View our feature on Catherine Delors' Mistress of the Revolution.An impoverished noblewoman, Gabrielle de Montserrat is only fifteen when she meets her first love, a commoner named Pierre-André Coffinhal. But her brother forbids their union, forcing her instead to marry an aging, wealthy cousin. Widowed and a mother before the age of twenty, Gabrielle arrives at the court of Louis XVI and Marie Antoinette in time to be swept up in the emerging turbulence—and to encounter the man she never expected to see again. Determined and independent, she strives to find her own freedom— as the Revolution takes an ever more violent turn.
An innovative radical interpretation of the life and works of Jose Rizal, the national hero of the Philippines, the "pride of the Malay race," in the context of crisis in the neocolony and world revolution against imperialism at the beginning of the twenty-first century. This supplements the author's earlier book, Rizal in Our Time, Revised Edition (Manila: Anvil Publishing, 2011).
This Volume contains papers presented at a symposium organized by the Center for Austrian Studies and held at the University of Minnesota in May 1989. Scholars from Austria, England, Canada, and the United States, specializing in Austrian history, music, art, and literature met to discuss a number of common topics and themes form a variety of perspectives relating to Austria in the age of the French Revolution. The symposium was remarkable for the congeniality of the participants and the easy and fruitful way in which they exchanged ideas and blended their approaches ind insights. The development of Austrian diplomacy, warfare, society, and culture in the period, and the impact of the French Enlightenment and Revolution on Austrian art, literature, music, drama, and journalism are explored in the essays that appear in this study.
A recognized master fantasist, Tanith Lee has won multiple awards for her craft, including the British Fantasy Award, the World Fantasy Award for Life Achievement, and the Bram Stoker Award for Lifetime Achievement in Horror. The fourth installment in Lee’s breathtaking series, Tales from the Flat Earth, Delirium’s Mistress returns to a shadowy and mythic world where demons battle for dominion, and the fate of mankind is shaped by the whims of capricious and volatile beings. Beneath the mortal realm of the Flat Earth, demons lurk. But Azhriaz—daughter of the mortal priestess Dunizel and the demon known as Night’s Master, Azhrarn—bridges these two worlds, a being of both light and darkness. Raised on an isolated isle in the demons’ realm of Underearth, guarded and hidden away from demon and mortal alike, Azhriaz was meant to sleep forever, never knowing the world outside her dreams. But other forces in the Underearth are moving to wake Azhriaz. Prince Chuz, the demon known as Delusion’s Master, has made an enemy of Azhrarn, after his betrayal cost Dunizel her life. Chuz seeks out Azhriaz’s island, drawn by her latent power and entranced by her beauty. To release Azhriaz from her eternal slumber, Chuz must create the grandest illusion he has ever rendered. If he succeeds, Azhriaz will be reborn as Delirium’s Mistress, a sorcerous of extraordinary power. Perhaps even more powerful than Azhrarn himself.... Delirium's Mistress in the fourth book in the Flat Earth sereies.
This book explores shifting representations and receptions of the arms-bearing woman on the British stage during a period in which she comes to stand in Britain as a striking symbol of revolutionary chaos. The book makes a case for viewing the British Romantic theatre as an arena in which the significance of the armed woman is constantly remodelled and reappropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political and social rebellion at home and abroad. Magnifying heroines who appear on stage wielding pistols, brandishing daggers, thrusting swords, and even firing explosives, the study spotlights the intricate and often surprising ways in which the stage amazon interacts with Anglo-French, Anglo-Irish, Anglo-German, and Anglo-Spanish debates at varying moments across the French revolutionary and Napoleonic campaigns. At the same time, it foregrounds the extent to which new dramatic genres imported from Europe –notably, the German Sturm und Drang and the French-derived melodrama– facilitate possibilities at the turn of the nineteenth century for a refashioned female warrior, whose degree of agency, destructiveness, and heroism surpasses that of her tragic and sentimental predecessors.
Set against the turbulent backdrop of the Russian revolution and two World Wars, The Revolution's Child is a sweeping tale of passion, love, loss, exile, and reunion featuring an unforgettable cast of characters.
J. Christopher Herold vigorously tells the story of the fierce Madame de Stael, revealing her courageous opposition to Napoleon, her whirlwind affairs with the great intellectuals of her day, and her idealistic rebellion against all that was cynical, tyrannical, and passionless. Germaine de Stael's father was Jacques Necker, the finance minister to Louis XVI, and her mother ran an influential literary-political salon in Paris. Always precocious, at nineteen Germaine married the Swedish ambassador to France, Eric Magnus Baron de Stael-Holstein, and in 1785 took over her mother's salon with great success. Germaine and de Stael lived most of their married life apart. She had many brilliant lovers. Talleyrand was the first, Narbonne, the minister of war, another; Benjamin Constant was her most significant and long-lasting one. She published several political and literary essays, including "A Treatise on the Influence of the Passions upon the Happiness of Individuals and of Nations," which became one of the most important documents of European Romanticism. Her bold philosophical ideas, particularly those in "On Literature," caused feverish commotion in France and were quickly noticed by Napoleon, who saw her salon as a rallying point for the opposition. He eventually exiled her from France. This winner of the 1959 National Book Award is "excellent ... detailed, full of color, movement, great names, and lively incident" -- The New York Times "Mr. Herold's full-bodied biography is clear-eyed, intelligent, and written with abundant wit and zest." -- The Atlantic Monthly
