America’s physical and cultural landscape is captured in these two classics of American history. Letters provides an invaluable view of the pre-Revolutionary and Revolutionary eras; Sketches details in vivid prose the physical setting in which American settlers created their history. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Crevecoeur's Books Outline The Steps Through Which New Immigrants Passed, Analyze The Religious Problems Of The New World, Describe The Life Of The Whalers Of Nantucket, Reveal Much About The Indians And The Horrors Of The Revolution, And Present The Colonial Farmer - His Psychology And His Daily Existence. His Charming Style, Keen Eye, And Simple Philosophy Are Universally Admired.
Published in London just as the idea of an “American” was becoming a reality, Letters introduced Europeans to America’s landscape, customs, and then-new people. Moore’s reader’s edition situates these twelve letters, which shift from hope to disillusion, in the context of thirteen other essays representative of Crèvecoeur’s writings in English.
An agricultural revolution is sweeping the land. Appreciation for high-quality food, often locally grown, an awareness of the fragility of our farmlands, and a new generation of young people interested in farming, animals, and respect for the earth have come together to create a new agrarian community. To this group of farmers, chefs, activists, and visionaries, Letters to a Young Farmer is addressed. Three dozen esteemed leaders of the changes that made this revolution possible speak to the highs and lows of farming life in vivid and personal letters specially written for this collaboration. Barbara Kingsolver speaks to the tribe of farmers—some born to it, many self-selected—with love, admiration, and regret. Dan Barber traces the rediscovery of lost grains and foodways. Michael Pollan bridges the chasm between agriculture and nature. Bill McKibben connects the early human quest for beer to the modern challenge of farming in a rapidly changing climate. Letters to a Young Farmer is a vital road map of how we eat and farm, and why now, more than ever before, we need farmers.
18th-century classic detailing seafaring life in New England and plantation culture in the South also provided Old World readers with first major impressions of American landscapes, people, and institutions.
"Early in the twentieth century, drawing upon the hundreds of letters written to his father by immigrants from Mecklenburg, Germany, Johannes Gillhoff created the archetypal character of Jürnjakob Swehn: the upright, honest mench who personified the German immigrant. This farmer-hero--planting and harvesting his Iowa acres, joking with his neighbors during the snowy winters, building a church with his own hands--proved so popular with the German public that a million copies of Jürnjakob Swehn der Amerikafahrer are in print. Now for the first time this wise and endearing book is available in English." -- Page [4] cover.
This is a critical edition of the essays that J. Hector St. John de Crèvecoeur (1735-1813) wrote in English but did not include in Letters from an American Farmer. First published in 1782, Letters from an American Farmer is an eighteenth-century cultural masterpiece. Written in English by a French-born immigrant, it is a collection of semiautobiographical writings in epistolary form that describe daily life along the northern frontier during the days leading up to the American Revolution. Conveying the attitudes, beliefs, aspirations, and conflicting loyalties of common settlers, Letters has helped subsequent generations to grasp the ethos of a nascent America. More than a century after Crevecoeur's death, three bound manuscript volumes surfaced that included not only the original handwritten texts of most of Letters but also the twenty-two similar writings that now make up More Letters from the American Farmer. Those manuscript volumes are now housed in the Library of Congress. Five of the pieces in More Letters are previously unpublished; the others were first published in 1925-26 but were so inconsistently and arbitrarily edited as to misrepresent the author. This edition has been awarded the emblem of the Modern Language Association's Committee on Scholarly Editions. It is based on an examination of all available relevant textual sources and includes extensive textual and historical contextual information. Rather than modernizing Crevecoeur's capitalization, punctuation, and spelling, Dennis D. Moore has preserved the original texts as closely as possible. Thus, More Letters marks the first appearance of these twenty-two writings as Crevecoeur composed them. In his general introduction, Moore discusses the various personae through which Crevecoeur speaks in these essays and notes the stylistic and topical similarities and variations between these writings and those collected in Letters. Pointing to Crevecoeur's evident influences and interests, Moore discusses recurrent themes and images related to medicine, law, religion, classicism, enlightenment philosophy, nationalism, agrarianism, aggression and war, and the cults of sensibility and domesticity. Revising and expanding what we thought we knew about Crevecoeur and his lifelong absorption in America and Americanness, More Letters also makes a significant contribution to the study of early American culture.
