Welcome to a Steampunk wild west starring Doc Holliday, with zombies, dinosaurs, robots, and cowboys. The time is April, 1885. Doc Holliday lies in bed in a sanitarium in Leadville, Colorado, expecting never to leave his room again. But the medicine man and great chief Geronimo needs him for one last adventure. Renegade Comanche medicine men object to the newly-signed treaty with Theodore Roosevelt. They are venting their displeasure on two white men who are desecrating tribal territory in Wyoming. Geronimo must protect the men or renege on his agreement with Roosevelt. He offers Doc one year of restored health in exchange for taking on this mission. Welcome to the birth of American paleontology, spearheaded by two brilliant men, Edward Drinker Cope and Othniel Charles Marsh, two men whose genius is only exceeded by their hatred for each other's guts. Now, with the aid of Theodore Roosevelt, Cole Younger, and Buffalo Bill Cody, Doc Holliday must save Cope and Marsh not only from the Comanches, not only from living, breathing dinosaurs, but from each other. And that won't be easy.
Control dinosaurs. Tame women. Rule the world.With the defeat of Wyss, Victor has taken out his most deadly adversary yet and added loyal survivors to his tribe.But Dinosaurland has ways of keeping everyone on their toes.Distant smoke to the east alerts Victor that potential allies are in trouble, so he must choose between making a long journey without his most powerful friends, or losing the opportunity to advance the technology of his tribe.
A tiny dinosaur is born to a family of rather huge dinosaurs and everyone is mystified about why it is so different. As the littlest dinosaur grows, it feels left out and at odds with the world of its huge family, until one day its very size is the thing that rescues them all. A charming tale featuring every toddler's favourite - dinosaurs - with a sweetly told message about being happy being yourself. Brilliantly read by Claire Skinner. Please note that audio is not supported by all devices, please consult your user manual for confirmation.
Michael Evans is in Montana on a dinosaur dig with his paleontologist father, but he certainly never expected to find a live Tyrannosaurus Rex plucked out of its own time and looking for dinner, nor encounter a girl with some very advanced technology trying to trap the beast.
Discover the world of the dinosaurs using your three-color lens with this eye-popping prehistoric adventure, the fifth in the best-selling Illumi series from design duo Carnovsky.
In this remarkable interdisciplinary study, anthropologist Brian Noble traces how dinosaurs and their natural worlds are articulated into being by the action of specimens and humans together. Following the complex exchanges of palaeontologists, museums specialists, film- and media-makers, science fiction writers, and their diverse publics, he witnesses how fossil remains are taken from their partial state and re-composed into astonishingly precise, animated presences within the modern world, with profound political consequences. Articulating Dinosaurs examines the resurrecting of two of the most iconic and gendered of dinosaurs. First Noble traces the emergence of Tyrannosaurus rex (the “king of the tyrant lizards”) in the early twentieth-century scientific, literary, and filmic cross-currents associated with the American Museum of Natural History under the direction of palaeontologist and eugenicist Henry Fairfield Osborn. Then he offers his detailed ethnographic study of the multi-media, model-making, curatorial, and laboratory preparation work behind the Royal Ontario Museum’s ground-breaking 1990s exhibit of Maiasaura (the “good mother lizard”). Setting the exhibits at the AMNH and the ROM against each other, Noble is able to place the political natures of T. rex and Maiasaura into high relief and to raise vital questions about how our choices make a difference in what comes to count as “nature.” An original and illuminating study of science, culture, and museums, Articulating Dinosaurs is a remarkable look at not just how we visualize the prehistoric past, but how we make it palpable in our everyday lives.