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Author: Jameela Lares
Publisher: Duquesne
Published: 2001
Total Pages: 376
ISBN-13:
DOWNLOAD EBOOK"Of interest to both literary scholars and scholars of church history and homiletics, Milton and the Preaching Arts also surveys sermons and sermon manuals, Bible commentaries, and works of religious controversy on the issues of English church government and scriptural style."--BOOK JACKET.
Author: Jameela Lares
Publisher: Clarke & Company Limited
Published: 2001
Total Pages: 352
ISBN-13: 9780227679647
DOWNLOAD EBOOKThis study truly breaks new ground in Milton scholarship by demonstrating the extent to which Milton's work reflects the dominant discourse of his age - preaching. During the sixteenth and seventeenth centuries, the pulpit consistently commanded greater audiences than did the stage, and many of the era's great poets were also preachers. Milton himself argued that poetry can serve ""beside the office of a pulpit"" and prepared his life's work at the greatest English centre for formal homiletics of its time, Christ's College, Cambridge, but this connection has been virtually ignored by scholars and critics in examining Milton's poetry. Lares now challenges the longstanding assumption that Milton the poet paid no attention to the ministerial training of his past, and she demonstrates how Milton appropriated many structures from English preaching in his own work. That preaching was informed by five sermon types - doctrine, reproof, correction, instruction and consolation - first enunciated by the continental reformer Andreas Gerhard Hyperius (1511-1564). Milton, we find, favoured an odd combination of correction and consolation. Of all the preaching manuals published in England during the sixteenth and seventeenth centuries, only one so combines consolation and correction: Methodus concionandi by William Chappell, Milton's first tutor at Christ's College, Cambridge. Milton's use of homiletics, as explained by Lares, may be used in particular to resolve many critical issues related to the last two books of Paradise Lost, which are composed of Adam's dream vision and Michael's narration thereof. These diffuse books, which scholars have been unable to place into any critical paradigm, are actually sermonic in structure and content. And Paradise Regained, in which Milton seems to reject classical rhetoric, actually reflects then-contemporary pulpit concerns over the stylistic inadequacy of the Bible. Moreover, Milton's prose commentaries - often deplored as strident and uncharitable - follow the structure of a sermon of reproof. Of interest to both literary scholars and scholars of church history and homiletics, Milton and the Preaching Arts also surveys sermons and sermon manuals, Bible commentaries, and works of religious controversy on the issues of English church government and scriptural style.
Author: Daniel Shore
Publisher: Cambridge University Press
Published: 2012-07-30
Total Pages: 217
ISBN-13: 1107021502
DOWNLOAD EBOOKThis book argues that Milton used innovative and cunning means to persuade readers in an age distrustful of traditional rhetoric.
Author: Calvin Miller
Publisher: Baker Books
Published: 2010-04-01
Total Pages: 288
ISBN-13: 1441201238
DOWNLOAD EBOOKBecause they are speaking to a younger society more attuned to lively dialogue and visual images, pastors need a fresh wineskin for a timeless message of redemption. Calvin Miller, who has preached and equipped preachers for decades, offers a volume of helpful insights for pastors to deliver the heart of the gospel via the Jesus-endorsed vessel of compelling storytelling. For the working pastor, Miller's crash course on preaching is a welcomed study. Now available in trade paper.
Author: Noam Reisner
Publisher: Oxford University Press
Published: 2009-11-12
Total Pages: 336
ISBN-13: 0199572623
DOWNLOAD EBOOKSituating Milton's poetics of ineffability in the context of the intellectual cross-currents of Renaissance humanism and Protestant theology, this text reassesses Milton's poetry in light of the literary and conceptual problems posed by the poet's attempt to put into words that which is unsayable and beyond representation.
