The finest ghazals of Mir Taqi Mir, the most accomplished of Urdu poets. The prolific Mir Taqi Mir (1723–1810), widely regarded as the most accomplished poet in Urdu, composed his ghazals—a poetic form of rhyming couplets—in a distinctive Indian style arising from the Persian ghazal tradition. Here, the lover and beloved live in a world of extremes: the outsider is the hero, prosperity is poverty, and death would be preferable to the indifference of the beloved. Ghazals offers a comprehensive collection of Mir’s finest work, translated by a renowned expert on Urdu poetry.
Mir Taqi Mir (1723-1810), known as the god of Urdu poesy (Khuda-e Sukhan), is widely admired for his poetic genius. The most prolific among all Urdu poets, he produced six divans. His deceptively simple poetry had an unusual mellowness and natural flow.Mir was the first poet to demonstrate the hidden beauty and genius of the Urdu language. From the raw Braj of Agra to the sophisticated Persian of Delhi and the mellow Awadhi of Lucknow, he wove them all into his verse. He took the half-baked Rekhta of the mid-eighteenth century to new heights, reaching the pinnacle of literary Urdu's poetic and creative journey. With a substantial selection of Mir's most memorable ghazals, The Hidden Garden introduces readers to the life and poetry of the grossly misunderstood poet. This book is the perfect read for lovers of poetry and Urdu alike.
Mir Muhammad Taqi Mir is widely regarded as the most accomplished poet in the Urdu language. Selected Ghazals and Other Poems offers a comprehensive collection of ghazals and masnavis. The Urdu text, presented here in the Nastaliq script, accompanies new translations of Mir's poems, some appearing in English for the first time.
THE BOOK OF MIR Selected Poems of Mir Taqi Mir Translation and Introduction Paul Smith Mir Taqi Mir (1723 - 1810) was the leading Urdu poet of the eighteenth century and one of the pioneers of Urdu. He was one of the principal poets of the Delhi school of the Urdu ghazal. He was born in Agra and left for Delhi after the death of his father whose emphasis on the importance of love and the value of compassion remained with him, imbuing his poetry. At Delhi he finished his education and joined a group of nobles as a court-poet. At 17 he had a mental break-down and suffered from bouts of madness all his life. After the sack of Delhi he eventually moved to the court in Lucknow where he stayed for the remainder of his life. Like many Urdu poets Mir's literary reputation is from his ghazals. After moving to Lucknow his daughter died, then his son and wife. This, with other earlier setbacks, lends a strong pathos and melancholy to much of his writing. Like Obeyd Zakani and others before him Mir practiced the Malamati or 'Blameworthy' aspect of Sufism. He was a prolific poet, his complete works or Kulliyat consisting of 6 Divans, containing 13,585 couplets comprising all kinds of poetic forms: ghazals, masnavis, qit'as, ruba'is, etc He also composed in Persian a Divan, a unique autobiography and a book on Urdu Poets and a book of spiritual advice for his son. This is the largest selection in English of most forms of his poetry with correct form and meaning kept, published for the first time. Introduction: Mir's Life & Times & Poetry, Selected Bibliography, On the Various Poetic Forms Mir used. Large Format Paperback... 7" x 10" 214 pages COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. " Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator of many mystical works in English into Persian and knower of Hafiz's Divan off by heart. "I was very impressed with the beauty of these books." Dr. R.K. Barz. Faculty of Asian Studies, Australian National University. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Mu'in, Amir Khusrau, Lalla Ded, Mahsati, Iqbal, Baba Farid and many others, as well as his own poetry, fiction, plays, children's books, biographies and a dozen screenplays. www.newhumanitybooks.com
'A riveting resurrection of the city of poets, the city of history, Saif Mahmood's learned and evocative book takes us to the heart of Delhi's romance with Urdu verse and aesthetics.'--Namita Gokhale Urdu poetry rules the cultural and emotional landscape of India--especially northern India and much of the Deccan--and of Pakistan. And it was in the great, ancient city of Delhi that Urdu grew to become one of the world's most beautiful languages. Through the 18th and 19th centuries, while the Mughal Empire was in decline, Delhi became the capital of a parallel kingdom--the kingdom of Urdu poetry--producing some of the greatest, most popular poets of all time. They wrote about the pleasure and pain of love, about the splendour of God and the villainy of preachers, about the seductions of wine, and about Delhi, their beloved home. This treasure of a book documents the life and work of the finest classical Urdu poets: Sauda, Dard, Mir, Ghalib, Momin, Zafar, Zauq and Daagh. Through their biographies and poetry--including their best-known ghazals--it also paints a compelling portrait of Mughal Delhi. This is a book for anyone who has ever been touched by Urdu or Delhi, by poetry or romance.
