Flores de Mayo
Author: Reinaldo Casanova C.
Publisher: Cognitio
Published: 2012-12
Total Pages: 139
ISBN-13: 1939393906
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Author: Reinaldo Casanova C.
Publisher: Cognitio
Published: 2012-12
Total Pages: 139
ISBN-13: 1939393906
DOWNLOAD EBOOKAuthor: Richard K. Spottswood
Publisher: University of Illinois Press
Published: 1990
Total Pages: 762
ISBN-13: 9780252017247
DOWNLOAD EBOOKThis impressive compilation offers a nearly complete listing of sound recordings made by American minority artists prior to mid-1942. Organized by national group or language, the seven-volume set cites primary and secondary titles, composers, participating artists, instrumentation, date and place of recording, master and release numbers, and reissues in all formats. Because of its clear arrangements and indexes, it will be a unique and valuable tool for music and ethnic historians, folklorists, and others.
Author: Helen Keller
Publisher: Editorial Renacimiento
Published: 2012-11-23
Total Pages: 269
ISBN-13: 848472736X
DOWNLOAD EBOOKAutobiography of deaf and blind woman, and activist, Helen Keller.
Author: Yolanda Broyles-Gonzalez
Publisher: Oxford University Press
Published: 2001-05-17
Total Pages: 274
ISBN-13: 9780195351996
DOWNLOAD EBOOKLydia Mendoza began her legendary musical career as a child in the 1920s, singing for pennies and nickels on the streets of downtown San Antonio. She lived most of her adult life in Houston, Texas, where she was born. The life story of this Chicana icon encompasses a 60-year singing career that began with the dawn of the recording industry in the 1920s and continued well into the 1980s, ceasing only after she suffered a devastating stroke. Her status as a working-class idol continues to this day, making her one of the most prominent and long-standing performers in the history of the recording industry and a champion of Chicana/o music. This bilingual edition presents Lydia Mendoza's historia in an interview between the artist and Yolanda Broyles-González: first is the English translation, then the Spanish original, as told by Mendoza herself. Broyles-González concludes the volume with an extended essay on the significance of Mendoza's career and her place in Tejana music and Chicana studies. Known as a lone artist and performer, Lydia Mendoza's voice and twelve-string guitar-playing figure prominently in her ability to both nurture and transmit the vast oral tradition of popular Mexican song with beauty and integrity. She sang the songs of the people across generations in the old tradition; all are indigenous to the Americas, and many of them to Texas. It is the music that emerged from the experiences of native peoples (on both sides of the U.S.-Mexico border) within the colonial context of the nineteenth century. Mendoza's prominence and stature as a Chicana idol stems from her sustained presence and perpetual visibility within a complex network of social and cultural relations in the twentieth century. Along with being one of the earliest female recording and touring artists, she is loved as a voice of working-class sentimiento, sentiment and sentience, through song, which is one of the most cherished of Chicana/o cultural art forms. Through her vast repertoire and unmistakable interpretive skill in the shaping of songs she is a living embodiment of U.S.-Mexican culture and a participant in raza people's protracted struggles for survival.
Author: Norma Elia Cantú
Publisher: University of Arizona Press
Published: 2019-09-24
Total Pages: 145
ISBN-13: 0816540470
DOWNLOAD EBOOKThis collection is a beautifully crafted exploration of life in the Texas-Mexico borderlands. Written by Norma Elia Cantú, the award-winning author of Canícula, this collection carries the perspective of a powerful force in Chicana literature—and literature worldwide. The poems are a celebration of culture, tradition, and creativity that navigates themes of love, solidarity, and political transformation. Deeply personal yet warmly relatable, these poems flow from Spanish to English gracefully. With Gloria Anzaldúa’s foundational work as an inspiration, Meditación Fronteriza unveils unique images that provide nuance and depth to the narrative of the borderlands. Poems addressed to talented and influential women such as Gwendolyn Brooks and Adrienne Rich, among others, pour gratitude and recognition into the collection. While many of the poems in Meditación Fronteriza are gentle and inviting, there are also moments that grieve for the state of the borderlands, calling for political resistance.
Author: Steven L. Davis
Publisher: Texas A&M University Press
Published: 2022-08-24
Total Pages: 490
ISBN-13: 162349981X
DOWNLOAD EBOOKMore than the lifeblood of our natural world, Texas rivers have nourished the human spirit for as long as people have gathered on their banks. A living bond has flowed between Texas writers and rivers ever since the 1960 publication of John Graves’s classic journey along the Brazos, Goodbye to a River. Many of Texas’ leading writers have had their hearts captured by a river, and they have created sparkling accounts of the waterways they love. Now, editors Steven L. Davis and Sam L. Pfiester have assembled the best of those works into a revelatory collection of diverse literary voices. Ranging from the desert canyonlands of the Rio Grande to the swampy Big Thicket, from crystal clear Hill Country streams to the Red River’s treacherous quicksand, Viva Texas Rivers! showcases many classic writings along with brand new essays written for this volume. The literary nonfiction is complemented by flashes of poetry that brilliantly reflect these curving ribbons of light. Authoritative and expertly edited, Viva Texas Rivers! offers shimmering accounts of hidden paradises, as well as searing exposés of abuse and despoliation. Yet even in the bleakest times, as these writers have found, Texas rivers can bestow a sacred grace —and unexpected redemption. Viva Texas Rivers! brings you as close to the living nirvana of a Texas River as you can get without launching yourself into a canoe and following a great blue heron as it glides just above the breaking rapids, leading you around the bend as the river flows onward toward the best places in our hearts.
