Mine Eyes Have Seen

Mine Eyes Have Seen

Author: Ann Rinaldi

Publisher: Scholastic Inc.

Published: 1997

Total Pages: 292

ISBN-13: 9780590543194

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History as you have never heard it - cartoons and amusing text and illustrations give readers the lowdown on what life was like in ancient Greece and in England under Roman occupation.


Mine Eyes Have Seen

Mine Eyes Have Seen

Author: Bob Adelman

Publisher:

Published: 2007

Total Pages: 208

ISBN-13:

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Stirring and triumphant photographs taken by "LIFE" photographer Adelman evoke the heady days of the Civil Rights Movement when America faced its worst nightmare only a generation ago. Concluding on a note of celebration, the photographs reveal ever-increasing signs of racial reconciliation.


Mine Eyes Have Seen the Glory

Mine Eyes Have Seen the Glory

Author: Randall Herbert Balmer

Publisher:

Published: 1990

Total Pages: 272

ISBN-13: 9780195066531

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An expansion of the 1989 edition which was a companion to the PBS series. Annotation copyright by Book News, Inc., Portland, OR


Mine Eyes Have Seen

Mine Eyes Have Seen

Author: Alice Dunbar Nelson

Publisher: Graphic Arts Books

Published: 2021-05-21

Total Pages: 13

ISBN-13: 1513287478

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Mine Eyes Have Seen (1918) is a one-act play by Alice Dunbar Nelson. Published in The Crisis, the influential journal of the NAACP, Mine Eyes Have Seen is a brutal portrait of race and identity in twentieth century America. Exploring themes of violence, faith, patriotism, and economic struggle, Dunbar Nelson crafts a poignant and unforgettable work of fiction. When their father, a successful black man, is lynched by vengeful white neighbors, Dan, Chris, and Lucy flee north with their mother. They reach the city safely, but their mother soon dies from heartbreak and exhaustion, leaving her children to fend for themselves. Dan, the eldest, manages to support his siblings until an accident at the factory leaves him crippled. This forces Chris, a bitter young man, to take financial responsibility for the family. When the United States enters the First World War, authorizing the Selective Service Act of 1917, Chris is drafted into the military. Despite his hesitation and distrust of a government that allowed his father to be murdered with impunity, he soon comes under the influence of patriotic white neighbors who encourage him to sacrifice his life for the nation. With a beautifully designed cover and professionally typeset manuscript, this edition of Alice Dunbar Nelson’s Mine Eyes Have Seen is a classic of African American literature reimagined for modern readers.


Martin Luther King’s Biblical Epic

Martin Luther King’s Biblical Epic

Author: Keith D. Miller

Publisher: Univ. Press of Mississippi

Published: 2011-11-15

Total Pages: 260

ISBN-13: 1617031097

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In his final speech “I've Been to the Mountaintop,” Martin Luther King Jr. delivered his support of African American garbage workers on strike in Memphis. Although some consider this oration King's finest, it is mainly known for its concluding two minutes, wherein King compares himself to Moses and seems to predict his own assassination. But King gave an hour-long speech, and the concluding segment can only be understood in relation to the whole. King scholars generally focus on his theology, not his relation to the Bible or the circumstance of a Baptist speaking in a Pentecostal setting. Even though King cited and explicated the Bible in hundreds of speeches and sermons, Martin Luther King's Biblical Epic is the first book to analyze his approach to the Bible and its importance to his rhetoric and persuasiveness. Martin Luther King's Biblical Epic argues that King challenged dominant Christian supersessionist conceptions of Judaism in favor of a Christianity that affirms Judaism as its wellspring. In his final speech, King implicitly but strongly argues that one can grasp Jesus only by first grasping Moses and the Hebrew prophets. This book also traces the roots of King's speech to its Pentecostal setting and to the Pentecostals in his audience. In doing so, Miller puts forth the first scholarship to credit the mostly unknown, but brilliant African American architect who created the large yet compact church sanctuary, which made possible the unique connection between King and his audience on the night of his last speech.


