Myths and Mysteries of Missouri dispels any notion that the Show Me State is a boring place harboring little unknown. Thirteen diverse chapters, each a story unto itself, probe dark secrets, unexplained phenomena, legendary individuals and actual events which leave people incredulous to this day. Much in this well-researched book has been largely forgotten, but the author's lively and amusing style will awaken curiosity in lifelong residents and armchair visitors alike
Missouri has been likened to a “cave factory” because its limestone bedrock can be slowly dissolved by groundwater to form caverns, and the state boasts more than six thousand caves in an unbelievable variety of sizes, lengths, and shapes. Dwight Weaver has been fascinated by Missouri’s caves since boyhood and now distills a lifetime of exploration and research in a book that will equally fascinate readers of all ages. Missouri Caves in History and Legend records a cultural heritage stretching from the end of the ice age to the twenty-first century. In a grand tour of the state’s darkest places, Weaver takes readers deep underground to shed light on the historical significance of caves, correct misinformation about them, and describe the ways in which people have used and abused these resources. Weaver tells how these underground places have enriched our knowledge of extinct animals and early Native Americans. He explores the early uses of caves: for the mining of saltpeter, onyx, and guano; as sources of water; for cold storage; and as livestock shelters. And he tells how caves were used for burial sites and moonshine stills, as hideouts for Civil War soldiers and outlaws—revealing how Jesse James became associated with Missouri caves—and even as venues for underground dance parties in the late nineteenth century. Bringing caves into the modern era, Weaver relates the history of Missouri’s “show caves” over a hundred years—from the opening of Mark Twain Cave in 1886 to that of Onyx Mountain Caverns in 1990—and tells of the men and women who played a major role in expanding the state’s tourism industry. He also tracks the hunt for the buried treasure and uranium ore that have captivated cave explorers, documents the emergence of organized caving, and explains how caves now play a role in wildlife management by providing a sanctuary for endangered bats and other creatures. Included in the book is an overview of cave resources in twelve regions, covering all the counties that currently have recorded caves, as well as a superb selection of photos from the author’s extensive collection, depicting the history and natural features of these underground wonders. Missouri Caves in History and Legend is a riveting account that marks an important contribution to the state’s heritage and brings this world of darkness into the light of day.
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Few frontiersmen in the late eighteenth century and early nineteenth century epitomized the reckless energies of the West and the lust for adventure as did John Smith T pioneer, gunfighter, entrepreneur, militia colonel, miner, judge, and folk hero. In this fascinating biography, Dick Steward traces the colorful Smith T's life from his early days in Virginia through his young adulthood. He then describes Smith T's remarkable career in the wilds of Missouri and his armed raids to gain land from Indians, Spaniards, and others. Born into the fifth generation of Virginia gentry, young Smith first made his name on the Tennessee frontier. It was there that he added the "T" to his name to distinguish his land titles and other enterprises from those of the hosts of other John Smiths. By the late 1790s he owned or laid claim to more than a quarter million acres in Tennessee and northern Alabama. In 1797, Smith T moved to Missouri, then a Spanish territory, and sought to gain control of its lead-mining district by displacing the most powerful American in the region, Moses Austin. He acquired such public positions as judge of the court of common pleas, commissioner of weights and levies, and lieutenant colonel of the militia, which enabled him to mount a spirited assault on Austin's virtual monopoly of the lead mines. Although neither side emerged a winner from that ten-year-old conflict, it was during this period that Smith T's fame as a gunfighter and duelist spread across the West. Known as the most dangerous man in Missouri, he was said to have killed fourteen men in duels. Smith T was also recognized by many for his good works. He donated land for churches and schools and was generous to the poor and downtrodden. He epitomized the opening of the West, helping to build towns, roads, and canals and organizing trading expeditions. Even though Smith T was one of the most notorious characters in Missouri history, by the late nineteenth century he had all but disappeared from the annals of western history. Frontier Swashbuckler seeks to rescue both the man and the legend from historical obscurity. At the same time, it provides valuable insights into the economic, political, and social dynamics of early Missouri frontier history.
