Mexico's "Golden Age" : THE FIRST HALF CENTURY
Mexico's

Author: William H. Katra

Publisher: Writers Republic LLC

Published: 2022-08-08

Total Pages: 348

ISBN-13:

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A Franciscan monk-Mexico's first historian--characterized the four decades following the Aztecs' 1521 overthrow as Mexico's "Golden Age." His intention was to praise the benign, bi-racial society that was then coming into existence. The first of three pillars for this short-lasting society featured an enlightened governing team led by ex-conquistador Hernán Cortés; the country's first bishop, Friar Juan de Zumárraga; respected lawyer and founder of missions, Vasco de Quiroga; and the first two viceroys, Antonio de Mendoza and Luis de Velazco. The second pillar were the Franciscan friars who headed up perhaps the most important religious campaign of the sixteenth century: the decades-long evangelization campaign that would be staffed by nearly a thousand mendicant monks who dedicated their lives to baptize millions of willing Mexicans. Included in this group was the champion of Indian baptism, Friar Toribio Benavente "Motolinía," as well as the leader for Indian education, Friar Pedro de Gante. The third pillar for this emerging society were the native chieftains (this work focuses on those from Cuernavaca) who partnered with the Spanish in governing and uplifting their respective communities. The recent publication of important, heretofore unknown, historical documents justifies the need for a re-examination of events and society during this important period of Mexican history.

The Classical Mexican Cinema
The Classical Mexican Cinema

Author: Charles Ramírez Berg

Publisher: University of Texas Press

Published: 2015-09-01

Total Pages: 255

ISBN-13: 1477308059

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From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.

The Mariachi Voice
The Mariachi Voice

Author: Juanita Ulloa

Publisher: Oxford University Press

Published: 2024

Total Pages: 421

ISBN-13: 0190846240

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"The voice is the most important instrument in Mexican Ranchera (Mariachi) music because the bulk of its repertoire is sung. However, no book on vocal care and production, voice history, diction, technique, graded song lists, and warm-ups for Mariachi singers has been available until now. Dr. Juanita Ulloa has designed The Mariachi Voice to create a bridge between the voice and Mariachi fields, and to extend the reach of training and advocacy for Mariachi vocal training to academic programs, voice studios, and individual singers. Her Operachi style evolved out of her own training, touring, recording, and training of others as a specialist in Mexican and Latin American song. In The Mariachi Voice, Dr. Ulloa shares vocal technique and pedagogy, introducing the female Mariachi fach. She highlights important differences in training the female voice for healthy Ranchera singing while still honoring the style and introduces Mexican Spanish Lyric Diction with International Phonetic Alphabet (IPA). Professor John Nix of University of Texas, San Antonio contributes an article on vocal production and care. Readers will develop cultural sensitivity towards this almost 200-year-old tradition. The Ranchera vocal history chapter explores the crossover classical vocal training of ranchera singer-actors in charro movie musicals, many tracing back to legendary Mexico City based voice teacher José Pierson. It is a wake-up call to raising the standards and accessibility of vocal training. The Mariachi Voice is sure to enrich those who take pride in sharing these songs and their singers as important symbols of Mexico's identity worldwide"--

The Mexican Transition
The Mexican Transition

Author: Roger Bartra

Publisher: University of Wales Press

Published: 2013-01-31

Total Pages: 228

ISBN-13: 0708326854

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This book is a collection of essays on the Mexican transition to democracy that offers reflections on different aspects of civic culture, the political process, electoral struggles, and critical junctures. They were written at different points in time and even though they have been corrected and adapted, they have kept the tension and fervour with which they were originally created. They provide the reader with a vision of what goes on behind those horrifying images that depict Mexico as a country plagued by narcotrafficking groups and subjected to unbridled homicidal violence. These images hide the complex political reality of the country and the accidents and shocks democracy has suffered.

Mexico
Mexico

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 1990

Total Pages: 730

ISBN-13: 0870995952

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Precolumbian art -- Viceregal art -- Nineteenth century art -- Twentieth century art.

The Universal Vampire
The Universal Vampire

Author: Barbara Brodman

Publisher: Rowman & Littlefield

Published: 2013

Total Pages: 265

ISBN-13: 1611475805

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Since the publication of John Polidori's The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed a universal, perhaps even archetypal figure? In this collection of sixteen original essays, the contributors shed light on this question. One essay traces the origins of the legend to the early medieval Norse draugr, an "undead" creature who reflects the underpinnings of Dracula, the latter first appearing as a vampire in Anglo-Irish Bram Stoker's 1897 novel, Dracula. In addition to these investigations of the Western mythic, literary and historic traditions, other essays in this volume move outside Europe to explore vampire figures in Native American and Mesoamerican myth and ritual, as well as the existence of similar vampiric traditions in Japanese, Russian and Latin American art, theatre, literature, film, and other cultural productions. The female vampire looms large, beginning with the Sumerian goddess Lilith, including the nineteenth-century Carmilla, and moving to vampiresses in twentieth-century film, literature, and television series. Scientific explanations for vampires and werewolves constitute another section of the book, including eighteenth-century accounts of unearthing, decapitation and cremation of suspected vampires in Eastern Europe. The vampire's beauty, attainment of immortality and eternal youth are all suggested as reasons for its continued success in contemporary popular culture.

Fragments of a Golden Age
Fragments of a Golden Age

Author: Gilbert M. Joseph

Publisher: Duke University Press

Published: 2001-06-29

Total Pages: 534

ISBN-13: 9780822327189

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DIVThe first cultural history of post-1940s Mexico to relate issues of representation and meaning to questions of power; it includes essays on popular music, unions, TV, tourism, cinema, wrestling, and illustrated magazines./div