Mine Eyes Have Seen

Mine Eyes Have Seen

Author: Richard Goldstein

Publisher: Simon and Schuster

Published: 1997-06-24

Total Pages: 420

ISBN-13: 0684815990

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From the days of the thirteen colonies to the age of the computer, this history of America by the people encompasses a wide-ranging collection of excerpts from diaries, memoirs, trial testimony, public documents, news reports and interviews, and other eye-witness accounts that sheds light on every corner of American life.


A Fiery Gospel

A Fiery Gospel

Author: Richard M. Gamble

Publisher: Cornell University Press

Published: 2019-05-15

Total Pages: 296

ISBN-13: 1501736426

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Since its composition in Washington's Willard Hotel in 1861, Julia Ward Howe's "Battle Hymn of the Republic" has been used to make America and its wars sacred. Few Americans reflect on its violent and redemptive imagery, drawn freely from prophetic passages of the Old and New Testaments, and fewer still think about the implications of that apocalyptic language for how Americans interpret who they are and what they owe the world. In A Fiery Gospel, Richard M. Gamble describes how this camp-meeting tune, paired with Howe's evocative lyrics, became one of the most effective instruments of religious nationalism. He takes the reader back to the song's origins during the Civil War, and reveals how those political and military circumstances launched the song's incredible career in American public life. Gamble deftly considers the idea behind the song—humming the tune, reading the music for us—all while reveling in the multiplicity of meanings of and uses to which Howe's lyrics have been put. "The Battle Hymn of the Republic" has been versatile enough to match the needs of Civil Rights activists and conservative nationalists, war hawks and peaceniks, as well as Europeans and Americans. This varied career shows readers much about the shifting shape of American righteousness. Yet it is, argues Gamble, the creator of the song herself—her Abolitionist household, Unitarian theology, and Romantic and nationalist sensibilities—that is the true conductor of this most American of war songs. A Fiery Gospel depicts most vividly the surprising genealogy of "The Battle Hymn of the Republic," and its sure and certain position as a cultural piece in the uncertain amalgam that was and is American civil religion.


The Battle Hymn of the Republic

The Battle Hymn of the Republic

Author: John Stauffer

Publisher: Oxford University Press

Published: 2013-05-09

Total Pages: 391

ISBN-13: 0199339589

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It was sung at Ronald Reagan's funeral, and adopted with new lyrics by labor radicals. John Updike quoted it in the title of one of his novels, and George W. Bush had it performed at the memorial service in the National Cathedral for victims of September 11, 2001. Perhaps no other song has held such a profoundly significant--and contradictory--place in America's history and cultural memory than the "The Battle Hymn of the Republic." In this sweeping study, John Stauffer and Benjamin Soskis show how this Civil War tune has become an anthem for cause after radically different cause. The song originated in antebellum revivalism, with the melody of the camp-meeting favorite, "Say Brothers, Will You Meet Us." Union soldiers in the Civil War then turned it into "John Brown's Body." Julia Ward Howe, uncomfortable with Brown's violence and militancy, wrote the words we know today. Using intense apocalyptic and millenarian imagery, she captured the popular enthusiasm of the time, the sense of a climactic battle between good and evil; yet she made no reference to a particular time or place, allowing it to be exported or adapted to new conflicts, including Reconstruction, sectional reconciliation, imperialism, progressive reform, labor radicalism, civil rights movements, and social conservatism. And yet the memory of the song's original role in bloody and divisive Civil War scuttled an attempt to make it the national anthem. The Daughters of the Confederacy held a contest for new lyrics, but admitted that none of the entries measured up to the power of the original. "The Battle Hymn" has long helped to express what we mean when we talk about sacrifice, about the importance of fighting--in battles both real and allegorical--for the values America represents. It conjures up and confirms some of our most profound conceptions of national identity and purpose. And yet, as Stauffer and Soskis note, the popularity of the song has not relieved it of the tensions present at its birth--tensions between unity and discord, and between the glories and the perils of righteous enthusiasm. If anything, those tensions became more profound. By following this thread through the tapestry of American history, The Battle Hymn of the Republic illuminates the fractures and contradictions that underlie the story of our nation.