Millions of tourists visit the ancient Egyptian sites annually and are inspired by the ruins. Yet it is impossible for them to photograph the ruins adequately: the sites are overrun with tourists, photography is forbidden in various locations and amateur cameras cannot correct the perspectives of the monuments. Meanwhile no book currently exists of professional-quality photographs specifically portraying the monuments.
Peter James, founder and managing director of Cintec International, provides a unique perspective on the construction of Egypt’s ancient pyramids. The book addresses existing theories and contributes new, innovative ideas in order to decode the historic construction of the pyramids. Provides in-depth examination of construction and restoration, supported by an author with fourteen years of knowledge and experience.
A “richly illustrated . . . engaging, lucid account” of Ancient Egyptian Pyramids, what we know about them now, what we don’t, and what is still debated today (Kirkus Reviews). Hailed by Science News as “the new seminal text,” The Pyramids is a comprehensive record of Egypt’s most awe-inspiring monuments and what Egyptologists now know about them today—from their construction and purpose to the culture that surrounded them. Distinguished Egyptologist Miroslav Verner draws from the research of the earliest Egyptologists as well as the startling discoveries made with late twentieth century technology. Here you will find a clear, authoritative guide to the ancient culture that created the pyramids five thousand years ago without iron or bronze, and with only the most elementary systems of calculation. As Verner explains the magnitude of this accomplishment, he also traces the stories and ideas of the intrepid scientists who uncovered the mysteries of the pyramids. “Editor’s Choice . . . this comprehensive volume details everything you ever wanted to know about pyramids.” —Rosemary Herbert, Boston Herald “Displays both a deep respect for the research of Egyptologists and a comprehensive knowledge of it . . . An important, comprehensive resource for the study of those most mysteriously, enduringly impressive structures.” —Kirkus Reviews “An accessible introduction to the culture of the ancient Egyptians.” —Die Welt
Most of the "wonders" of our ancient past have come down to us unencumbered by written information. In particular, this is the case of the Great Pyramid of Giza and of many other ancient Egyptian monuments. However, there is no doubt as to the interest of their builders in the celestial cycles: the "cosmic order" was indeed the true basis of the pharaoh's power. This book takes the reader on a chronological journey through ancient Egypt to explore the relationship between astronomy, landscape, and power during the most flourishing periods of ancient Egyptian civilization. Using the lens of archaeoastronomy, Giulio Magli reexamines the key monuments and turning points of Egyptian architecture and history, such as the solar deification of King Khufu, builder of the Great Pyramid, the Hatshepsut reign, and the Amarna revolution.
With more than 600 entries and 350 plans, diagrams and photographs and maps, this guide provides a comprehensive introduction to ancient Egyptian monuments that is an essential companion for every visitor to the ancient sites along the Nile.
This book explores the ways in which statues have been experienced in public in different cultures and the role that has been played by statues in defining publicness itself. The meaning of public statues is examined through discussion of their appearance and their spatial context and of written discourses having to do with how they were experienced. Bringing together experts working on statues in different cultures, the book sheds light on similarities and differences in the role that public statues had in different times and places throughout history. The book will also provide insight into the diverse methods and approaches that scholars working on these different periods use to investigate statues. The book will appeal to historians, art historians and archaeologists of all periods who have an interest in the display of sculpture, the reception of public art or the significance of public monuments.
Following the Napoleonic military campaign in Egypt (1798-1801), Europe rediscovered the ancient Egyptian civilization, and later expeditions deepened and amplified knowledge of the country's archaeological monuments, giving birth to a new science, Egyptology, which is still very active. In 1828, Charles X of France and Grand Duke Leopold II of Tuscany financed the first international scientific expedition to Egypt, the aim of which was to explore the historic monuments of the country. Unlike the Napoleonic Commission, the Franco-Tuscan expedition was able to take advantage of the understanding of hieroglyphic script and therefore examine the antiquities more systematically. The leaders of the expedition were Jean-François Champollion, the man who deciphered the hieroglyphs using the Rosetta Stone, and Ippolito Rosellini. Born in Pisa in 1800, Rosellini was noted for his study of the monuments, deciphering of the hieroglyphs and, above all, for his contribution to science in the form of his illustrated work, The Monuments of Egypt and Nubia. This volume recounts the era of early Egyptology at the start of the nineteenth century, and presents the most beautiful plates from Rosellini's original work made following the long expedition.
