A Finalist for the Orange Prize It is the height of summer, and celebrated actor Molly Fox has loaned her house in Dublin to a friend while she is away performing in New York. Alone among all of Molly's possessions, struggling to finish her latest play, she looks back on the many years and many phases of her friendship with Molly and their college friend Andrew, and comes to wonder whether they really knew each other at all. She revisits the intense closeness of their early days, the transformations they each made in the name of success and security, the lies they told each other, and betrayals they never acknowledged. Set over a single midsummer's day, Molly Fox's Birthday is a mischievous, insightful novel about a turning point--a moment when past and future suddenly appear in a new light.
Ditch the storybook wedding, banish Bridezilla, and walk down the aisle in truth and in style: You are a Stone Fox Bride and this is your bridal guide. Molly Rosen Guy founded the brand Stone Fox Bride as an alternative to outdated, plastic-princess wedding culture. Her stylish and subversive approach is being embraced by creative, modern brides who believe in love and romance, but have no interest in running off into the sunset. In an inspiring mix of intimate storytelling, gorgeous visuals, and candid advice, with an aesthetic that channels Bianca Jagger in a white tux rather than Cinderella in a frilly gown, Molly Rosen Guy—your cool, hippie chic guide through the wilds of wedding planning—encourages brides-to-be, and their ladies in tow, to say no to all things phony, frilly, and silly. Featuring personal essays that explore the nuances of the process, including a raw, unairbrushed look at the realities of the early days of marriage, she tells us that a Stone Fox Bride should never sacrifice her style, her story, or her sanity to please others; she reassures us that weddings don't have to be free of confusion, shades of gray, or cellulite; and reminds us that marriage, like love, is equal parts complicated and beautiful. Praise for Molly Rosen Guy and the Stone Fox Bride phenomenon “The current wedding-wear darling of the jammin’ and Instagrammin’ set [offers] an insouciant, antiestablishment approach to weddings.”—The New York Times “[Molly Rosen Guy is] making waves in the bridal industry thanks to her eclectic eye and refusal to conform to clichéd traditions.”—W “Molly Rosen Guy built a business filling the needs of women who long for something more than your run-of-the-mill, princess-y flou for their big day.”—Vogue
Fintan Buckley is a pleasant, rather conventional and unimaginative man, who works as a legal adviser in an import/export firm in Dublin. He lives in Howth and is married to Colette. They have two sons who are at university, and a small daughter. As he goes about his life, working and spending time with his family, Fintan begins to experience states of altered consciousness and auditory hallucinations, which seem to take him out of a linear experience of time. He becomes interested in how we remember or imagine the past, an interest trigged by becoming aware of early photography, particularly early colour photography. He also finds himself thinking more about his own past, including time spent holidaying in the north of Ireland as a child with his father's family. Over the years he has become distanced from them, and in the course of the novel this link is re-established and helps to bring him understanding and peace, although in a most unexpected way. Time Present and Time Past, Deirdre Madden's eighth novel for adults, is about time: about how not just daily life and one's own, or one's family's past, intersect with each other.
Molly and Beth are best friends and love spending time together. But when their two families move in together, maybe they are a little too close for comfort! Out shopping one day they need to avoid the most embarrassing encounter ever with Molly's mum, and hide in a shop they had never noticed before. When they leave by the side door, they realise immediately that something is not right! Transported back to the past, where mobile phones don't work and the world feels very different, they realise that they have a chance to see the world through their parents' eyes. Before finding their way home, can they see what their own pasts looked like?
There's a wonderful emerald necklace called The Green Marvel hidden somewhere in Haverford-Snuffley Hall. Sneaky Jasper Jellit takes a job there as a gardener, hoping to get his hands on the jewels. But the house is haunted, his two pet rats Rags and Bags give him no end of trouble, and then there's Mrs Knutmegg the cook, who sees immediately that Jasper's up to no good . . . A sparkling sequel to the award winning 'Snakes' Elbows.'
When the timid millionaire pianist Barney Barrington moves to Woodford, extraordinary things start to happen. For local millionaire Jasper Jellit doesn't like all the attention Barney is getting and will do anything to upstage him, including hosting an extravagant chocolate party for Woodford residents. But when Barney and Jasper want to buy the same painting, Jasper finds less scrupulous ways of getting what he wants. As Barney is too kind to ever have a suspicious thought, it falls to his hyper-intelligent cat Dandelion to save the day - with the help of Jasper's two misunderstood dogs Cannibal and Bruiser. Winner of the Eilis Dillon Award for a First Children's Book
One by One in the Darkness is an account of a week in the lives of three sisters shortly before the start of the IRA ceasefire in 1994, undercut with the story of their childhood in Northern Ireland of the 1960s and 1970s. The history of both a family and a society, One by One in the Darkness confirms Deirdre Madden's reputation as one of Irish fiction's most outstanding talents. 'Her authority when writing on her native Northern Ireland is supreme . . . beautifully written . . . an author with a rare talent . . . haunting and beautiful.' Literary Review 'No other book has left me with such a lasting impression of the hurt of Northern Ireland.' Sunday Tribune 'Ambitious and wide-ranging . . . skilfully constructed . . . particularly good at the way in which the past constructs the present, how intense memories transfigure current experience . . . A quiet and effective psychological realism.' Independent on Sunday
This collection focuses on texts that address the other arts – from painting to photography, from the stage to the screen, and from avant-garde experiments to mass culture. Despite their diversity of object and approach, the essays in Relational Designs coalesce around the argument that representations are defined by relations and dynamics, rather than intrinsic features. This rationale is supported by the discourses and methodologies favoured by the book’s contributors: their approaches offer a cross section of the intellectual and critical environment of our time. The book illustrates the critical possibilities that derive from the broad range of modes of inquiry - poststructuralist criticism, gender studies, postcolonial studies, new historicism – that the book’s four sections bring to bear on a wealth of intermedial practices. But Relational Designs compounds such critical emphases with the voice of the practitioner: the book is rounded off by an interview in which a contemporary novelist discusses her attraction to the other arts in terms that extend the book’s insights and bridge the gap between academic discourse and artistic practice.
