DigiCat Publishing presents to you this special edition of "Mr Weston's Good Wine" by T. F. Powys. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
The life of Theodore Francis Powys, the man and the writer (1875–1953), is a story of determined withdrawal from the contemporary world. While his two literary brothers John Cowper and Llewellyn travelled a great deal abroad, Theodore, after early unsuccessful attempts to join the active world, settled into a sedentary life in a remote rural part of Dorset. In his retreat, protected from the outside world by his omnipresent hills, Powys constructed a world, half-real and half-imaginary, in which the man and the writer, reality and fancy and past and present coexisted and sometimes merged. For Powys, fear in its various manifestations, as fear of God, of evil, of death and of self, was a powerful incentive to write and a source of inspiration for almost everything remarkable in his writings. It did not take Powys long to realize that allegory was a literary genre better suited to his literary leanings and peculiar turn of mind than the realism of his early novel-writing ventures. Under the combined influence of the Bible, Bunyan and Hawthorne, he adapted allegory to his specific literary purpose. In that regard, two distinctive aspects of his allegorical stories, namely supernatural visitors and animal symbolism, generally overlooked by his critics, deserve close attention, and are the special focus of this book. Few writers have been so strongly and avowedly marked by so many literary and philosophical influences as Powys. These range from the Bible, Bunyan and Hawthorne to Darwin, Hardy, Lawrence and Freud. However, Powys’s short stories, fables and novels also stand as a unique and original achievement. Indeed, the influence he himself exerted on some novelists of the younger generation, such as William Golding, testifies to the power and originality of his writings.
This is the first account of invented stories involving the Christian supernatural. In their development a central concern is found to be the fantasy-making human imagination itself, at first seen as a obstacle to Christian purpose, but more recently given freer rein.
REVIEW FROM PREVIOUS EDITION: 'A slim and useful student textbook for English Syntax. Although most of the examples are from English, the book introduces general concepts which provide the necessary tools for a basic syntactic analysis of any language. The book concentrates on topics that will remain useful to the student who does not go on to study linguistics but, say, literature or EFL teaching.' - The Year's Work in English StudiesIn this revised and fully updated new edition of his popular textbook, Jim Miller discusses the central concepts of syntax which are applied in a wide range of university courses, in business communication, in teaching and in speech therapy. The book deals with concepts which are central to traditional grammar but have been greatly refined over the past forty years: parts of speech and how to recognise them, constructions and their interrelationships, subordinate clauses and how to recognise the different types, subjects and objects, Agents and Patients and other roles. The book draws out the connections between syntax and meaning and between syntax and discourse; in particular, a new chapter focuses on the analysis of discourse and the final chapter deals with tense, aspect and voice, topics which are central to the construction of texts and are of major importance in second language learning. They are also areas where meaning and grammar interconnect very closely.Key FeaturesCoverage of central themes with a wide application outside the study of syntaxExplains basic concepts, supported by a glossary of technical termsExercises and sources for further reading provided.
Very early in her career Sylvia Townsend Warner won recognition of a discerning group of writers and readers on both sides of rare imagination and originality increased with each new publication. In addition to publishing some twenty books she wrote thousands of letters, mainly to close friends and acquaintances, and these quite naturally provide a record of almost fifty years of the writer’s life. As the editor of the selection says, she had a connoisseur’s eye for the bogus and a hatred for assumptions of privilege – her heart was with the hunted, always, and her deep understanding of human behaviour makes the whole a remarkably compassionate volume. Her interests are wide-ranging, and we read of the pleasures of travel, Proust’s shortcomings as a literary critic, current politics, Rupert Brooke at the Café Royal, an eccentric moorhen, the Spanish Civil War. Above all, apart from their intrinsic interest and literary quality, Miss Warner’s letters reveal the special brand of wit and humour that pervades every word she writes.
