Arun Kunjunny's turn toward literature and the arts is not a recent one. As this book of poetry makes clear, his work comes from the heart. His poems deal with a wide variety of topics, from the sublime pleasure of ice cream on a hot day to the challenge and joy of personal motivation. In this book, they are beautifully illustrated by a number of talented and very young artists, children selected from a large number of applicants. With this, Arun has not only presented his first book of poetry to the world, but also created a showcase of creative talent among Indian children. I commend Arun’s decision to publish his work, as well as the published debuts of these young artists. I wish Arun all the best for his poetic career, and look forward to seeing the fruits of his future creativity Mr. Shashi Tharoor Member of Parliament
Rich treasury of verse from the 19th and 20th centuries includes works by Edgar Allan Poe, Robert Frost, Walt Whitman, Langston Hughes, Emily Dickinson, T. S. Eliot, other notables.
Five twists on classic fairy tales from five mesmerizing authors—including "Taken in Death," a Lieutenant Eve Dallas story from #1 New York Times bestselling author J. D. Robb. Once upon a time, in a world far removed from the days when fairy tales were new, five bestselling authors spin versions that take the classic stories into a new dimension. You’ll recognize Hansel and Gretel, Cinderella, Sleeping Beauty, and other enduring characters, but they’ll exist in realms beyond your imagination, where the familiar is transformed into the extraordinary and otherworldly. Find happily ever after with... MIRROR, MIRROR
With 6 starred reviews, 8 best of the year lists, and over 20 state award nominations, everyone is raving about Mirror Mirror! "Remarkable."—The Washington Post "This mind-bending poetry is accompanied by Masse's equally intelligent, equally amusing art."—Time Out New York for Kids What’s brewing when two favorites—poetry and fairy tales—are turned (literally) on their heads? It’s a revolutionary recipe: an infectious new genre of poetry and a lovably modern take on classic stories. First, read the poems forward (how old-fashioned!), then reverse the lines and read again to give familiar tales, from Sleeping Beauty to that Charming Prince, a delicious new spin. Witty, irreverent, and warm, this gorgeously illustrated and utterly unique offering holds a mirror up to language and fairy tales, and renews the fun and magic of both.
Concentrating on the interaction between contemporary Hellenistic poets, this book attempts to chart the complex dynamics of Alexandrian poetical imitation and reception in the light of poetical self-positioning.
Poetry 101 Whether in cities celestial To the reader of this book,Or in towns terrestrial, (Whether it be on shelf or in nook)HIS ideas are superb Of this book I must say,For home and suburb. "There are 101 poems in this way." That Man's title? Yes, it takes a thinking manThat Man's name? To understand the poet's plan:My Lord and My Savior: Words with a magnitudeOne in the same. To inspire awe and gratitude. He was sent to Galilee That poet's name?But I born in Kentucky. That poet's title?This book is in your sight: Some call me Snowflake;Discover its soul and might. Some call me Kendall. This book contains the following features: But I am not the Master Poet1.) Aesthetically pleasing 1.5 spacing Nor the Master Architect;between lines of poetry, HIS ideas (don't you know it?)2.) Chapter divisions between its 5 groups I merely reflect.of poetry, 3.) Preface to those chapters of poetry, In short, this book4.) Table-of-contents of styles of Is a mix of poetry,poetry used in this book, Written to edify and make merry5.) Index of poem titles, People like you and me,6.) Introductory information for each poem of this book [excluding Written to expound"Poetry 101", which is on this The merits of intimacy, page], and a And to glorify and praise7.) Glossary of the terms and obscure The God which be.poetic language used in this book.
The Clear Mirror (Masukagami) is an account of Japanese history from 1185 to 1333 by an anonymous author, almost certainly a court noble writing around the third quarter of the fourteenth century. During this time, the military government at Kamakura controlled the country, maintaining the emperor with his court at Kyoto as symbolic head of state. Though the imperial court had little real power, it attempted to maintain as much of its former dignity and prestige as it could. The Clear Mirror is at least semi-fictionalized, promoting a picture of a court healthier and more powerful than it really was. Moreover, the work sees the court as guardian of its own traditional arts and lifestyle, and thus provides not only a history of imperial succession and other events but also copious examples of poetic expressions and descriptions of courtly traditions and ceremonies. Because of its attempt to exemplify the best in the courtly prose tradition (it is noted for its imitation of the style of the masterpiece The Tale of Genji), the work has long been valued in Japan as much for its artistic literary contribution as for its historical significance. The present translation makes available to English readers the last significant work belonging to the genre of "historical tales" (rekishi monogatari), another example of which is A Tale of Flowering Fortunes (translated by William and Helen Craig McCullough, Stanford, 1980). The introduction provides a brief summary of the significant historical and political events of the period, together with a discussion of the significance of The Clear Mirror within the "historical tales" tradition, and comments on the literary strengths and weaknesses of the work. A glossary identifies people and places mentioned in the text, and an appendix discusses details concerning the work's authorship, possible dates of initial publication, and other matters relating to the original manuscript.
This is an anthology designed to help you get through the stresses of modern life. For rapid and effective relief around the clock, 24-7, without side effects, try a poem -- whatever the time of the day (or night), you can be sure that some poet, past or present, has been there too. To help you find the right poem at the right time, the organization of the book is like that of a book of hours. Starting with Getting Up, it then moves on to those other morning traumas: Stepping on the Scale and Looking into the Mirror. As the day moves on there are sections to cover everything, from Office Politics to Off to School. And if by five p.m. your head is throbbing, dig into the poems in the Take 5 section and let the world recede. By the end of the day you may want to look for inspiration among the poems in Going Home, but if you are intent on veering from the straight and narrow, then turn to the Behaving Badly poems and you'll find you're in good company. Anyone who feels vaguely guilty about settling down in front of the TV instead of taking café society by storm should turn to the poems in the Not Tonight section.
