Minervas Gothics
Minervas Gothics

Author: Elizabeth Neiman

Publisher: University of Wales Press

Published: 2019-02-15

Total Pages: 322

ISBN-13: 1786833689

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This project has several distinctive features. The first is statistical analysis of publishing records for all British novels (Minerva and otherwise) published between 1780 and 1829 (data are compiled from James Raven’s and Peter Garside’s The English Novel, 1770-1829: a Bibliographical Survey of Prose Fiction Published in the British Isles). This analysis confirms that Minerva novelists are more prolific than most female novelists in the period. It is rarely noted that Minerva novelists also often publish on occasion with other presses, something to which the data calls attention. The book’s scope and content challenges an anachronism that still permeates studies of the Romantic era. Minerva’s Gothics restores a forgotten pathway between first-generation Romantic reactions to popular print culture and Percy Shelley’s influential conceptualization of the poet.

Women's Authorship and the Early Gothic
Women's Authorship and the Early Gothic

Author: Kathleen Hudson

Publisher: University of Wales Press

Published: 2020-08-01

Total Pages: 283

ISBN-13: 1786836122

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Discusses previously marginalized or underappreciated women Gothic authors. Provides innovative readings of specific Gothic texts. Reintroduces lesser known primary texts into the critical discussion. Presents a core thesis which advances the field of Gothic studies and rethinks previous perceptions of literary culture.

Graveyard Gothic
Graveyard Gothic

Author: Eric Parisot

Publisher: Manchester University Press

Published: 2024-04-30

Total Pages: 432

ISBN-13: 1526166305

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Graveyard Gothic is the first sustained consideration of the graveyard as a key Gothic locale. This volume examines various iterations of the Gothic graveyard (and other burial sites) from the eighteenth century to the twenty-first, as expressed in numerous forms of culture and media including poetry, fiction, TV, film and video games. The volume also extends its geographic scope beyond British traditions to accommodate multiple cultural perspectives, including those from the US, Mexico, Japan, Australia, India and Eastern Europe. The seventeen chapters from key international Gothic scholars engage a range of theoretical frameworks, including the historical, material, colonial, political and religious. With a critical introduction offering a platform for further scholarship and a coda mapping potential future critical and cultural developments, Graveyard Gothic is a landmark volume defining a new area of Gothic studies.

The Lost Books of Jane Austen
The Lost Books of Jane Austen

Author: Janine Barchas

Publisher: Johns Hopkins University Press

Published: 2019-10-08

Total Pages: 303

ISBN-13: 1421431599

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Thoroughly innovative and occasionally irreverent, this book will appeal in equal measure to book historians, Austen fans, and scholars of literary celebrity.

Romanticism and the Gothic
Romanticism and the Gothic

Author: Michael Gamer

Publisher: Cambridge University Press

Published: 2000-09-04

Total Pages: 274

ISBN-13: 1139426842

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This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.

And the Trees Crept In
And the Trees Crept In

Author: Dawn Kurtagich

Publisher: Little, Brown Books for Young Readers

Published: 2016-09-06

Total Pages: 320

ISBN-13: 0316298697

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When Silla and Nori arrive at their aunt's home, it's immediately clear that the "blood manor" is cursed. The creaking of the house and the stillness of the woods surrounding them would be enough of a sign, but there are secrets too--the questions that Silla can't ignore: Who is the beautiful boy that's appeared from the woods? Who is the man that her little sister sees, but no one else? And why does it seem that, ever since they arrived, the trees have been creeping closer? Filled with just as many twists and turns as The Dead House, and with achingly beautiful, chilling language that delivers haunting scenes, AND THE TREES CREPT IN is the perfect follow-up novel for master horror writer Dawn Kurtagich.

The Gothic World
The Gothic World

Author: Glennis Byron

Publisher: Routledge

Published: 2013-10-08

Total Pages: 752

ISBN-13: 1135053057

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The Gothic World offers an overview of this popular field whilst also extending critical debate in exciting new directions such as film, politics, fashion, architecture, fine art and cyberculture. Structured around the principles of time, space and practice, and including a detailed general introduction, the five sections look at: Gothic Histories Gothic Spaces Gothic Readers and Writers Gothic Spectacle Contemporary Impulses. The Gothic World seeks to account for the Gothic as a multi-faceted, multi-dimensional force, as a style, an aesthetic experience and a mode of cultural expression that traverses genres, forms, media, disciplines and national boundaries and creates, indeed, its own ‘World’.

The Cambridge Companion to Gothic Fiction
The Cambridge Companion to Gothic Fiction

Author: Jerrold E. Hogle

Publisher: Cambridge University Press

Published: 2002-08-29

Total Pages: 526

ISBN-13: 1107494486

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Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.

The History of Gothic Publishing, 1800-1835
The History of Gothic Publishing, 1800-1835

Author: F. Potter

Publisher: Springer

Published: 2005-09-27

Total Pages: 225

ISBN-13: 0230512720

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To better understand and contextualise the twilight of the Gothic genre during the 1920s and 1830s, The History of Gothic Publishing, 1800-1835: Exhuming the Trade examines the disreputable aspects of the Gothic trade from its horrid bluebooks to the desperate hack writers who created the short tales of terror. From the Gothic publishers to the circulating libraries, this study explores the conflict between the canon and the twilight, and between the disreputable and the moral.