Have you ever been enchanted by the spoken cadence of an Urdu couplet but wished you could fully understand its nuances? Have you wanted to engage with a ghazal more deeply but were daunted by its mystifying conventions? Are you confused between a qataa and a rubaai, or a musadda and a marsiya? In Urdu Poetry, Raza Mir offers a fresh, quirky and accessible entry point for neophytes seeking to enhance their enjoyment of this vibrant canon—from the poems of legends like Mir Taqi Mir and Mirza Ghalib to the lyrics of contemporary game changers like Javed Akhtar and Gulzar. Raza Mir’s translation not only draws out the zest and pathos of these timeless verses, but also provides pithy insights and colourful trivia that will enable readers to fully embrace this world.
This anthology contains English translations of 42 "nazms", chosen from the works of 19 famous poets, including such master-poets as Mir Taqi Mir, Nazir Akbarabadi, Shauq Lucknavi, Iqbal, Josh, Hafeez, Akhtar Sheerani, Majaz, Faiz and Sahir. The poets are presented in chronological order, and each poet is introduced with an authentic portrait, and a biographical-cum-critical note.
A young Rajput, orphaned by the revolt of 1857, travels many years later from Cawnpore to Delhi on a mission to meet the great poet Mirza Asadullah Khan Ghalib himself. Young Mir Taqi Mir, a rising star in the world of poetry, meets the first great love of his life, Nurus Saadat, an exquisite beauty from Isfahan. An aspiring poet learns of the life and work of Shaikh Mushafi through the stories told by his widow. Poets and poetry occupy centre stage in these magnificent tales by Shamsur Rahman Faruqi, the celebrated master of Urdu prose. Set in the great cities of north India and spanning the glittering age of the Mughals, The Sun That Rose from the Earth brilliantly recreates the lives of several poets who exemplify the land and culture of Hindustan—from Ghalib and Mir to Kishan Chand Ikhlas and Mushafi. With elegance and skill, Faruqi transforms these figures into vital, breathing beings alive in all their flawed magnificence.
It is the sunset of the Mughal Empire. The splendour of imperial Delhi flares one last time. The young daughter of a craftsman in the city elopes with an officer of the East India Company. And so we are drawn into the story of Wazir Khanam: a dazzlingly beautiful and fiercely independent woman who takes a series of lovers, including a Navab and a Mughal prince—and whom history remembers as the mother of the famous poet Dagh. But it is not just one life that this novel sets out to capture: it paints in rapturous detail an entire civilization. Beginning with the story of an enigmatic and gifted painter in a village near Kishangarh, The Mirror of Beauty embarks on an epic journey that sweeps through the death-giving deserts of Rajputana, the verdant valley of Kashmir and the glorious cosmopolis of Delhi, the craft of miniature painting and the art of carpet designing, scintillating musical performances and recurring paintings of mysterious, alluring women. Its scope breathtaking, its language beguiling, and its style sumptuous, this is a work of profound beauty, depth and power.
The Urdu Ghazal presents the unique flowering of the ghazal as a by-product of India’s composite culture. It explores a variety of influences on the ghazal, including Sufism, Bhakti movement, and infusion of Rekhta and Persian languages and culture. The book elucidates classical ghazal forms that blossomed from the seeds sown by Amir Khusrau in the fourteenth century to achieve great heights of literary excellence during the next 300 years, notably in the works of great poets like Mir and Ghalib. It also illustrates different socio-political and cultural demands of changing times, primarily how the ghazal provided new creative models to deal with literary movements like progressivism, modernism, and postmodernism, through works of pioneering twentieth-century poets like Faiz Ahmed Faiz, Gulzar, and Javed Akhtar.
