More than 2,500 designs, originally published between 1830 and 1881, offer a splendid source of royalty-free ornaments. Includes two-, three-, and four-letter combos, plus crowns, crests, and coats of arms.
Voluminous, diversified collection of ornamental two-, three-, and four-letter combinations — all in a rich variety of styles. Arranged alphabetically in columns, each series is grouped under an appropriate head. Crowns, coronets, and many ancient and modern alphabets are displayed, making this comprehensive sourcebook of permission-free designs indispensable. 130 black-and-white plates.
Chicago–based jewelry engraver J. M. Bergling (1866–1933) created thousands of letter styles, signets, monograms, and ciphers. A noted author on the subjects of lettering and heraldic design, Bergling created books that became standard references of his era. He assembled his first book, Art Monograms and Letters,with the hopes of inspiring other etchers, engravers, sign painters, and artisans. This volume contains selected illustrations from that publication in addition to his complete Art Alphabets and Lettering,which comprises 96 pages of layouts and letter styles ranging from simple to ornate. Commercial artists, designers, calligraphers, engravers, amateurs, and professionals will prize this exclusive edition as a source of high-quality images and alphabets. This reference book features an appreciative Foreword by artist and author James Gurney, which places Bergling's works in historical context.
Comprehensive compilation of elegant, imaginative two-letter monograms — ideal for enhancing scrolls, certificates, awards, and other graphic projects in need of calligraphic excitement. Easily reproduced, royalty-free letters are also perfect for use in art, needlework, craft and other decorative projects.
Treasury of royalty-free fonts with eye-catching appeal includes Carnival Open, Ecclesiastic, Garland, Laurel, Daisy Delight, scores more. All fonts include uppercase alphabets; some contain punctuation marks and lowercase letters. Most have numerals. Graphic artists and illustrators will find these distinctive alphabets ideal for use in display ads, on posters, signs, menus, more.
Monograms are immensely useful and eye catching visual devices consisting of two or more letters interwoven in artistic harmony. They lend themselves to numerous graphic applications: stationery, fabrics, advertising, book illustration, greeting cards, posters, menus, logos — virtually any project requiring symbolic or high-recognition lettering. The present volume offers graphic designers an unusually comprehensive collection of contemporary monograms — over 1,300 attention-getting designs, arranged alphabetically for convenience. Each letter of the alphabet is combined with every other letter, creating a versatile archive of monograms in an incredible array of type styles: 3-D, shaded, calligraphic, Gothic, ribbon, block, cartoon, script, Oriental, digital letters, and hundreds of others. Moreover, many monograms appear in more than one style for added flexibility. In addition to an enormous variety of typefaces, the monograms embody numerous spacing variations: overlapping, interlocking, and various other arrangements that offer the utmost versatility to designers. You'll also find a useful selection of monograms incorporated into larger illustrations: a necktie, automobile, tote bag, coffee mug, and other familiar objects. Graphic artists, illustrators, typographers, and students will find this collection indispensable — a nearly inexhaustible array of imaginative lettering configurations, arranged for maximum convenience — ready to solve a myriad of design problems. Best of all, every monogram is royalty-free — ready to use without any prior permission or fee.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An updated version of the classic Renaissance manuals, this handbook is geared toward modern practitioners. It features the best ideas from the early guides, compiled into a contemporary system that makes writing the Italic as simple as possible. With this manual as a guide, both experienced and novice calligraphers can cultivate their natural creativity.