So there I was building my haunted house outside the schoolWhen along comes a plant that's up to no good.One little portal and next thing I knewI wound up in a fantasy worldI looked around and thought, yo this can't be realEspecially with sexy monstergirls as part of the dealTurns out they think I'm the messiahAnd they all want to become my slavesAnd... honestly, I'm not sure who would be a better master than little ol' me
London's dockside is threatened by the twin terrors of a plague leaving bodies covered in tentacles and a slasher killing women in the night. Desperate for answers after the wrong man is executed for the murders, a group of Londoners holds a séance to contract the supposed killer, and his story of a girl born of the sea who has brought a terrible curse only brings them more questions. Mike Mignola and Troy Nixey's acclaimed standalone series is colored for the first time by Eisner Award winner Dave Stewart. Collects Jenny Finn #1-#4 and bonus sketchbook material
Book Two in the Magnificent Dune Chronicles—the Bestselling Science Fiction Adventure of All Time Dune Messiah continues the story of Paul Atreides, better known—and feared—as the man christened Muad’Dib. As Emperor of the known universe, he possesses more power than a single man was ever meant to wield. Worshipped as a religious icon by the fanatical Fremen, Paul faces the enmity of the political houses he displaced when he assumed the throne—and a conspiracy conducted within his own sphere of influence. And even as House Atreides begins to crumble around him from the machinations of his enemies, the true threat to Paul comes to his lover, Chani, and the unborn heir to his family’s dynasty...
Examine Powerful New Evidence from the Dead Sea Scrolls as well as the beliefs of the ancient Rabbis and discover the identity of the true Messiah!obiography of hope for the city, love for God and a faith that stays the course. Inspiring story of God's goodness in a world of urban violence.
How does a hero become a tyrant? At the end of DUNE, Paul “Muad’Dib” Atreides gathered his Fremen warriors and embarked on a great prophecy-driven jihad that will sweep across the Imperium. PAUL OF DUNE is the epic story of that jihad: the planet-spanning battles, the breathtaking discoveries, the bloody treacheries. As the Fremen legions march from victory to victory, far from their beloved desert homeworld of Dune, Paul’s rule becomes harsher. Betrayals harden his spirit, old allies become enemies, and the Bene Gesserit Sisterhood and the remnants of Shaddam’s Imperium work to bring about his downfall. And Paul himself begins to have doubts: Is the jihad getting out of his control? Has he created anarchy? Has he been betrayed by those he loves and trusts the most? He must rely on his beloved Chani, his loyal friend Gurney Halleck, and his mother Jessica and sister Alia to survive. A must-read before the events of DUNE MESSIAH. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The T&T Clark Handbook of Jesus and Film introduces postgraduate readers to the critical field of Jesus and/on film. The bulk of biblical films feature Jesus, as protagonist, in cameo, or as a looming background presence or pattern. The handbook assesses the field in light of the work of important biblical film critics including chapters from the leading voices in the field and showcasing the diversity of work done by scholars in the field. Movies discussed include The Passion of the Christ, The King of Kings, Jesus of Nazareth, Monty Python's Life of Brian, Son of Man, and Mary Magdalene. The chapters range across two broad areas: 1) Jesus films, understood broadly as filmed passion plays, other relocations of Jesus, historical Jesus treatments, and Jesus adjacent cinema (privileging invented characters or “minor” gospel characters); and 2) other cinematic Jesuses, including followers who imitate Jesus devotionally or aesthetically, (Christian) Christ figures, antichrists, yet other messiahs, and competing Jesuses in a pluralist world. As one leaves the confines of Christian theology, the question of what a film or interpreter is doing with Jesus or Christ becomes something to be determined, not necessarily something traditional.
