Modernity and Mass Culture
Modernity and Mass Culture

Author: James Naremore

Publisher: Indiana University Press

Published: 1991-03-22

Total Pages: 294

ISBN-13: 9780253206275

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"The twelve essays in Modernity and Mass Culture provide a broad and captivating overview of what has come to be known as culture studies." --Texas Journal This is a wide-ranging analysis of the relationship among industrialization, democracy, and art in the 20th century. U.S. and British scholars discuss the interaction of "high," "popular," and "mass" art, showing how Western culture as a whole is affected by the transition from the modern to the postmodern era.

Modernism, Mass Culture, and the Aesthetics of Obscenity
Modernism, Mass Culture, and the Aesthetics of Obscenity

Author: Allison Pease

Publisher: Cambridge University Press

Published: 2000-07-27

Total Pages: 268

ISBN-13: 9780521780766

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How did explicit sexual representation become acceptable in the twentieth century as art rather than pornography? Allison Pease answers this question by tracing the relationship between aesthetics and obscenity from the 1700s onwards, highlighting the way in which early twentieth-century writers incorporated a sexually explicit discourse into their work. Pease explores how artists such as Swinburne, Aubrey Beardsley, James Joyce and D. H. Lawrence were responsible for shifting the boundaries between aesthetics and pornography that first became of intellectual interest in the eighteenth century and reinforced class distinctions. Her analysis of canonical works, such as Joyce's Ulysses and Lawrence's Lady Chatterley's Lover, is framed by a wide-ranging examination of the changing conceptions of aesthetics from Shaftesbury, Hutcheson and Kant to F. R. Leavis, I. A. Richards and T. S. Eliot. Based on extensive archival work, the book includes examples of period art and illustrations which eloquently demonstrate the shift in public taste and tolerance.

After the Great Divide
After the Great Divide

Author: Andreas Huyssen

Publisher: Indiana University Press

Published: 1986

Total Pages: 260

ISBN-13: 9780253203991

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"One of the most comprehensive and intelligent postmodern critics of art and literature, Huyssen collects here a series of his essays on pomo . . . " —Village Voice Literary Supplement " . . . his work remains alert to the problematic relationship obtaining between marxisms and poststructuralisms." —American Literary History " . . . challenging and astute." —World Literature Today "Huyssen's level-headed account of this controversial constellation of critical voices brings welcome clarification to today's murky haze of cultural discussion and proves definitively that commentary from the tradition of the German Left has an indispensable role to play in contemporary criticism." —The German Quarterly " . . . we will certainly have, after reading this book, a deeper understanding of the forces that have led up to the present and of the possibilities still open to us." —Critical Texts " . . . a rich, multifaceted study." —The Year's Work in English Studies Huyssen argues that postmodernism cannot be regarded as a radical break with the past, as it is deeply indebted to that other trend within the culture of modernity—the historical avant-garde.

Moving Color
Moving Color

Author: Joshua Yumibe

Publisher: Rutgers University Press

Published: 2012-07-17

Total Pages: 215

ISBN-13: 0813552982

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Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.

Ideology and Modern Culture
Ideology and Modern Culture

Author: John B. Thompson

Publisher: John Wiley & Sons

Published: 2013-05-02

Total Pages: 504

ISBN-13: 0745668763

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In this major new work, Thompson develops an original account of ideology and relates it to the analysis of culture and mass communication in modern Societies. Thompson offers a concise and critical appraisal of major contributions to the theory of ideology, from Marx and Mannheim, to Horkheimer, Adorno and Habermas. He argues that these thinkers - and social and political theorists more generally - have failed to deal adequately with the nature of mass communication and its role in the modern world. In order to overcome this deficiency, Thompson undertakes a wide-ranging analysis of the development of mass communication, outlining a distinctive social theory of the mass media and their impact.

Prosthetic Memory
Prosthetic Memory

Author: Alison Landsberg

Publisher: Columbia University Press

Published: 2004

Total Pages: 248

ISBN-13: 9780231129268

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Prosthetic Memory argues that mass cultural forms such as cinema and television in fact contain the still-unrealized potential for a progressive politics based on empathy for the historical experiences of others. The technologies of mass culture make it possible for anyone, regardless of race, ethnicity, or gender, to share collective memories--to assimilate as deeply felt personal experiences historical events through which they themselves did not live.

Kiosk Literature of Silver Age Spain
Kiosk Literature of Silver Age Spain

Author: Jeffrey Zamostny

Publisher: Intellect (UK)

Published: 2017

Total Pages: 0

ISBN-13: 9781783206650

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The 'Silver Age' of Spain ran from 1898 to 1939 and was characterized by intense urbanization, widespread class struggle and mobility and a boom in mass culture. This book offers the most detailed scholarly analysis of kiosk literature, one of the mass culture's manifestations, examined through the lens of contemporary interdisciplinary theories.

Memory and Modernity
Memory and Modernity

Author: William Rowe

Publisher:

Published: 1991

Total Pages: 272

ISBN-13:

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Samba and carnival, radio soaps and telenovelas, oral poetry, popular drama, Amerindian art. This illustrated overview of Latin America's popular culture considers the broad spectrum of cultural forms in the various countries of the subcontinent. Exploring the ways in which daily life and ritual have resisted and been influenced by Western mass culture, Memory and Modernity traces the main anthropological, sociological and political debates about the nature of popular culture. Rowe and Schelling use their analysis of the development of a culture industry in Latin America to engage with wider debates about modernity, drawing out the contrast between Latin America's cultural wealth and its widespread material poverty. In challenging the assumptions of much Western cultural criticism, this book will be essential reading for students of Latin American society, while offering the general reader a concise and accessible overview of an exciting and varied popular culture.