A monograph of the informal style of the modern ranch house as reflected in the works of a forefront designer discusses his blending of California's Spanish-Mexican ranchos with cutting-edge technological features. 12,500 first printing.
'Poirier is a wonderful creator of situations ... His great creation here is Kendra ... Poirier makes you feel trapped in his characters' own predicaments. This is America as it really is ... Superb' Guardian 'One of the most kinetic, original young fiction writers we've read in a long time' Esquire The weather is hotter than hell in Tucson, Arizona, and weird things are afoot in the crumbling desert community of Rancho Sin Vacas. Sixteen-year-old Kendra hones her muscles and grapples with bad grammar, occasionally worrying about her brother, Thomas, who spends all day watching wrestling on TV. Their neighbour Merv is stuck in a rut, still living at home at thirty and looking after his troubled mother. When the strung-out teenager from over the road, Kendra's sometime-boyfriend, goes missing it affects them all in different and surprising ways. And although Kendra is apparently unconcerned, claiming that he's just run away, she can't shake the feeling that something strange is in the air this summer.
Atomic Ranch Midcentury Interiors showcases the virtues of the popular and ubiquitous ranch houses that sprang up across the country following World War II. It features the exceptional interiors of eight houses, discusses successes and challenges, and shows how to live stylishly. Tips are shared on color, flooring, window coverings, furniture arrangements, and how off-the-shelf components can be turned into custom features. The homeowners’ stories explain why these rooms work, and provide you with resources and ideas for everything from garage doors to the art on the wall.
The definitive book on Taxas interior design and architecture--from log cabins to urban lofts to sprawling Hill Country ranches--by the expert on Taxas style.
Helen Tiegs didn't take to driving a tractor when she became a farmer's wife, but after fifty years she considers herself the hub of the family operation. Lila Hill taught piano, then ultimately took a job off the farm to augment the family income during a period of rising costs. From Montana's cattle pastures to New Mexico's sagebrush mesas, women on today's ranches and farms have played a crucial role in a way of life that is slowly disappearing from the western landscape. Recalling her own family-farm ties, Sandra Schackel set out to learn how these women's lives have changed over the second half of the twentieth century. In Working the Land, she collects oral histories from more than forty women—in Arizona, Colorado, Idaho, New Mexico, Oregon, and Texas—recalling their experiences as ranchers and farmers in a modernizing West. Through this diverse group of women—white and Hispanic, rich and poor, ranging in age from 24 to 83—we gain a new perspective on their ties to the land. Although western ranch and farm women have often been portrayed as secondary figures who devoted themselves to housekeeping in support of their husbands' labors, Schackel's interviews reveal that these women have had a much more active role in defining what we know as the modern American West. As Schackel listened to their stories, she found several currents running through their recollections, such as the satisfaction found in living the rural lifestyle and the flexibility of gender roles. She also learned how resourceful women developed new ways to make their farms work—by including tourism, summer camps, and bed-and-breakfast operations—and how many have become activists for land-based issues. And while some like Lila made the difficult decision to work off the farm, such sacrifices have enabled families to hold onto their beloved land. Rich with memory and insight into what makes America's family farms and ranches tick, Working the Land provides a deeper understanding of the West's development over the last fifty years along with new perspectives on shifting attitudes toward women in the workforce. It is both a long-overdue documentation of the lives of hard-working farm women and a celebration of their contributions to a truly American way of life.
My Side of the Mountain is a favorite middle-grade novel. This companion gives background on the author, including an interview, questions to guide reading, clues to the story's themes, plot, characters, and setting, a glossary, writing and other activities, and more. If you loved My Side of the Mountain, you need this reading companion.
There is no hotter style today than the cooler than cool work of modern designers and architects from the 1940s and 50s. Endlessly inventive and emminently livable, mid-century modernism has an optimism and confidence born of postwar abundance, and a spirited elegance that appeals powerfully fifty years later. In CLASSIC MODERN, design expert Deborah Dietsch introduces readers to the basic tenets of modern design and explains how the simple yet inspired forms typical of this style were so readily disseminated into mainstream American culture. Filled throughout with enticing examples of mid-century pieces from such timeless designers as Charles and Ray Eames, Eero Saarinen, Arne Jacobsen, and George Nelson, this beautiful book recaptures the excitement of the period's brilliant designs.
In recent years, mid-century modern furniture, glass, ceramics, and textiles have become popular among those who appreciate their stylish contribution to the contemporary home. 'Modern Retro' will inspire you to create a look that combines modern classics by such visionaries as the Eameses, Bertoia, and Aalto with yard-sale treasures and the best of contemporary design. Created by modern classics dealer Andrew Weaving and design commentator Neil Bingham, 'Modern Retro' is not about slavishly recreating a period feel. Instead, it shows how to take the best designs from the 1920s to the 1970s and use them throughout your home in a relaxed and individual way, making the most of the gloriously eclectic forms, colors, and patterns available.