Marauders like Jesse James and the Younger gang earned Missouri the title of "Outlaw State," but the male desperadoes had nothing on their female counterparts. Belle "Queen of the Bandits" Starr and Cora Hubbard kept Missouri's sensationalist newspapers and dime novelists in business with exploits ranging from horse thefts to bank heists. Missouri native Ma Barker and her murderous sons rose to infamy during the gangster era of the 1930s while Bonnie Parker crisscrossed the state with Clyde Barrow. From savvy burlesque dancers to deadly gold diggers, historian Larry Wood chronicles the titillating stories of ten of the Show-Me State's shadiest ladies.
From the duel on Bloody Island to the "Missouri Miracle" kidnapping and recovery of Shawn Hornbeck, Missouri has seen its share of notorious crimes. It was home to the first western gunfight on the town square between Wild Bill Hickok and Dave Tutt. The three trials of the alleged murderer of Colonel Thomas Swope, the founder of Kansas City's Swope Park, enveloped the state. Residents also saw the killings within a few blocks of each other that inspired the songs "Stagger Lee" and "Frankie and Johnny." Vicki Berger Erwin and James W. Erwin explore crimes, criminals and victims from the violent history of the last two hundred years in the Show Me State.
What kind of evil lives at the Union Screaming House? In this true and terrifying firsthand account, Steven LaChance reveals how he and his three children were driven from their Union, Missouri, home by demonic attackers. LaChance chronicles how the house's relentless supernatural predators infest those around them. He consults paranormal investigators, psychics, and priests, but the demonic attacks—screams, growls, putrid odors, invisible shoves, bites, and other physical violations—only grow worse. The entities clearly demonstrate their wrath and power: killing family pets, sexually assaulting individuals, even causing two people to be institutionalized. The demons' next target is the current homeowner, Helen. When the entities take possession and urge Helen toward murder and madness, LaChance must engage in a hair-raising battle for her soul. Selected as one of the Best Books of 2008 by the St. Louis Post-Dispatch.
It's perhaps the relative modernity of rock 'n' roll that makes the genre a minefield of myths and legends accepted as truth. History hasn't had time to dissect the bunk. Until now. Discover the real stories behind rock's biggest crocks, how they came to be but why they have persisted. Did Cass Elliott really asphyxiate herself with a ham sandwich? Did the Beatles spark a spliff in Buckingham? Did Willie Nelson do the same in the White House? Did Keith Richards get a complete "oil change" at a Swiss clinic in 1973 to pass a drug test necessary to embark on an American tour with the Stones? Then there's the freaky (did Michael Jackson own the remains of the Elephant Man?), the quasi-medical (Rod Stewart and that stomach pump?), the culinary (did Alice Cooper and Ozzy Osbourne really do all those things to bats, chickens, etc. onstage?), and the apocryphal (did Robert Johnson sell his soul to the Prince of Darkness in exchange for mastery of the blues?). In all, more than 50 enduring lies are examined, explained, and debunked.
The Legend of the Albino Farm is a horror story turned inside out. What if a thriving family were saddled with an unshakable spook tale? And what if that lore cursed them with an unending whirlwind of destruction from thrill seekers, partiers, bikers, and Goths? Hettienne Sheehy is about to inherit this devouring legacy. Last child to bear a once golden name, she is heiress to a sprawling farm in the Missouri Ozarks. During summer, childhood idylls in the late 1940s, Hettienne has foreseen all this apocalyptic fury in frightening, mystifying visions. Haunted by a whirling augury, by a hurtful spook tale, and by a property that seems to doom all who would dare own it, in the end, Hettienne will risk everything to save the family she truly loves. The Legend of the Albino Farm has haunted two generations of Sheehys and marred all memory of the family's glory days. Worse, this spooky lore now draws revelers, druggies, motorcycle gangs, hippies, and later Goths to trample the land, set bonfires, and vandalize its structures, all while Hettienne's aged aunts cling to privacy, sanity, and a rapidly deteriorating thirteen-room mansion.. From her youth, throughout her marriage and her rearing of her children, the Legend of the Albino Farm and the curse of the Sheehys drag at her and her family like a vortex. Haunted by a whirling augury, by a hurtful spook tale, and by a relentlessly judgmental Ozarks city, in the end, Hettienne believes she must make decisions that might compromise her family's financial security but will severe them from an ever more dangerous legacy.
