Night Rising was only the beginning... Dawn Madison reluctantly came to Los Angeles in search of her missing father and found instead a world of murder and the living dead she never imagined existed. When a new vampire slaying lures Dawn deeper into the underground, her alliances in the sunlit world shift. Now she has only herself to trust and her new found skills as "a spunky vampire slayer" (Publishers Weekly).
In this first book of an all-new trilogy, life proves stranger than the movies when a Hollywood underground coven of vampires comes to light-and gets targeted by the tough-as-nails daughter of a sexy screen siren. Stuntwoman Dawn Madison hasn't been on the best of terms with her father since her movie star mother died. Still, he is her dad, and when he vanishes while investigating the bizarre sighting-caught on film-of a supposedly long-dead child star, she comes home to Tinseltown to join the search for him. Working with his odd colleagues, she discovers an erotic and bloody underground society made up of creatures she thought existed only on the screen.
The thrilling finale to the New York Times bestselling Young Elites series from “hit factory” Marie Lu There was once a time when darkness shrouded the world, and the darkness had a queen. Adelina Amouteru is done suffering. She’s turned her back on those who have betrayed her and achieved the ultimate revenge: victory. Her reign as the White Wolf has been a triumphant one, but with each conquest her cruelty only grows. The darkness within her has begun to spiral out of control, threatening to destroy all she's gained. When a new danger appears, Adelina’s forced to revisit old wounds, putting not only herself at risk, but every Elite. In order to preserve her empire, Adelina and her Roses must join the Daggers on a perilous quest—though this uneasy alliance may prove to be the real danger. #1 New York Times bestselling author Marie Lu concludes Adelina's story with this haunting and hypnotizing final installment to the Young Elites series.
DELIVERED FROM THE DARKNESS, A WOMAN FINDS HERSELF PLUNGED INTO A PASSION THAT IS DEEPER THAN MIDNIGHT. At eighteen, Corinne Bishop was a beautiful, spirited young woman living a life of privilege as the adopted daughter of a wealthy family. Her world changed in an instant when she was stolen away and held prisoner by the malevolent vampire Dragos. After many years of captivity and torment, Corinne is rescued by the Order, a cadre of vampire warriors embroiled in a war against Dragos and his followers. Her innocence taken, Corinne has lost a piece of her heart as well—the one thing that gave her hope during her imprisonment, and the only thing that matters to her now that she is free. Assigned to safeguard Corinne on her trip home is a formidable golden-eyed Breed male called Hunter. Once Dragos’s most deadly assassin, Hunter now works for the Order, and he’s hell-bent on making Dragos pay for his manifold sins. Bonded to Corinne by their mutual desire, Hunter will have to decide how far he’ll go to end Dragos’s reign of evil—even if carrying out his mission means shattering Corinne’s tender heart.
In hidden catacombs beneath London, below the royal court of Elizabeth I, a second queen holds power. Invidiana, the dark ruler of faerie England. Fae and mortal politics have become inextricably entwined, in alliances and betrayals. When the faerie Lune is sent to manipulate Elizabeth's spymaster, her path crosses that of a mortal agent, Michael Deven, who is seeking the hidden hand in English politics. Will they be able to find the source of Invidiana's power? Find it, and break it...
Oliver Goldsmith arrived in England in 1756 a penniless Irishman. He toiled for years in the anonymity of Grub Street—already a synonym for impoverished hack writers—before he became one of literary London’s most celebrated authors. Norma Clarke tells the extraordinary story of this destitute scribbler turned gentleman of letters as it unfolds in the early days of commercial publishing, when writers’ livelihoods came to depend on the reading public, not aristocratic patrons. Clarke examines a network of writers radiating outward from Goldsmith: the famous and celebrated authors of Dr. Johnson’s “Club” and those far less fortunate “brothers of the quill” trapped in Grub Street. Clarke emphasizes Goldsmith’s sense of himself as an Irishman, showing that many of his early literary acquaintances were Irish émigrés: Samuel Derrick, John Pilkington, Paul Hiffernan, and Edward Purdon. These writers tutored Goldsmith in the ways of Grub Street, and their influence on his development has not previously been explored. Also Irish was the patron he acquired after 1764, Robert Nugent, Lord Clare. Clarke places Goldsmith in the tradition of Anglo-Irish satirists beginning with Jonathan Swift. He transmuted troubling truths about the British Empire into forms of fable and nostalgia whose undertow of Irish indignation remains perceptible, if just barely, beneath an equanimous English surface. To read Brothers of the Quill is to be taken by the hand into the darker corners of eighteenth-century Grub Street, and to laugh and cry at the absurdities of the writing life.
