Beautiful Cover featuring Umibozu the Japanese sea spirit who likes to destroy sailor's boats. -100 college ruled pages offer plenty of writing space to keep notes aligned. -White paper, paperback, makes the composition book a great choice for in-class assignments, homework and general note taking-8.5 x 11 inches
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.
Luisa came home from school, like she did every day. Her house looked peaceful and quiet. But when Luisa opened the door, she found herself toe to toe with a monster! "I'm going to crunch, to munch, to eat you for my lunch!" shrieked the monster. "Help!" said Luisa. Back from school, Luisa finds a monster at home that gets bigger when it frightens her, and smaller as she has the courage to face it. Like many children faced with returning home to an empty house, the protagonist of this story will discover that the fearful monsters sometimes lurking there can be quelled by drawing upon an inner strength.
This New York Times bestselling novel from acclaimed author Walter Dean Myers tells the story of Steve Harmon, a teenage boy in juvenile detention and on trial. Presented as a screenplay of Steve's own imagination, and peppered with journal entries, the book shows how one single decision can change our whole lives. Monster is a multi-award-winning, provocative coming-of-age story that was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist. Monster is now a major motion picture called All Rise and starring Jennifer Hudson, Kelvin Harrison, Jr., Nas, and A$AP Rocky. The late Walter Dean Myers was a National Ambassador for Young People’s Literature, who was known for his commitment to realistically depicting kids from his hometown of Harlem.
Chopped, slammed, channeled, blown . . . in the late '50s and early '60s all of these features lent themselves nicely to the rise of hot rod art that caricaturized the already severe design traits associated with these cars. Usually, the rods and customs in this art were piloted by slobbering, snaggle-toothed "monsters" with bulging, bloodshot eyes. Thanks to the iron-on T-shirt boom of the '70s and a raft of younger artists working today, hot rod monsters have persevered. Now award-winning car-designer Thom Taylor and legendary kustom culture figure Ed Newton reveal the tricks and techniques used by masters past and present to render these whack rods and their warts-and-all drivers. Beginning with a brief history of the form, the authors examine figures like Stanley Mouse, Ed Roth, and Newton himself, then reveal how those pioneers influenced modern artists like Keith Weesner, John Bell, and Dave Deal, to name a few. In addition to offering chapters covering topics like equipment, perspective, light sources, and other technical considerations, Taylor expands on the cartooning, proportion, and color chapters from his previous works, applying them to the subject at hand. Also includes dozens of examples of the form from many of the above-mentioned artists and more.
Learn to create eye-catching, well-composed works of art using acrylic, oil, and watercolor paints. Beginning Composition features quick exercises for getting started in art, primers on the principles of composition and the Rule of Thirds, what to look for when composing artwork, examples of successful (and unsuccessful) compositions from a selection of artists, and customizable painting projects. The Portfolio series covers essential art techniques, core concepts, and media with an approach and format that’s perfect for aspiring, beginning, and intermediate artists. From this concept- and technique-driven series comes Beginning Composition, which details how to compose a work of art so that it draws in—and then holds—the viewer’s attention. Written and illustrated by Kimberly Adams, an experienced author and professional artist with years of experience in creating versatile, stunning works of art, Beginning Composition teaches you how to create successful compositions in acrylic, oil, and watercolor paints. After an introduction to the essentials of composition and some examples of composition in action, you are then invited to create your own artwork on a range of subjects, including landscapes, florals, animals, and more. The painting projects encourage personalization and creativity. Other topics covered include conveying mood and emotion through composition, the Golden Ratio, focal points, and more. With Portfolio: Beginning Composition, artists of all skill levels can learn to create engaging compositions in a range of art media.
"A tale that is chilling on more than one level... Zombie rats and ghastly ghosts galore—but the haunting comes from more than the spectral cast" — Kirkus When 13-year-old Glennon McCue, his mom, and his fragile sister are left with their uncle at his lighthouse on Isle Philippeaux, Glennon desperately wants leave the desolate isle and return home. But his father is away, so Glennon is forced to spend his break surrounded by fog, rats, and chilling myths. Nothing seems quite right... with the island or with his family. A storm rocks the island and a ship crashes near the lighthouse, leaving behind a group of sailors. Something is off about the survivors, who seem more monster than human. Soon it becomes clear that there won't be boats to take anyone home, and Glennon and his family are trapped. It will take all Glennon's courage to save his family from the curse of the isle and the real monster in his life. Pick up Monsters in the Mist if you are looking for: A book for middle school students, 5th grade to 9th grade Mystery books for kids 9-12 Chilling ghost stories and ghost books for kids (perfect for Halloween!) Praise for The Wolf of Cape Fen: "Brandt's striking debut is eerie and intriguing, set in a deftly built world that feels both cozily familiar and unsettlingly odd. A stunning seaside fairy tale that will absorb readers until the very end."—Booklist "Unfolding gradually as Eliza relentlessly pieces the past together, this intriguing mystery culminates in a startling, literally transforming climax."—Kirkus Reviews "Atmospheric...this fabulist middle grade effectively employs a dream-fueled magic system that reckons with consequences."—Publishers Weekly Praise for A Wilder Magic: "Readers who enjoyed the Savvy series by Ingrid Law and Drizzle by Kathleen Van Cleve will love this little gem." —Rebecca Williams, Portland Book Review "The relationship between magic, nature, and intent adds a thoughtful level of complexity and cost to this sophomore novel by Brandt....a poignant blend of loss and optimism as readers empathize with Sybaline's rebellion against inevitable change." —Publishers Weekly "[Kids] expecting a big move may find comfort in Sybaline's eventual acceptance of her need to leave the valley." —The Bulletin of the Center for Children's Books
During the Khmer Rouge's brutal reign in Cambodia during the mid-to-late 1970s, a former math teacher named Duch served as the commandant of the S-21 security center, where as many as 20,000 victims were interrogated, tortured, and executed. In 2009 Duch stood trial for these crimes against humanity. While the prosecution painted Duch as evil, his defense lawyers claimed he simply followed orders. In Man or Monster? Alexander Hinton uses creative ethnographic writing, extensive fieldwork, hundreds of interviews, and his experience attending Duch's trial to create a nuanced analysis of Duch, the tribunal, the Khmer Rouge, and the after-effects of Cambodia's genocide. Interested in how a person becomes a torturer and executioner as well as the law's ability to grapple with crimes against humanity, Hinton adapts Hannah Arendt's notion of the "banality of evil" to consider how the potential for violence is embedded in the everyday ways people articulate meaning and comprehend the world. Man or Monster? provides novel ways to consider justice, terror, genocide, memory, truth, and humanity.