Author: Johanna Harris
Publisher: Oxford University Press
Published: 2024-07-09
Total Pages: 288
ISBN-13: 0192575589
DOWNLOAD EBOOKWhat is meant by the Puritan literary tradition, and when did the idea of Puritan literature, as distinct from Puritan beliefs and practices, come into being? The answer is not straightforward. This volume addresses these questions by bringing together new research on a wide range of established and emerging literary subjects that help to articulate the Puritan literary tradition, including: political polemic and the performing arts; conversion and New-World narratives; individual and corporate life-writings; histories of exile and womens history; book history and the translation and circulation of Puritan literature abroad; Puritan epistolary networks; discourses of Puritan friendship; the historiography of Puritanism defined through editing and publishing; doctrinal controversy; and the history of emotions. This essay collection proposes that a Puritan literary tradition existed that was distinct from broader conceptions of early modern English and Protestant traditions and offers a nuanced account of the distinct and variegated contribution that Puritanism has made to the construction of literature as a concept in English. It ranges from the late sixteenth through to the nineteenth century, and spans British, European, and American Puritan cultures. It offers new analyses of well-known Puritan writers such as Anne Bradstreet, John Bunyan, Richard Baxter, and John Milton, as well as less familiar figures, such as Mary Rowlandson and Joseph Hussey, and writers less often associated with Puritanism, such as Andrew Marvell and Aphra Behn.
Author: David Ainsworth
Publisher: Routledge
Published: 2008-05-15
Total Pages: 244
ISBN-13: 1135896097
DOWNLOAD EBOOKMilton and the Spiritual Reader examines spiritual reading in Areopagitica, Eikonoklastes, De Doctrina Christiana, Paradise Lost, and Paradise Regained, comparing Miltonic spiritual reading with that of two of his Puritan contemporaries, Richard Baxter and George Fox.
Author: Charles W. Durham
Publisher: Associated University Presse
Published: 2008
Total Pages: 348
ISBN-13: 9781575911168
DOWNLOAD EBOOKIncludes sixteen essays that represent how challenging, stimulating, and far-ranging are the efforts to read Milton critically and deeply. This collection deals with the issue of evil, world of Milton's masque and the many worlds of his epic Paradise Lost.
Author: Brendan Prawdzik
Publisher: Edinburgh University Press
Published: 2017-04-18
Total Pages: 264
ISBN-13: 1474421024
DOWNLOAD EBOOKTheatrical Milton brings coherence to the presence of theatre in John Milton through the concept of theatricality. In this book, 'theatricality' identifies a discursive field entailing the rhetorical strategies and effects of framing a given human action, including speech and writing, as an act of theatre. Political and theological cultures in seventeenth-century England developed a treasury of representational resources in order to stage-to satirize and, above all, to de-legitimate-rhetors of politics, religion, and print. At the core of Milton's works is a contradictory relation to theatre that has neither been explained nor properly explored. This book changes the terms of scholarly discussion and discovers how the social structures of theatre afforded Milton resources for poetic and polemical representation and uncovers the precise contours of Milton's interest in theatre and drama.
Author: Thomas Matthew Vozar
Publisher: Oxford University Press
Published: 2024-03-14
Total Pages: 225
ISBN-13: 0198875940
DOWNLOAD EBOOKNo author in the English canon seems more deserving of the epithet sublime than John Milton. Yet Milton's sublimity has long been dismissed as an invention of eighteenth-century criticism. The poet himself, the story goes, could hardly have had any notion of the sublime, a concept that only took shape in the decades after his death with the advent of philosophical aesthetics. Such a narrative, however, fails to account for the fact that Milton is one of the first writers in English to refer to Longinus, the author traditionally associated with the Ancient Greek treatise On the Sublime. This book argues that Milton did have an idea of the sublime--one that came to him from Longinus but also from a larger classical tradition that offered a pre-aesthetic predecessor to the aesthetic concept of the sublime. Thomas Vozar shows that Longinus was better known in early modern England than has been previously appreciated; that various notions of sublimity beyond that of Longinus would have been available to Milton and his contemporaries; and that such notions of the sublime were integral to Milton's rhetorical, scientific, and theological imagination. Additional material relating to the early modern reception of Longinus is provided in the appendices, which contain the first bibliographical study of copies of Longinus in English private libraries to 1674 and an edition of a newly discovered seventeenth-century English translation of Longinus. Far from being anachronistic, Milton's "abstracted sublimities" touch on almost every aspect of his thought, from rhetoric to politics, from science to theology. Making substantive contributions to literary scholarship, classical reception studies, and the history of ideas, Milton, Longinus, and the Sublime in the Seventeenth Century returns the sublime to its proper place at the forefront of Milton criticism, re-evaluates the diffusion of Longinian texts and concepts in early modern Europe, and records a crucial missing chapter in the history of the sublime.
