Alan Bush, Modern Music, and the Cold War

Alan Bush, Modern Music, and the Cold War

Author: Joanna Bullivant

Publisher: Cambridge University Press

Published: 2022-12-15

Total Pages: 289

ISBN-13: 1108210163

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The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist.


Modern Music, Alan Bush, and the Cold War

Modern Music, Alan Bush, and the Cold War

Author: Joanna Louise Bullivant

Publisher:

Published: 2017

Total Pages: 270

ISBN-13: 9781108206112

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The first major study of British communist composer Alan Bush, providing new perspectives on music and politics during the Cold War.


Music, Art and Diplomacy: East-West Cultural Interactions and the Cold War

Music, Art and Diplomacy: East-West Cultural Interactions and the Cold War

Author: Simo Mikkonen

Publisher: Taylor & Francis

Published: 2017-05-15

Total Pages: 201

ISBN-13: 1317091752

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Music, Art and Diplomacy shows how a vibrant field of cultural exchange between East and West was taking place during the Cold War, which contrasts with the orthodox understanding of two divided and antithetical blocs. The series of case studies on cultural exchanges, focusing on the decades following the Second World War, cover episodes involving art, classical music, theatre, dance and film. Despite the fluctuating fortunes of diplomatic relations between East and West, there was a continuous circulation of cultural producers and products. Contributors explore the interaction of arts and politics, the role of the arts in diplomacy and the part the arts played in the development of the Cold War. Art has always shunned political borders, wavering between the guidance of individual and governmental patrons, and borderless expression. While this volume provides insight into how political players tried to harness the arts to serve their own political purposes, at the same time it is clear that the arts and artists exploited the Cold War framework to reach their own individual and professional objectives. Utilizing archives available only since the collapse of the Soviet Union, the volume provides a valuable socio-cultural approach to understanding the Cold War and cultural diplomacy.


Music and Ideology in Cold War Europe

Music and Ideology in Cold War Europe

Author: Mark Carroll

Publisher: Cambridge University Press

Published: 2006-11-02

Total Pages: 257

ISBN-13: 0521031133

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Places the radicalization of art music in early post-war France in its broader socio-cultural and political context.


Red Strains

Red Strains

Author: Robert Adlington

Publisher: OUP/British Academy

Published: 2013-04-25

Total Pages: 0

ISBN-13: 9780197265390

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The end of global communism has erased from memory the prior influence of communist ideology outside of the communist bloc. Many western musicians were involved in communist movements and organisations which often had a decisive impact upon their music. This book recalls the meeting of music and communism in societies outside of a communist state.


Music in America's Cold War Diplomacy

Music in America's Cold War Diplomacy

Author: Danielle Fosler-Lussier

Publisher: Univ of California Press

Published: 2015-04-30

Total Pages: 346

ISBN-13: 0520959787

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During the Cold War, thousands of musicians from the United States traveled the world, sponsored by the U.S. State Department’s Cultural Presentations program. Performances of music in many styles—classical, rock ’n’ roll, folk, blues, and jazz—competed with those by traveling Soviet and mainland Chinese artists, enhancing the prestige of American culture. These concerts offered audiences around the world evidence of America’s improving race relations, excellent musicianship, and generosity toward other peoples. Through personal contacts and the media, musical diplomacy also created subtle musical, social, and political relationships on a global scale. Although born of state-sponsored tours often conceived as propaganda ventures, these relationships were in themselves great diplomatic achievements and constituted the essence of America’s soft power. Using archival documents and newly collected oral histories, Danielle Fosler-Lussier shows that musical diplomacy had vastly different meanings for its various participants, including government officials, musicians, concert promoters, and audiences. Through the stories of musicians from Louis Armstrong and Marian Anderson to orchestras and college choirs, Fosler-Lussier deftly explores the value and consequences of "musical diplomacy."


Atomic Tunes

Atomic Tunes

Author: Tim Smolko

Publisher: Indiana University Press

Published: 2021-05-11

Total Pages: 367

ISBN-13: 0253056179

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What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.


Satchmo Blows Up the World

Satchmo Blows Up the World

Author: Penny VON ESCHEN

Publisher: Harvard University Press

Published: 2009-06-30

Total Pages: 342

ISBN-13: 0674044711

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At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism. Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity. Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.


When the World Seemed New

When the World Seemed New

Author: Jeffrey A. Engel

Publisher: Houghton Mifflin Harcourt

Published: 2017-11-07

Total Pages: 877

ISBN-13: 054493184X

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“Engel’s excellent history forms a standing—if unspoken—rebuke to the retrograde nationalism espoused by Donald J. Trump.”—The New York Times Book Review The collapse of the Soviet Union was the greatest shock to international affairs since World War II. In that perilous moment, Saddam Hussein invaded Kuwait and regimes throughout Eastern Europe and Asia teetered between democratic change and new authoritarian rule. President Bush faced a world in turmoil that might easily have tipped into an epic crisis. As presidential historian Jeffrey Engel reveals in this page-turning history, Bush rose to the occasion brilliantly. Using handwritten letters and direct conversations—some revealed here for the first time—with heads of state throughout Asia and Europe, Bush knew when to push, when to cajole, and when to be patient. Based on previously classified documents, and interviews with all the principals, When the World Seemed New is a riveting, fly-on-the-wall account of a president with his calm hand on the tiller, guiding the nation from a moment of great peril to the pinnacle of global power. “An absorbing book.”—The Wall Street Journal “By far the most comprehensive—and compelling—account of these dramatic years thus far.”—The National Interest “A remarkable book about a remarkable person. Southern Methodist University professor Jeffrey Engel describes in engrossing detail the patient and sophisticated strategy President George H.W. Bush pursued as the Cold War came to an end.”—The Dallas Morning News


Classics for the Masses

Classics for the Masses

Author: Pauline Fairclough

Publisher: Yale University Press

Published: 2016-05-28

Total Pages: 297

ISBN-13: 0300219431

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Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.