In Metropolitan Intimacies: An Ethnography on the Poetics of Daily Life, Francisco Cruces examines intimacy and meaning-making in metropolitan residents’ daily lives. An ethnography based on rich micro-stories, Cruces situates life poetics amongst other metropolitan processes in three major cities—Madrid, Montevideo, and Mexico City—to reveal the complex meanings around modern urbanity.
In Metroimperial Intimacies Victor Román Mendoza combines historical, literary, and archival analysis with queer-of-color critique to show how U.S. imperial incursions into the Philippines enabled the growth of unprecedented social and sexual intimacies between native Philippine and U.S. subjects. The real and imagined intimacies—whether expressed through friendship, love, or eroticism—threatened U.S. gender and sexuality norms. To codify U.S. heteronormative behavior, the colonial government prohibited anything loosely defined as perverse, which along with popular representations of Filipinos, regulated colonial subjects and depicted them as sexually available, diseased, and degenerate. Mendoza analyzes laws, military records, the writing of Philippine students in the United States, and popular representations of Philippine colonial subjects to show how their lives, bodies, and desires became the very battleground for the consolidation of repressive legal, economic, and political institutions and practices of the U.S. colonial state. By highlighting the importance of racial and gendered violence in maintaining control at home and abroad, Mendoza demonstrates that studies of U.S. sexuality must take into account the reach and impact of U.S. imperialism.
A NEW YORK TIMES TOP 10 BOOK OF 2021 LONGLISTED FOR THE 2021 NATIONAL BOOK AWARD IN FICTION ONE OF BARACK OBAMA’S FAVORITE 2021 READS AN INSTANT NATIONAL BESTSELLER A BEST BOOK OF 2021 FROM Washington Post, Vogue, Time, Oprah Daily, New York Times, Los Angeles Times, San Francisco Chronicle, Atlantic, Kirkus and Entertainment Weekly “Intimacies is a haunting, precise, and morally astute novel that reads like a psychological thriller…. Katie Kitamura is a wonder.” —Dana Spiotta, author of Wayward and Eat the Document “One of the best novels I’ve read in 2021.” – Dwight Garner, The New York Times A novel from the author of A Separation, an electrifying story about a woman caught between many truths. An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home. She's drawn into simmering personal dramas: her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister. And she's pulled into an explosive political controversy when she’s asked to interpret for a former president accused of war crimes. A woman of quiet passion, she confronts power, love, and violence, both in her personal intimacies and in her work at the Court. She is soon pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her, forcing her to decide what she wants from her life.
“A delightful read [and] an important addition to human-animal relations studies.” —Anthropology Matters What does it mean to live and die in relation to other animals? Animal Intimacies posits this central question alongside the intimate—and intense—moments of care, kinship, violence, politics, indifference, and desire that occur between human and non-human animals. Built on extensive ethnographic fieldwork in the mountain villages of India’s Central Himalayas, Radhika Govindrajan’s book explores the number of ways that human and animal interact to cultivate relationships as interconnected, related beings. Whether it is through the study of the affect and ethics of ritual animal sacrifice, analysis of the right-wing political project of cow-protection, or examination of villagers’ talk about bears who abduct women and have sex with them, Govindrajan illustrates that multispecies relatedness relies on both difference and ineffable affinity between animals. Animal Intimacies breaks substantial new ground in animal studies, and Govindrajan’s detailed portrait of the social, political and religious life of the region will be of interest to cultural anthropologists and scholars of South Asia as well. “Immerses us in passionate case studies on the multiple relationships between Kumaoni villagers and animals in Uttarakhand.” —European Bulletin of Himalayan Research “A memorable and innovative ethnography.” —Piers Locke, University of Canterbury
'Where are you from?' was the question hounding Hazel Carby as a girl in post-World War II London. One of the so-called brown babies of the Windrush generation, born to a Jamaican father and Welsh mother, Carby's place in her home, her neighbourhood, and her country of birth was always in doubt. Emerging from this setting, Carby untangles the threads connecting members of her family to each other in a web woven by the British Empire across the Atlantic. We meet Carby's working-class grandmother Beatrice, a seamstress challenged by poverty and disease. In England, she was thrilled by the cosmopolitan fantasies of empire, by cities built with slave-trade profits, and by street peddlers selling fashionable Jamaican delicacies. In Jamaica, we follow the lives of both the 'white Carbys' and the 'black Carbys', as Mary Ivey, a free woman of colour, whose children are fathered by Lilly Carby, a British soldier who arrived in Jamaica in 1789 to be absorbed into the plantation aristocracy. And we discover the hidden stories of Bridget and Nancy, two women owned by Lilly who survived the Middle Passage from Africa to the Caribbean. Moving between the Jamaican plantations, the hills of Devon, the port cities of Bristol, Cardiff, and Kingston, and the working-class estates of South London, Carby's family story is at once an intimate personal history and a sweeping summation of the violent entanglement of two islands. In charting British empire's interweaving of capital and bodies, public language and private feeling, Carby will find herself reckoning with what she can tell, what she can remember, and what she can bear to know.
