mathematical truths shift the psyche closer to divine perfection. The Fibonacci sequence has been found to exist in patterns throughout nature. C. G. Jung thought that contemplating the mandala could unveil the unconscious. The designs here draw on the vast history and knowledge once thought esoteric, now available as tools for cultivating spiritual and psychological well-being. Create your own mandala based on geometry, numbers, and signs, or color a mandala as a meditative process to tap into your creativity and intuition. However you use this guide, geometry can be a pathway to grasping who you are, where you belong, and what you are to do. Discover how this timeless practice can help you on your journey of self-realization!
Erich Neumann (1905-1960) was a student, close collaborator, and life-long friend of C. G. Jung’s. He moved from Berlin to Palestine in 1934 where he endured WW11 with much distress. This provoked intense and depthful research into topics such as evil, consciousness, and creativity that would occupy his attention for the rest of his life— as well as challenge his friend’s (Jung) thinking in many ways. His writings are still valuable and ever so pertinent for our understanding of human nature and the changing developments that have resulted in “the eruption of the shadow and psychic chaos in today’s world.” (Jerome Bernstein) Eternal Echoes offers the reader an overview of Neumann’s opus, which is large and multifaceted. Beginning with an introduction of Erich Neumann including a series of his active imagination watercolors, we see an intimate view into his internal process. The Jung-Neumann Correspondence examines evil as witnessed during WW11. The work Neumann focused on during this period resulted in his exploration of his own Roots of Jewish Consciousness, both Revelation and Apocalypse, and Hasidism. From there we move into an exploration of his exceptional and iconic books, The Origins and History of Consciousness, and The Great Mother, and two papers “Mass Man and the Phenomena of Recollectivation” and “Narcissism”. Neumann continued his study of mythology and archetypes in Amor and Psyche: The Development of the Feminine. Later in Neumann’s life, he wrote a number of books on creativity exploring its nature and source which began with his important early paper on “Mystical Man”: Creative Man, Art and the Creative Unconscious, The Place of Creation. Neumann’s works lead us back to our ground of being, where we live with opposites that are fiercely alive, impacting our lives and cultures. His writings are comprehensive, clear and steeped in deeply felt experiences that help to place us on firm ground. Since many of his themes and concepts are universal—beginning with archetypes, myths, and images—this book is not only pertinent to Jungian psychotherapists but anyone interested in understanding the profundity of human nature and its development.
Personal mandalas protect and adorn, express your subconscious, and bring you back to your center. The theme of the mandala -- the square within the circle, containment within the infinite -- can be found in nature as well as throughout history in cultures all over the world.
This Mandalas color by number is specially designed for experienced colorists. Realistic effects can be achieve with the help of lightly printed numbers that correspond to a simple color key and this easy to follow color key relives the stress of trying to decide which colors to use when you're confound. All you need to do is to just color mosaic elements according to the numbers, using your favorite colored pens, pencils or markers. So sit back, relax, and color. Each number refers to the particular color from the 20-color palette on the back cover.
"Focus your attention and begin your mediation by coloring in 23 pre-printed designs to customize your own origami paper." Learn how to fold 10 different origami patterns
The first broad study of Japanese mandalas to appear in a Western language, this volume interprets mandalas as sanctified realms where identification between the human and the sacred occurs. The author investigates eighth- to seventeenth-century paintings from three traditions: Esoteric Buddhism, Pure Land Buddhism, and the kami-worshipping (Shinto) tradition. It is generally recognized that many of these mandalas are connected with texts and images from India and the Himalayas. A pioneering theme of this study is that, in addition to the South Asian connections, certain paradigmatic Japanese mandalas reflect pre-Buddhist Chinese concepts, including geographical concepts. In convincing and lucid prose, ten Grotenhuis chronicles an intermingling of visual, doctrinal, ritual, and literary elements in these mandalas that has come to be seen as characteristic of the Japanese religious tradition as a whole. This beautifully illustrated work begins in the first millennium B.C.E. in China with an introduction to the Book of Documents and ends in present-day Japan at the sacred site of Kumano. Ten Grotenhuis focuses on the Diamond and Womb World mandalas of Esoteric Buddhist tradition, on the Taima mandala and other related mandalas from the Pure Land Buddhist tradition, and on mandalas associated with the kami-worshipping sites of Kasuga and Kumano. She identifies specific sacred places in Japan with sacred places in India and with Buddhist cosmic diagrams. Through these identifications, the realm of the buddhas is identified with the realms of the kami and of human beings, and Japanese geographical areas are identified with Buddhist sacred geography. Explaining why certain fundamental Japanese mandalas look the way they do and how certain visual forms came to embody the sacred, ten Grotenhuis presents works that show a complex mixture of Indian Buddhist elements, pre-Buddhist Chinese elements, Chinese Buddhist elements, and indigenous Japanese elements.
