Two notorious female serial killers from the Show Me State share the spotlight in this true crime history. At the turn of the twentieth century, people in Missouri experienced unexpected and horrible deaths due to arsenic. Two different women in two different areas of Missouri, and for two different reasons, used arsenic as a means to get what they wanted. Emma Heppermann, a black-widow killer, craved money. Bertha Gifford, an angel of mercy, took sick people into her home and nursed them to death. Follow the trails of these women who murdered for decades before being tried and convicted. From Wentzville to Steelville, Emma left a trail of bodies. And Bertha is suspected of killing almost 10 percent of the population of the little town of Catawissa. Authors Victoria Cosner and Lorelei Shannon offer the gruesome history of Missouri’s murderous matrons.
At the turn of the twentieth century, people in Missouri experienced unexpected and horrible deaths due to arsenic. Two different women in two different areas of Missouri, and for two different reasons, used arsenic as a means to get what they wanted. Emma Heppermann, a black widow killer, craved money. Bertha Gifford, an angel of mercy, took sick people into her home and nursed them to death. Follow the trails of these women who murdered for decades before being tried and convicted. From Wentzville to Steelville, Emma left a trail of bodies. And Bertha is suspected of killing almost 10 percent of the population of the little town of Catawissa. Authors Victoria Cosner and Lorelei Shannon offer the gruesome history of Missouri's murderous matrons.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Enigmatic Pilot is Kris Saknussemm’s outrageously brilliant yet profoundly moving exploration and excavation of the American dream—and nightmare. In 1844, in a still-young America, the first intimations of civil war are stirring throughout the land. In Zanesville, Ohio, the Sitturd family—Hephaestus, a clubfooted inventor; his wife, Rapture, a Creole from the Sea Islands; and their prodigiously gifted six-year-old son, Lloyd, whose libido is as precocious as his intellect—are forced to flee the only home they have ever known for an uncertain future in Texas, whence Hephaestus’s half-brother, Micah, has sent them a mysterious invitation, promising riches and wonders too amazing to be entrusted to paper. Thus begins one of the most incredible American journeys since Huck Finn and Jim first pushed their raft into the Mississippi. Along the way, Lloyd will learn the intricacies of poker and murder, solve the problem of manned flight, find—and lose—true love, and become swept up in an ancient struggle between two secret societies whose arcane dispute has shaped the world’s past and threatens to reshape its future. Each side wants to use Lloyd against the other, but Lloyd has his own ideas—and access to an occult technology as powerful as his imagination.
Presents a collection of essays that describe the settling of the American West and the conflicts between the encroaching whites and the native peoples.
Born in 1915 to one of New England’s elite wealthy families, Isabella Gardner was expected to follow a certain path in life—one that would take her from marriageable debutante to proper society lady. But that plan was derailed when at age eighteen, Isabella caused a drunk-driving accident. Her family, to shield her from disgrace, sent her to Europe for acting studies, not foreseeing how life abroad would fan the romantic longings and artistic impulses that would define the rest of Isabella’s years. In Not at All What One Is Used To, author Marian Janssen tells the story of this passionate, troubled woman, whose career as a poet was in constant compromise with her wayward love life and her impulsive and reckless character. Life took Gardner from the theater world of the 1930s and ’40s to the poetry scene of the ’50s and ’60s to the wild, bohemian art life of New York’s Hotel Chelsea in the ’70s. She often followed where romance, rather than career, led her. At nineteen, she had an affair with a future president of Ireland, then married and divorced three famous American husbands in succession. Turning from acting to poetry, Gardner became associate editor of Chicago’s Poetry magazine and earned success with her best-received collection, Birthdays from the Ocean, in 1955. Soon after, her life took a turn when she met the southern poet Allen Tate. He was married to Caroline Gordon but left her to wed Gardner, who moved to Minneapolis and gave up writing to please him, but after a few short years, Tate fell for a young nun and abandoned her. In the liveliest of places at the right times, Gardner associated with many of the most significant cultural figures of her age, including her cousin Robert Lowell, T.S. Eliot, Ludwig Mies van der Rohe, Virgil Thomson, Tennessee Williams, and Robert Penn Warren. But famous connections could never save Isabella from herself. Having abandoned her work, she suffered through alcoholism, endured more failed relationships, and watched the lives of her children unravel fatally. Toward the end of her life, though, she took her pen back up for the poems in her final volume. Redeemed by her writing, Gardner died alone in 1981, just after being named the first poet laureate of New York State. Through interviews with many Gardner intimates and extensive archival research, author Marian Janssen delves deep into the life of a woman whose poetry, according to one friend, “probably saved her sanity.” Much more than a biography, Not at All What One Is Used To is the story of a woman whose tumultuous life was emblematic of the cultural unrest at the height of the twentieth century.
