Milestones in Dance History
Milestones in Dance History

Author: Dana Tai Soon Burgess

Publisher: Taylor & Francis

Published: 2022-09-23

Total Pages: 237

ISBN-13: 1000635562

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This introduction to world dance charts the diverse histories and stories of dancers and artists through ten key moments that have shaped the vast spectrum of different forms and genres that we see today. Designed for weekly use in dance history courses, ten chosen milestones move chronologically from the earliest indigenous rituals and the dance crazes of Eastern trade routes, to the social justice performance and evolving online platforms of modern times. This clear, dynamic framework uses the idea of migrations to chart the shifting currents of influence and innovation in dance from an inclusive set of perspectives that acknowledge the enduring cultural legacies on display in every dance form. Milestones are a range of accessible textbooks, breaking down the need-to-know moments in the social, cultural, political, and artistic development of foundational subject areas.

Moving History/Dancing Cultures
Moving History/Dancing Cultures

Author: Ann Dils

Publisher: Wesleyan University Press

Published: 2013-06-01

Total Pages: 513

ISBN-13: 0819574252

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This new collection of essays surveys the history of dance in an innovative and wide-ranging fashion. Editors Dils and Albright address the current dearth of comprehensive teaching material in the dance history field through the creation of a multifaceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. This book is illustrated with over 50 photographs, and would make an ideal text for undergraduate classes in dance ethnography, criticism or appreciation, as well as dance history—particularly those with a cross-cultural, contemporary, or an American focus. The reader is organized into four thematic sections which allow for varied and individualized course use: Thinking about Dance History: Theories and Practices, World Dance Traditions, America Dancing, and Contemporary Dance: Global Contexts. The editors have structured the readings with the understanding that contemporary theory has thoroughly questioned the discursive construction of history and the resultant canonization of certain dances, texts and points of view. The historical readings are presented in a way that encourages thoughtful analysis and allows the opportunity for critical engagement with the text. Ebook Edition Note: Ebook edition note: Five essays have been redacted, including “The Belly Dance: Ancient Ritual to Cabaret Performance,” by Shawna Helland; “Epitome of Korean Folk Dance”, by Lee Kyong-Hee; “Juba and American Minstrelsy,” by Marian Hannah Winter; “The Natural Body,” by Ann Daly; and “Butoh: ‘Twenty Years Ago We Were Crazy, Dirty, and Mad’,”by Bonnie Sue Stein. Eleven of the 41 illustrations in the book have also been redacted.

Rethinking Dance History
Rethinking Dance History

Author: Larraine Nicholas

Publisher: Taylor & Francis

Published: 2017-07-14

Total Pages: 273

ISBN-13: 1134827636

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The need to ‘rethink’ and question the nature of dance history has not diminished since the first edition of Rethinking Dance History. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book’s contributions into: • Why Dance History? – the ideas, issues and key conversations that underpin any study of the history of theatrical dance. • Researching and Writing – discussions of the methodologies and approaches behind any successful research in this area. Everyone involved with dance creates and carries with them a history, and this volume explores the ways in which these histories might be used in performance-making – from memories which establish identity to re-invention or preservation through shared and personal heritages. Considering the potential significance of studying dance history for scholars, philosophers, choreographers, dancers and students alike, Rethinking Dance History is an essential starting point for anyone intrigued by the rich history and many directions of dance.

Rethinking Dance History
Rethinking Dance History

Author: Alexandra Carter

Publisher: Routledge

Published: 2013-10-18

Total Pages: 211

ISBN-13: 1136485007

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By taking a fresh approach to the study of history in general, Alexandra Carter's Rethinking Dance History offers new perspectives on important periods in dance history and seeks to address some of the gaps and silences left within that history. Encompassing ballet, South Asian, modern dance forms and much more, this book provides exciting new research on topics as diverse as: *the Victorian music hall *film musicals and popular music videos *the impact of Neoclassical fashion on ballet *women's influence on early modern dance *methods of dance reconstruction. Featuring work by some of the major voices in dance writing and discourse, this unique anthology will prove invaluable for both scholars and practitioners, and a source of interest for anyone who is fascinated by dance's rich and multi-layered history.

Martha Graham's Cold War
Martha Graham's Cold War

Author: Victoria Phillips

Publisher:

Published: 2020

Total Pages: 497

ISBN-13: 0190610360

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""I am not a propagandist," declared the matriarch of American modern dance Martha Graham while on her State Department funded-tour in 1955. Graham's claim inspires questions: the United States government exported Graham and her company internationally to over twenty-seven countries in Europe, Eastern Europe, the Middle East, the Near and Far East, and Russia representing every seated president from Dwight D. Eisenhower through Ronald Reagan, and planned under George H.W. Bush. Although in the diplomatic field, she was titled "The Picasso of modern dance," and "Forever Modern" in later years, Graham proclaimed, "I am not a modernist." During the Cold War, the reconfigured history of modernism as apolitical in its expression of "the heart and soul of mankind," suited political needs abroad. In addition, she declared, "I am not a feminist," yet she intersected with politically powerful women from Eleanor Roosevelt, Eleanor Dulles, sister of Eisenhower's Dulles brothers in the State Department and CIA, Jackie Kennedy Onassis, Betty Ford, and political matriarch Barbara Bush. While bringing religious characters on the frontier and biblical characters to the stage in a battle against the atheist communists, Graham explained, "I am not a missionary." Her work promoted the United States as modern, culturally sophisticated, racially and culturally integrated. To her abstract and mythic works, she added the trope of the American frontier. With her tours and Cold War modernism, Graham demonstrates the power of the individual, immigrants, republicanism, and, ultimately freedom from walls and metaphorical fences with cultural diplomacy with the unfettered language of movement and dance"--

