Modern Display Alphabets
Modern Display Alphabets

Author: Franklin Photolettering

Publisher:

Published: 1974

Total Pages: 100

ISBN-13: 9780486230979

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Complete fonts of 100 contemporary display alphabets -- upper- and lowercase letters, numbers, and punctuation. Incredible variety includes inlines and outlines, round looks and backslants, double shaded and highlighted, and scores of other styles.

Designed to Sell
Designed to Sell

Author: Alessandra Wood

Publisher: Routledge

Published: 2020-02-28

Total Pages: 292

ISBN-13: 0429796633

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Designed to Sell presents an engaging account of mid-twentieth-century department store design and display in America from the 1930s to the 1960s. It traces the development of postwar philosophies of retail design that embodied aesthetics and function and new modes of merchandise display, resulting in the emergence of a new type of industrial designer. The evolution of aesthetics in department stores during this period reflected larger cultural shifts in consumer behaviour and lifestyle. Designed to Sell explores these changes using five key case studies and original archival sources to reveal the link between designers and consumption beyond the design of individual objects. It argues that design is not simply connected to retail consumption, but that it is capable of controlling how and where customers shop and what they are drawn to purchase. This book contextualises this discussion and brings it up to date for students and scholars interested in design, retail, and interior history.

Type Specimens
Type Specimens

Author: Dori Griffin

Publisher: Bloomsbury Publishing

Published: 2021-12-30

Total Pages: 257

ISBN-13: 1350116610

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Type Specimens introduces readers to the history of typography and printing through a chronological visual tour of the books, posters, and ephemera designed to sell fonts to printers, publishers, and eventually graphic designers. This richly illustrated book guides design educators, advanced design students, design practitioners, and type aficionados through four centuries of visual and trade history, equipping them to contextualize the aesthetics and production of type in a way that is practical, engaging, and relevant to their practice. Fully illustrated throughout with 200 color images of type specimens and related ephemera, the book illuminates the broader history of typography and printing, showing how letterforms and their technologies have evolved over time, inspiring and guiding designers of today.

Architectures of Display
Architectures of Display

Author: Anca I. Lasc

Publisher: Routledge

Published: 2017-09-11

Total Pages: 539

ISBN-13: 1317178955

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Through an international range of case studies from the 1870s to the present, this volume analyzes strategies of display in department stores and modern retail spaces. Established scholars and emerging researchers working within a range of disciplinary contexts and historiographical traditions shed light on what constitutes modern retail and the ways in which interior designers, architects, and artists have built or transformed their practice in response to the commercial context.

Modern Art on Display
Modern Art on Display

Author: K. Porter Aichele

Publisher: Rowman & Littlefield

Published: 2016-05-19

Total Pages: 307

ISBN-13: 1611496179

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Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.