A Companion to Ancient Greek and Roman Music

A Companion to Ancient Greek and Roman Music

Author: Tosca A. C. Lynch

Publisher: John Wiley & Sons

Published: 2020-07-08

Total Pages: 564

ISBN-13: 1119275474

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A COMPANION TO ANCIENT GREEK AND ROMAN MUSIC A comprehensive guide to music in Classical Antiquity and beyond Drawing on the latest research on the topic, A Companion to Ancient Greek and Roman Music provides a detailed overview of the most important issues raised by the study of ancient Greek and Roman music. An international panel of contributors, including leading experts as well as emerging voices in the field, examine the ancient 'Art of the Muses' from a wide range of methodological, theoretical, and practical perspectives. Written in an engaging and accessible style, this book explores the pervasive presence of the performing arts in ancient Greek and Roman culture—ranging from musical mythology to music theory and education, as well as archaeology and the practicalities of performances in private and public contexts. But this Companion also explores the broader roles played by music in the Graeco-Roman world, examining philosophical, psychological, medical and political uses of music in antiquity, and aspects of its cultural heritage in Mediaeval and Modern times. This book debunks common myths about Greek and Roman music, casting light on yet unanswered questions thanks to newly discovered evidence. Each chapter includes a discussion of the tools or methodologies that are most appropriate to address different topics, as well as detailed case studies illustrating their effectiveness. This book Offers new research insights that will contribute to the future developments of the field, outlining new interdisciplinary approaches to investigate the importance of performing arts in the ancient world and its reception in modern culture Traces the history and development of ancient Greek and Roman music, including their Near Eastern roots, following a thematic approach Showcases contributions from a wide range of disciplines and international scholarly traditions Examines the political, social and cultural implications of music in antiquity, including ethnicity, regional identity, gender and ideology Presents original diagrams and transcriptions of ancient scales, rhythms, and extant scores that facilitate access to these vital aspects of ancient music for scholars as well as practicing musicians Written for a broad range of readers including classicists, musicologists, art historians, and philosophers, A Companion to Ancient Greek and Roman Music provides a rich, informative and thought-provoking picture of ancient music in Classical Antiquity and beyond.


Singing Alexandria

Singing Alexandria

Author: Lucia Prauscello

Publisher: BRILL

Published: 2017-07-31

Total Pages: 264

ISBN-13: 9047408977

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This volume investigates the transmission and ancient reception of ancient Greek texts with musical notation. It provides a reconstruction of the dynamics of reception orienting the re-use and re-shaping of musical and poetic tradition in the entertainment culture of the post-classical Greek world. The study makes full use of literary, papyrological and epigraphic evidence, and in particular includes a detailed philological analysis of surviving musical papyri and of their relationship to the editorial activity of Alexandrian scholarship. The study helps to relocate musical documents in the world of their production and reception.


The Rhythmic Structure of Music

The Rhythmic Structure of Music

Author: Grosvenor W. Cooper

Publisher: University of Chicago Press

Published: 1963-04-15

Total Pages: 232

ISBN-13: 9780226115221

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In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.


Fantasy Pieces

Fantasy Pieces

Author: Harald Krebs

Publisher: New York : Oxford University Press

Published: 1999

Total Pages: 305

ISBN-13: 0195169468

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This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of "their" metrical practices.