The Dance Handbook
The Dance Handbook

Author: Allen Robertson

Publisher: Macmillan Reference USA

Published: 1990

Total Pages: 0

ISBN-13: 9780816118298

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First published in 1988 by Longman (UK), the Handbook moves chronologically through the milestones of the dance world, focusing on 200 major dancers, dance companies, and choreographers. Annotation copyrighted by Book News, Inc., Portland, OR

Women in American Politics: History and Milestones
Women in American Politics: History and Milestones

Author: Doris Weatherford

Publisher: SAGE

Published: 2012-01-20

Total Pages: 593

ISBN-13: 1608710076

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Women in American Politics is a new reference detailing the milestones and trends in women's political participation in the United States. This two-volume work provides much needed perspective and background on the events and situations that have surrounded women's political activities. It offers insightful analysis on women's political achievements in the United States, including such topics as the campaign to secure nation-wide suffrage; pioneer women state officeholders; women first elected to U.S. Congress, governorships, mayoralties, and other offices; and women first appointed as Cabinet officials, judges, and ambassadors. It also includes profiles of the women who have run for vice president and president. Women in American Politics is organized in a framework both logical and useful to readers and researchers. Original material offers students, scholars, teachers, and other professionals a guide to understanding the complex struggle in women's progress toward achieving political parity with men in the United States. Each chapter is structured in three parts: - part one features graphic information-tables, lists, charts, or maps-detailing the historical record with data not compiled anywhere else, on women officeholders. - part two offers insightful narrative analysis describing how women achieved what they did, examines the complex and sometimes contradictory trends behind the facts of women's political milestones, and explores how social and economic contexts affected the progress of their accomplishments. - part three presents biographical entries describing in more personal terms women's struggle for political equality. Sidebars in each chapter illuminate the drama of political life and consider the evolving female electorate, exploring how women voters have impacted particular issues, specific elections, or other key turning points, and the tradition of appointing widows to open seats. The final chapter uniquely looks at women's political history and differences in achievement from a state and regional perspective. Entries on each state (as well as on District of Columbia and Puerto Rico) highlight milestones and provide insight into the unique aspects of each state.

America Dancing
America Dancing

Author: Megan Pugh

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 413

ISBN-13: 0300201311

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"The history of American dance reflects the nation's tangled culture. Dancers from wildly different backgrounds watched, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Chronicling dance from the minstrel stage to the music video, Megan Pugh shows how freedom--that nebulous, contested American ideal--emerged as a genre-defining aesthetic. Ballerinas mingled with slumming thrill-seekers, and hoedowns showed up on elite opera-house stages. Steps invented by slaves captivated the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the racism and class conflicts that haunt everyday life shadow American dance as well. Center stage in America Dancing is a cast of performers who slide, glide, stomp, and swing their way through history. At the nadir of U.S. race relations, cakewalkers embraced the rhythms of black America. On the heels of the Harlem Renaissance, Bill Robinson tap-danced to stardom. At the height of the Great Depression, Fred Astaire and Ginger Rogers unified highbrow and popular art. In the midst of 1940s patriotism, Agnes de Mille brought jazz and square dance to ballet, then took it all to Broadway. In the decades to come, the choreographer Paul Taylor turned pedestrian movements into modern masterpiecds, and Michael Jackson moonwalked his way to otherworldly stardom. These artists both celebrated and criticized the country, all while inspiring others to get moving. For it is partly by pretending to be other people, Pugh argues, that Americans discover themselves ... America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement"--Publisher's description.

American Hip-Hop
American Hip-Hop

Author: Nathan Sacks

Publisher: Millbrook Press

Published: 2017-01-01

Total Pages: 64

ISBN-13: 151245639X

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Audisee® eBooks with Audio combine professional narration and sentence highlighting to engage reluctant readers! A rapper spits rhymes into a microphone. A DJ scratches a record back and forth against a turntable needle. Fans' feet stomp along to a stiff beat. These are the sounds of hip-hop. Hip-hop music busted out of New York City in the 1970s. Many young African Americans found their voices after stepping up to the mic. In the decades afterward, rappers and DJs took over the airwaves and transformed American music. In the twenty-first century, hip-hop is a global sensation. Learn what inspired hip-hop's earliest rappers to start rhyming over beats, as well as the stories behind hip-hop legends such as Run-D.M.C., 2Pac, Lauryn Hill, and Jay-Z. Follow the creativity and the rivalries that have fueled everything from party raps to songs about social struggles. And find out how you can add your own sounds to the mix!

The Science Book
The Science Book

Author: Clifford A. Pickover

Publisher: Union Square + ORM

Published: 2019-01-15

Total Pages: 804

ISBN-13: 1454933003

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From astronomy to psychology, this comprehensive and fully illustrated volume presents the most groundbreaking milestones in the history of science. Science author Cliff Pickover continues his award–winning series—which includes The Math Book, The Physics Book, and The Medical Book—by gathering the most important thinkers and ideas in the history of science into one gorgeously illustrated volume. This unique omnibus edition includes 250 thoughtfully selected entries from many of the science-based books in the Sterling Milestones series, including math, physics, medicine, biology, chemistry, engineering, psychology, and space. With a new introduction by Pickover explaining how this impressive collection was curated, The Science Book showcases humanity’s greatest achievements and provides readers with a sense of wonder at the diversity of scientific discovery.