Portions of this stunning setting of the Mass are already well-known. Using the previously composed Kyrie, Festival Sanctus and Agnus Dei as pivotal points, John's powerful settings of the Gloria and Credo round out the Mass setting with strength and dignity. A wonderful addition to any school or church library. Perform with piano accompaniment or chamber orchestra.
Gretchaninov started his musical studies rather late because his father, a businessman, had expected him to take over the family firm. Gretchaninov began his studies at the Moscow Conservatory in 1881, later moving to St. Petersburg where he studied composition and orchestration with Nikolai Rimsky-Korsakov until 1893. It is not surprising that Rimsky's influence can be heard in Gretchaninov’s early works. The Missa Festiva was not written until 1937. This is the choral score of the work, with Latin text, and without notated accompaniment.
Arranger index (c1987) provides an additional means of access by the name of the arranger or editor; 1988 supplement contains the sacred choral entries included in the 1986 Music-in-print annual supplement as well as new music published since 1985; 1992 supplment contains listings of music published since 1987 as well as earlier material of publishers not previously in the series; 1996 supplement contains listings of music published since 1991 as well as earlier material not previously in the series.
Giving brief, essential information on some 700 works, this guide illustrates the scope of Mass and Requiem compositions of the United States from the early nineteenth century to the present day.
This book lists nearly 3,000 original choral works written by 76 composers active in the United States from roughly 1920 until the present. Styles range from the lush Romanticism of Charles Wakefield Cadman to the stark, dissonant harmonies of Morton Feldman.
On July 3, 1940, 5,000 exhausted and hungry French officers reached a high plateau of the Moravian Mountain range in Austria. Prisoners of war of the Third Reich, they had arrived at Oflag XVIIA, a quad of grim looking barracks encircled by barbed wire, their new home for the next five years. Determined to maintain their dignity and show their "fierce will" to resist, they immediately organized and within a year created a dynamic community, complete with a university, library, newspaper, theater, orchestra and sport teams. More than 20 clandestine radios connected them with the outside world. In 1943, they executed the largest Allied POW escape of the war with 132 escapees, twice as many as the famed "Great Escape" from Colditz. Seventy years after their liberation, this translation with commentary of two officers' diaries reveals a never before told story of struggle and triumph.