Intimate Landscapes, an exhibition of fifty-five color photographs by Eliot Porter, is the first one-man exhibition of color photographs ever presented at The Metropolitan Museum of Art. Works by Eliot Porter entered the Museum's collection as far back as 1949, when Georgia O'Keeffe presented from the Estate of Alfred Stieglitz an important collection of photographs assembled by Stieglitz himself. This collection included three early black and white prints by Eliot Porter, one of which is reproduced in this catalogue. All the photographs in the present exhibition brilliantly reflect the standards of excellence that are Eliot Porter's greatest contribution to the field of color photography. Upon seeing these photographs, the viewer is immediately struck by the artist's distinctly individual and intimate interpretation of the natural world.
Intimacy Across the Fencelines examines intimacy in the form of sexual encounters, dating, marriage, and family that involve US service members and local residents. Rebecca Forgash analyzes the stories of individual US service members and their Okinawan spouses and family members against the backdrop of Okinawan history, political and economic entanglements with Japan and the United States, and a longstanding anti-base movement. The narratives highlight the simultaneously repressive and creative power of military "fencelines," sites of symbolic negotiation and struggle involving gender, race, and class that divide the social landscape in communities that host US bases. Intimacy Across the Fencelines anchors the global US military complex and US-Japan security alliance in intimate everyday experiences and emotions, illuminating important aspects of the lived experiences of war and imperialism.
This National Book Award-winning debut poetry collection is a "powerfully evocative" (The New York Review of Books) meditation on the black female figure through time. Robin Coste Lewis's electrifying collection is a triptych that begins and ends with lyric poems meditating on the roles desire and race play in the construction of the self. In the center of the collection is the title poem, "Voyage of the Sable Venus," an amazing narrative made up entirely of titles of artworks from ancient times to the present—titles that feature or in some way comment on the black female figure in Western art. Bracketed by Lewis's own autobiographical poems, "Voyage" is a tender and shocking meditation on the fragmentary mysteries of stereotype, juxtaposing our names for things with what we actually see and know. A new understanding of biography and the self, this collection questions just where, historically, do ideas about the black female figure truly begin—five hundred years ago, five thousand, or even longer? And what role did art play in this ancient, often heinous story? Here we meet a poet who adores her culture and the beauty to be found within it. Yet she is also a cultural critic alert to the nuances of race and desire—how they define us all, including her own sometimes painful history. Lewis's book is a thrilling aesthetic anthem to the complexity of race—a full embrace of its pleasure and horror, in equal parts.
"A taut, complex portrait of a marriage haunted by secrets, in which a woman finds herself traveling to Greece in search of her missing, estranged husband"--
Focusing on patterns of intimacy, this book traces the historical roots of parenting practices and familial patterns constructed by lesbians and same-sex attracted women living in Britain and Australia between 1945 and 2000. It foregrounds women's unique lived experiences, as they expressed desire, fell in love, and created families against the backdrop of changing cultural, legal, and medical attitudes to female same-sex desire in the late 20th century. Including almost 100 original oral history interviews conducted by the author, Lesbian Intimacies and Family Life reveals the subjective histories of lesbian intimacy during the period, both highlighting the huge variety in women's experiences, and tracing shifting patterns of relationship and family formation. Combined with analysis of representations of lesbian intimacy in literature, press articles, medical texts, and archival material, the book demonstrates the ways in which changing political and cultural concepts of sexuality impacted on individual and collective attitudes. With a unique transnational perspective, Jennings uncovers how feminist and lesbian networks between Britain and Australia promoted knowledge sharing and helped foster change in the familial practices of each country such as through the adoption of reproductive technologies and alternate routes into motherhood. Through considering the rise of divorce and challenges to traditional marriage practices in the period, this book highlights how lesbian relationships provided alternative models of interpersonal relations, impacting on broader patterns of sexuality, and helping redefine notions of the family in the modern era.
