Giancarlo Cardinale is determined to end the affair between his brother-in-law, Edward, and the man’s young secretary. But as soon as he lays eyes on Natalia, he realizes how she managed to seduce the man away from his sister. He quickly decides to end the previous affair by seducing Natalia himself. But Giancarlo isn’t prepared to be swept away by Natalia’s mind as well as her looks. Natalia is also swept away…but she isn’t prepared to reveal the truth about her relationship with Edward.
All problems had an answer—but marriage? Francesca was naturally optimistic—and she needed to be. She'd cut her nursing instruction short in order to look after the elderly aunt who had so kindly opened her home to Franny and her brother. Financial difficulties led Franny to apply for a job as Lady Trumper's assistant, but Franny's outspoken manner clearly didn't please her. It was only through her godson, Marc, that Franny was able to get the job. Marc always seemed to be on hand after that.…
Freedom in the World contains both comparative ratings and written narratives and is now the standard reference work for measuring the progress and decline in political rights and civil liberties on a global basis.
Now a Netflix original documentary series, also written by Mark Harris: the extraordinary wartime experience of five of Hollywood's most important directors, all of whom put their stamp on World War II and were changed by it forever Here is the remarkable, untold story of how five major Hollywood directors—John Ford, George Stevens, John Huston, William Wyler, and Frank Capra—changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America’s war, shaping the public’s collective consciousness of what we’ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood’s role in the war through the life and work of these five men who chose to go, and who came back. “Five Came Back . . . is one of the great works of film history of the decade.” --Slate “A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war.” --The New York Times
In the battle of duty versus desire, only one can survive the hot Australian sunshine. Elizabeth Langtree has her life in order – safe, organised, planned. Sure, she has her troubles, but they are nothing she can't handle. Then everything is turned upside down when her family send her to Australia to collect her orphaned nephew. It all seemed so simple in New York, but Australia is nothing like she expected, and she soon falls under the spell of the Outback – the station, the lifestyle, and the seriously sexy owner who has been caring for Luke since the death of his mother. Elizabeth soon discovers that what seemed simple a world away is anything but, and her duty is at odds with the dictates of her heart. She must choose, knowing that a mistake will not only cost her everything, but destroy the future of a devastated little boy.
This is one of the major products of the Scottish Enlightenment and a masterpiece of jurisprudence and social theory. Building on David Hume, Adam Smith, and their respective natural histories of man, John Millar developed a progressive account of the nature of authority in society by analysing changes in subsistence, agriculture, arts, and manufacture. 'The Origin of the Distinction of Ranks' is perhaps the most precise and compact development of the abiding themes of the liberal wing of the Scottish Enlightenment. Drawing on Smith's four-stages theory of history and the natural law's traditional division of domestic duties into those toward servants, children, and women, Millar provides a rich historical analysis of the ways in which progressive economic change transforms the nature of authority. In particular, he argues that, with the progress of arts and manufacture, authority tends to become less violent and concentrated, and ranks tend to diversify.
This book provides a comprehensive and up-to-date introduction to criminological theory for students taking courses in criminology at both undergraduate and postgraduate level. Building on previous editions, this book presents the latest research and theoretical developments. The text is divided into five parts, the first three of which address ideal type models of criminal behaviour: the rational actor, predestined actor and victimized actor models. Within these, the various criminological theories are located chronologically in the context of one of these different traditions, and the strengths and weaknesses of each theory and model are clearly identified. The fourth part of the book looks closely at more recent attempts to integrate theoretical elements from both within and across models of criminal behaviour, while the fifth part addresses a number of key recent concerns of criminology: postmodernism, cultural criminology, globalization and communitarianism, the penal society, southern criminology and critical criminology. All major theoretical perspectives are considered, including: classical criminology, biological and psychological positivism, labelling theories, feminist criminology, critical criminology and left realism, situation action, desistance theories, social control theories, the risk society, postmodern condition and terrorism. The new edition also features comprehensive coverage of recent developments in criminology, including ‘the myth of the crime drop’, the revitalization of critical criminology and political economy, shaming and crime, defiance theory, coerced mobility theory and new developments in social control and general strain theories. This revised and expanded fifth edition of An Introduction to Criminological Theory includes chapter summaries, critical thinking questions, policy implications, a full glossary of terms and theories and a timeline of criminological theory, making it essential reading for those studying criminology and taking courses on theoretical criminology, understanding crime, and crime and deviance
