A gift dedicated to Leonard Bernstein on his 70th birthday (1988). It was signed by the artist, Yossi Stern, and by Teddy Kollek. In addition to the numerous line drawings illustrating the poetry, Stern crafted an original book cover with a colorful drawing of a wedding scene.
This remarkable volume introduces what is probably the most coherent segment of twentieth-century American literature not written in English. Includes a bilingual facing-page format, notes and biographies of poets, and selections from Yiddish theory and criticism.
"Through Zackary Sholem Berger's translations, Sutzkever Essential Prose brings to light for English readers the largely unknown prose of a seminal Yiddish poet. In these works, Avrom Sutzkever blurs the lines between fiction, memoir, and poetry; between real and imagined; between memory and metaphor. He offers haunting scenes drawn from a vast imagination and from the unique life he lived--his youth in Siberia and Vilna, his trauma as a partisan and a survivor, and his post-war life as a Yiddish poet in Israel."--
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990.
The Bloomsbury Anthology of Contemporary Jewish American Poetry collects more than 200 poems by over 100 poets to celebrate contemporary writers, born after World War II, who write about Jewish themes. In bringing together poets whose writings explore cultural Jewish topics with those who directly address Jewish religious themes as well as those who only indirectly touch on their Jewishness, this anthology offers a fascinating insight into what it is to be a Jewish poet. Featuring established poets as well as representatives of the next generation of Jewish voices, included are poems by, among others, Ellen Bass, Jane Hirshfield, Ed Hirsch, David Lehman, Charles Bernstein, Carol V. Davis, Judith Skillman, Jacqueline Osherow, Alan Shapiro, Ira Sadoff, Melissa Stein, Matthew Zapruder, Philip Schultz, and Jane Shore.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.
I. L. Peretz (1852–1915), the father of modern Yiddish literature, was a master storyteller and social critic who advocated a radical shift from religious observance to secular Jewish culture. Wisse explores Peretz’s writings in relation to his ideology, which sought to create a strong Jewish identity separate from the trappings of religion.
Translations of selected poems by the Yiddish writer, covering the entire breadth of his career. Yiddish writer Avrom Sutzkever (19132010) was described by the New York Times as the greatest poet of the Holocaust. Born in present-day Belarus, Sutzkever spent his childhood as a war refugee in Siberia, returned to Poland to participate in the interwar flourishing of Yiddish culture, was confined to the Vilna ghetto during the Nazi occupation, escaped to join the Jewish partisans, and settled in the new state of Israel after the war. Personal and political, mystical and national, his body of work, including more than two dozen volumes of poetry, several of stories, and a memoir, demonstrated the ways in which Yiddish creativity simultaneously balanced the imperatives of mourning and revival after the Holocaust. In The Full Pomegranate, Richard J. Fein selects and translates some of Sutzkevers best poems covering the full breadth of his career. Feins translations appear alongside the original Yiddish, while an introduction by Justin Cammy situates Sutzkever in both historical and literary context. Richard Fein is among the best translators of Yiddish poetry into Englishthe best now, and, for that matter, among the best ever. He has a deep, inward sense of Yiddish poems, both intuitive and analytic, and a patient tenacity in burrowing into them. He also has what is still rarer, a beautifully fine ear for diction and rhythm; the translations are alive on the page, every word is necessary, every cadence has its music. The poems of Avrom Sutzkever were a challenge to him; he writes, candidly, they wanted me to find new powers in my English. There is a special, precious audacity in accepting such a challenge, and Fein has indeed found the new powers the poems demanded. Lawrence Rosenwald, Wellesley College PRAISE FOR THE FULL POMEGRANATE Avrom Sutzkever has no more loving translator than fellow poet Richard Fein. Even those who think they do not understand poetry will be inspired by the poet who bore witness to the most dramatic points of modern Jewish experience and could transmit their power. Strength and spirit fuse in Sutzkever, wit and insight, moral confidence and grace. Our thanks to the translator and to Justin Cammys introduction for bringing this Jewish cultural landmark to English readers. Ruth R. Wisse, author of No Joke: Making Jewish Humor Richard Feins translations strive for the impossible acrobatics of Sutzkevers writing, from the rare alchemy of his striking metaphors to a postwar longing for poetic redemption in the face of destruction. To capture just an echo of Sutzkevers singular voice would be an achievement. This collection, simultaneously careful and daring in its choices, amplifies that echo to the maximum that the English language would allow. Saul Noam Zaritt, Harvard University In dialogue with Avrom Sutzkever, Richard Fein offers us a vibrant selection of the poets works in a beautiful facing-page translation. Sutzkevers superbly inventive Yiddish imagery and wordcraft inspired Fein, the poet-translator, to dynamically engage both Yiddish and English, with remarkable and moving results. Ellen Kellman, Brandeis University