Modern Violin-playing
Author: Samuel B. Grimson
Publisher:
Published: 1920
Total Pages: 178
ISBN-13:
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Author: Samuel B. Grimson
Publisher:
Published: 1920
Total Pages: 178
ISBN-13:
DOWNLOAD EBOOKAuthor: Patricia Strange
Publisher: Scarecrow Press
Published: 2003-01-21
Total Pages: 353
ISBN-13: 1461664101
DOWNLOAD EBOOKWritten by a composer and a musician, The Contemporary Violin offers a unique menu of avant-garde musical possibilities that both performers and composers will enjoy exploring. Allen and Patricia Strange's comprehensive study critically examines extended performance techniques found in the violin literature of the latter half of the twentieth century. Drawing from both published and private manuscripts, the authors present extended performance options for the acoustic, modified, electric, and MIDI violin, with signal processing and computer-related techniques, and include more than 400 notated examples. The authors begin with bowing techniques and proceed systematically through other aspects of string playing, including MIDI technologies. Their correspondence and research with many performers and composers, the book's extensive score and text bibliography, and the discography of more than 130 recordings make The Contemporary Violin a valuable contemporary music reference and guide. An additional benefit is its listing of Internet resources that will keep the reader up to date with recent developments in contemporary performance and composition. First published by UC Press, 2001.
Author: Dr. Shinichi Suzuki
Publisher: Alfred Music
Published:
Total Pages: 60
ISBN-13: 9781457401190
DOWNLOAD EBOOKDr. Suzuki questioned why all vocalists vocalize every day to improve their voices, but instrumentalists do not do so every day with their instruments. He believes that on any instrument, one needs to practice to make a more beautiful tone. First he talks about playing a beautiful resonant tone with the bow while plucking the string with a finger. When a pizzicato is played, the resonance goes on for a long time. Students should listen to that resonance and play the same kind of clear beautiful sound. He talks about how to make a difference in the tone by using a different bow speed, how to practice to find the resonance point, how to change the weight of the arm on the bow to produce a different kind of tone, and how to change tone color. This book includes all of Dr. Suzuki's basic ideas about tone.
Author: Achille Rivarde
Publisher: Read Books Ltd
Published: 2013-05-31
Total Pages: 48
ISBN-13: 1473388465
DOWNLOAD EBOOK"My object in writing this book is to encourage and help those students of the violin who are sufficiently intelligent to wish to advance with the times and who realise that in order to free violin playing from the rut of tradition in which it has complacently remained for so long, it is necessary to bring greater insistence to bear on the imaginative and poetical side of violin playing than has been done up to the present" Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: The Bow Technique Vibrato Practice Interpretation, To What Extent it Can Be Taught
Author: Peter Kivy
Publisher: Cornell University Press
Published: 2018-09-05
Total Pages: 316
ISBN-13: 1501731637
DOWNLOAD EBOOK"In his latest book on the aesthetics of music, Peter Kivy presents an argument not for authenticity but for authenticities of performance, including authenticities of intention, sound, practice, and the authenticity of personal interpretation in performance.... As usual, Kivy's work is beautifully written, well argued, and provocative."—Notes"Kivy has provided a sorely needed framework for all future discussion of the authenticity matter. This is his best book, a major contribution to performance studies and to musical aesthetics; likely it will be studied and cited for generations."—Choice"Written in lively prose, with a keen sense of reality, [this volume] ought to be of interest not only to philosophers and musicologists, but to all serious lovers of music."—Roger Scruton, Times Literary Supplement"The consistent theme running through Kivy's book is the need for interpretation as the personal authenticity and authority of the performer against the ideology both of the composer as genius and of the puritanical devotion to the authority of the text of the early music devotees.... This is a most valuable book, one which constantly surprises and delights through its philosophical insights and informed musical understanding."—British Journal of Aesthetics
Author: Robin Stowell
Publisher: Cambridge University Press
Published: 1990-07-27
Total Pages: 436
ISBN-13: 9780521397445
DOWNLOAD EBOOKThis volume examines in detail the numerous violin treatises of the late- 18th and early-19th centuries. It provides an historical and technical guide to violin pedagogical method, technique and performance practice during this period.
Author: Barthold Kuijken
Publisher: Indiana University Press
Published: 2013-09-13
Total Pages: 142
ISBN-13: 0253010683
DOWNLOAD EBOOKWritten by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters—and limitations—of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.
Author: British Museum. Department of Printed Books
Publisher:
Published: 1964
Total Pages: 472
ISBN-13:
DOWNLOAD EBOOKAuthor: Dorottya Fabian
Publisher: Open Book Publishers
Published: 2015-08-17
Total Pages: 356
ISBN-13: 178374152X
DOWNLOAD EBOOKThis book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.