Author: Library of Congress. Copyright Office
Publisher:
Published: 1977
Total Pages: 1324
ISBN-13:
DOWNLOAD EBOOKAuthor: Gabriella Gutiérrez y Muhs
Publisher: University of Arizona Press
Published: 2017-04-25
Total Pages: 233
ISBN-13: 0816536236
DOWNLOAD EBOOKThis collection of critical essays unveils for the first time Norma Elia Cantú’s contribution as a folklorist, writer, scholar, and teacher. Word Images unites two valuable ways to view and use Cantú’s work: Part 1 comprises essays that individually examine Cantú’s oeuvre through critical analysis. Part 2 is dedicated to ideas and techniques to improve the use of this literature by teachers and professors, with a particular focus on tools for using Canícula. Contributors: Steven W. Bender Aurora Chang Vanessa Fonseca Gabriella Gutiérrez y Muhs María Herrera-Sobek Ellen McCracken María Esther Quintana Millamoto Aldo Ulisses Reséndiz Ramírez Rose Rodríguez-Rabin Jesús Rosales Carlos Sibaja García María Socorro Tabuenca Juan Velasco
Author: Enrique Sol?'s s. Rquez
Publisher: Palibrio
Published: 2012
Total Pages: 211
ISBN-13: 1463315864
DOWNLOAD EBOOKYucatán, 1847. La incipiente república mejicana está ocupada por tropas de la Unión Americana. Se inicia una ominosa guerra, la que pronto sería llamada "Guerra de castas". Tizimín, situado en las últimas fronteras de la civilización, una década atrás había padecido de asonadas de militares que pretendían separar a la península de Méjico. Desde 1812 la Nueva España habían derogado de facto las leyes de las Cortes de Cádiz, que otorgaban a los indígenas los mismos privilegios que gozaban los españoles. Los nuevos amos son ahora los criollos: hacendados, empresarios, militares, clérigos, y una pequeña burguesía, oprimieron los mayas y restauraron el feudalismo en la región. El levantamiento indígena resultante sería el más cruento que recuerde la historia del Continente. En aquel ambiente, un mozalbete de ambigua procedencia y trastornada personalidad, se involucra activamente en la contienda. La gente blanca del pueblo huye en urgida caravana hacia Mérida, ciudad blanca. En el trayecto, nuestro amigo va descubriendo la realidad de sus orígenes. Y todo parece haber cambiado para él. A la muerte de sus padres, su tía y el cura del pueblo ya se habían encargado de su educación. Un misterioso personaje aparece reiteradamente a suplantar su singular personalidad. Su fascinación por la aventura, la temprana avidez por el dinero, una innata empatía hacia los mayas, y sus relación con una jovencita indígena, le mueven a unirse a los alzados, al tiempo que sus nuevos preceptores le apoyan en su vocación a las letras. A cuatro décadas de la huída, Turix nos relata las peripecias de su vida, y nos da a conocer el intolerante ambiente de aquella época. "El escritor es un observador imparcial, no juez de sus personajes, o de las palabras que él pueda poner en su boca; aprende a alejarse de sí mismo y a mirarse sin complicidades. No resuelve problemas, sólo los plantea abiertamente", expresa en algún momento de su narrativa.
Author: Mikeas Sánchez
Publisher: Milkweed Editions
Published: 2024-01-09
Total Pages: 257
ISBN-13: 1639550216
DOWNLOAD EBOOKThe latest in the Seedbank series, the debut in English of a groundbreaking Indigenous poet of the Americas. In a fiercely personal yet authoritative voice, prolific contemporary poet Mikeas Sánchez explores the worldview of the Zoque people of southern Mexico. Her paced, steely lyrics fuse cosmology, lineage, feminism, and environmental activism into a singular body of work that stands for the self and the collective in the same instant. “I am woman and I celebrate every vein,” she writes, “where I guard my ancestors’ secrets / every Zoque man’s word in my mouth / every Zoque woman’s wisdom in my spit.” How to Be a Good Savage and Other Poems examines the intersection of Zoque struggles against colonialism and empire, and those of North African immigrants and refugees. Sánchez encountered the latter in Barcelona as a revelation, “spreading their white blankets on the ground / as if they’ll soon return to sea / flying the sail of the promised land / the land that became a mirage.” Other works bring us just as close to similarly imperiled relatives, ancestors, gods, and archetypal Zoque men and women that Sánchez addresses with both deeply prophetic and childlike love. Coming from the only woman to ever publish a book of poetry in Zoque and Spanish, this timely, powerful collection pairs the bilingual originals with an English translation for the first time. This book is for anyone interested in poetry as knowledge, proclaimed with both feet squarely set on ancient ground.