Modern Debates on Prophecy and Prophethood in Islam
Modern Debates on Prophecy and Prophethood in Islam

Author: Mahsheed Ansari

Publisher: Taylor & Francis

Published: 2023-07-17

Total Pages: 277

ISBN-13: 100086975X

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While prophethood is the backbone of the Islamic tradition and an uncompromised tenet of faith, the impact of modernity with its ambivalent status afforded to the prophet and institution of prophethood shook many Muslim scholars. Through analysis of these modern debates on prophethood in Islam, this book situates Muhammad Iqbal’s (1877–1938) and Said Nursi’s (1877–1960) discourses within it and assesses their implications on the modern period. This book introduces the "what, who and how" of the prophets in the Islamic tradition. It unveils the rich Islamic literature of both the classical and modern periods and analyses the construction of their philosophies and theologies. Concise in both historical and textual analyses, this book makes an important contribution to our understanding of contemporary debates on prophecy and prophethood in Islam and will be of great interest to postgraduate students and researchers of Islam, religious studies, medieval studies and contemporary studies of Islam and religion.

Real Birds in Imagined Gardens
Real Birds in Imagined Gardens

Author: Kavita Singh

Publisher: Getty Publications

Published: 2017-03-07

Total Pages: 120

ISBN-13: 1606065181

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Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. She contends that Mughal painters were purposely selective in their use of European elements. Stylistic influences from Europe informed some aspects of the paintings, including the depiction of clothing and faces, but the symbolism, allusive practices, and overall composition remained inspired by Persian poetic and painterly conventions. Closely examining magnificent paintings from the period, Singh unravels this entangled history of politics and style and proposes new ways to understand the significance of naturalism and stylization in Mughal art.

In-Between: Architectural Drawing and Imaginative Knowledge in Islamic and Western Traditions
In-Between: Architectural Drawing and Imaginative Knowledge in Islamic and Western Traditions

Author: Hooman Koliji

Publisher: Routledge

Published: 2016-03-09

Total Pages: 251

ISBN-13: 1317117700

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Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.

Allegory and Philosophy in Avicenna (Ibn Sînâ)
Allegory and Philosophy in Avicenna (Ibn Sînâ)

Author: Peter Heath

Publisher: University of Pennsylvania Press

Published: 2010-11-24

Total Pages: 268

ISBN-13: 0812202228

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Islamic allegory is the product of a cohesive literary tradition to which few contributed as significantly as Ibn Sina (Avicenna), the eleventh-century Muslim philosopher. Peter Heath here offers a detailed examination of Avicenna's contribution, paying special attention to Avicenna's psychology and poetics and to the ways in which they influenced strains of theological, mystical, and literary thought in subsequent Islamic—and Western—intellectual and religious history. Heath begins by showing how Avicenna's writings fit into the context and general history of Islamic allegory and explores the interaction among allegory, allegoresis, and philosophy in Avicenna's thought. He then provides a brief introduction to Avicenna as an historical figure. From there, he examines the ways in which Avicenna's cosmological, psychological, and epistemological theories find parallel, if diverse, expression in the disparate formats of philosophical and allegorical narration. Included in this book is an illustration of Avicenna's allegorical practice. This takes the form of a translation of the Mi'raj Nama (The Book of the Prophet Muhammad's Ascent to Heaven), a short treatise in Persian generally attributed to Avicenna. The text concludes with an investigation of the literary dimension Avicenna's allegorical theory and practice by examining his use of description metaphor. Allegory and Philosophy in Avicenna is an original and important work that breaks new ground by applying the techniques of modern literary criticism to the study of Medieval Islamic philosophy. It will be of interest to scholars and students of medieval Islamic and Western literature and philosophy.

The Boundaries of Afghans’ Political Imagination
The Boundaries of Afghans’ Political Imagination

Author: Jolanta Sierakowska-Dyndo

Publisher: Cambridge Scholars Publishing

Published: 2014-08-11

Total Pages: 215

ISBN-13: 1443865729

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In this book, The Boundaries of Afghans’ Political Imagination, the author seeks an answer to the question of how tradition, specifically its normative-axiological aspects, shapes the political attitudes and actions of the Afghans. The author points to two different concepts of social order which are moulded by the Pashtunwali: on the one hand, a tribal code which is part of Pashto language tradition; and on the other hand, by Sufism, the religious and philosophical current in Islam expressed mainly in the Dari (Persian) language. The two systems offer a different hierarchy of values, and organize social reality by referring to two different models of order: the circle and the pyramid. While making an in-depth analysis of the topic, the author asserts that the social organization of the Pashtuns is based on the principle of representation and consensus. Tribalism is shaped in the structure of a circle, in which a group is the fundamental category. Where tribal structure no longer performs its regulatory and organizational functions, the pattern of social order is offered by the Sufi Brotherhoods, which had long been very popular and powerful in this part of Asia. The hierarchical organization of Sufism, based on a disciple-master relationship and the principle of authoritarianism, gradually established the structure of the pyramid as a model of social order, and also of political order. Religious Sufi Brotherhoods became the most accessible leadership pattern, besides the tribal one, to be fixed in the Afghans’ social imagination. This analysis from the perspective of sociocultural and political anthropology will be indispensable for those interested in Afghan and Islamic societies.

Sultan Ibrahim Mirza's Haft Awrang
Sultan Ibrahim Mirza's Haft Awrang

Author: Marianna Shreve Simpson

Publisher: Yale University Press

Published: 1997-01-01

Total Pages: 452

ISBN-13: 0300068026

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Simpson explores the production, purpose and meaning of the Haft awrang (Seven Thrones), providing historical documentation about its princely patron and artists, and analysing its contents. She focuses in particular on the iconography of the seven poems.

Falnama
Falnama

Author: Massumeh Farhad

Publisher:

Published: 2009

Total Pages: 352

ISBN-13:

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"Praised by the New York Times as "a highly important exhibition book," this lavishly produced catalog reproduces illustrated texts from the groundbreaking exhibition at the Arthur M. Sackler Gallery. Called "fabulous" by the Washington Post, Falnama was the first show of its kind dedicated to the art of divination in the Islamic world. The Falnama were brilliantly painted compositions created in Safavid Iran and Ottoman Turkey in the sixteenth and early seventeenth centuries. Falnama: The Book of Omens combines rare images with scholarly texts on the deeper meaning of dreams, omens, and divination. Featured in this first publication ever devoted to the Falnama as a genre are intact volumes as well as text folios and illustrations now dispersed among international public and private collections. Essays by scholars of Safavid, Ottoman, and Byzantine history and language, complemented by full-color illustrations, offer detailed analysis of the form, content, and meaning of these rarely seen works of art. The first-ever translations of three of the four monumental copies provide insight into a vivid and enduring aspect of human concern--the unknown."--Publisher's website.

Kalīla Wa-Dimna
Kalīla Wa-Dimna

Author: Jill Sanchia Cowen

Publisher: Oxford University Press, USA

Published: 1989

Total Pages: 216

ISBN-13:

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In the 14th-century Mongol court of Persia, the Kalila wa Dimna animal tales inspired a narrative cycle of expressive and beautiful paintings. Cowen offers a lively new translation of the tales and original Persian paintings, exploring the ways in which the artists expanded the content of the fables to create a wicked and allegorical portrait of the Mongol Court.