The book "The Fairytale World of Mermaids" is a collection of 20 captivating stories that will take young readers on a magical journey through the depths of the ocean. Each story features brave and determined mermaids as they face unique challenges and discover amazing wonders. Children are transported to a world of aquatic wonders where corals sparkle like jewels, starfish dance in the currents and schools of colorful fish form amazing formations. The main characters, the mermaids, are presented as mesmerizing and majestic creatures with their unique beauty and amazing gifts. In these 20 stories, young readers will be inspired by the important life lessons passed down from the mermaids, such as friendship, loyalty, patience, courage, wisdom and benevolence. The stories also demonstrate the value of discovery and exploration, inviting children to imagine the depths of the ocean and the wonders within. This book celebrates the ocean, the underwater world and the incredible creatures that call it home. It aims to stimulate children's interest in nature, environmental protection and the discovery of their own inner world. The colorful and captivating illustrations add a touch of magic to the reading experience and capture the imagination of young readers. The Fairytale World of Mermaids is an ideal book for children who love fantastic stories, adventure, fairy tales and the sea. Parents can also use this book to stimulate their children's imaginations and raise awareness of environmental protection.
From Ariel to the current craze for Sirens, mermaids have captivated our imaginations. But what's true and what's fairy tale? For centuries, mermaids have appeared in the folklore of cultures from around the world, including the Near East, Europe, Asia, and Africa. And Disney made everyone want to dive under the sea with Ariel when the movie The Little Mermaid hit theaters in 1989. But what are mermaid stories based on? Many myths say these creatures are half human and half fish, while others claim they are simply manatees mistaken for something more magical. Some grant wishes and fall in love, yet others have lured sailors to their doom. Although we can't say for sure where the tales of these elusive figures first originated, author Sarah Laskow separates the fact from the fiction. This full-color, fully illustrated book tells you all you need to know about the myths, science, and history that surround mermaids.
The Little Encyclopedia of Mermaids is an A-to-Z compendium that spans the globe—from the Isle of Man to the depths of the Sea of Japan—weaving together famous and popular tales of everyone's favorite mythical sea creature. Naughty and nice, real and fictional, the menagerie of creatures included in this book run the gamut of world mythologies and cultures. This little encyclopedia features more than 90 famous mermaids including: Atargatis—a mermaid from ancient Syria who was a goddess before she fell in love with a mortal Blue Men of the Minch—a group of riddle-loving merfolk who have the power to summon storms and capsize ships Little Mermaid—everyone's favorite mermaid princess, who gives up her voice for a chance at love Ningyo—a gruesome sea creature from Japanese folkore that can bring dangerous storms and other misfortune Filled with tales of star-crossed mermaids and vengful sea gods and goddesses, this information-packed guide includes gorgeous line drawings throughout.
Are mermaids compassionate beings waiting to save drowning sailors or vindictive creatures hoping to lure people to their deaths? The answer depends on the lore, which is vast and varied. Through the centuries, people around the world have reported seeing real mermaids on rocks or bobbing in the sea. Even in the 21st century, people are drawn to the mystery of the mermaid. Readers, too, will find the many mermaid stories and hoaxes in this engaging book entertaining as well as educational. Folklore is a unique and entertaining window into studies of world culture.
*Includes "The Little Mermaid," now a major motion picture from Disney starring Halle Bailey and directed by Rob Marshall* Dive into centuries of mermaid lore with these captivating tales from around the world. A Penguin Classic Among the oldest and most popular mythical beings, mermaids and other merfolk have captured the imagination since long before Ariel sold her voice to a sea witch in the beloved Disney film adaptation of Hans Christian Andersen's "The Little Mermaid." As far back as the eighth century B.C., sailors in Homer's Odyssey stuffed wax in their ears to resist the Sirens, who lured men to their watery deaths with song. More than two thousand years later, the gullible New York public lined up to witness a mummified "mermaid" specimen that the enterprising showman P. T. Barnum swore was real. The Penguin Book of Mermaids is a treasury of such tales about merfolk and water spirits from different cultures, ranging from Scottish selkies to Hindu water-serpents to Chilean sea fairies. A third of the selections are published here in English for the first time, and all are accompanied by commentary that explores their undercurrents, showing us how public perceptions of this popular mythical hybrid--at once a human and a fish--illuminate issues of gender, spirituality, ecology, and sexuality. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In his new collection of essays, Jan Bondeson tells ten fascinating stories of myths and hoaxes, beliefs and Ripley-like facts, concerning the animal kingdom. Throughout he recounts—and in some instances solves—mysteries of the natural world which have puzzled scientists for centuries. Heavily illustrated with photographs and drawings, the book presents astounding tales from across the rich folklore of animals: a learned pig more admired than Sir Isaac Newton by the English public, an elephant that Lord Byron wanted to employ as his butler, a dancing horse whose skills in mathematics were praised by William Shakespeare, and, of course, the extraordinary creature known as the Feejee Mermaid. This object became the foremost curiosity of London in the 1820s and later in the century toured the United States under the management of P. T. Barnum. Bearing a striking resemblance to a wizened and misshapen monkey with a fishtail, the mermaid was nonetheless proclaimed a genuine specimen by 'experts.' Bondeson explores other zoological wonders: toads living for centuries encased in solid stone, little fishes raining down from the sky, and barnacle geese growing from trees until ready to fly. In two of his most fascinating chapters, he uncovers the origins of the basilisk, considered one of the most inexplicable mythical monsters, and of the Vegetable Lamb of Tartary. With the head and body of a rooster and the tail of a snake, the basilisk was said to be able to kill a person with its gaze. Bondeson demonstrates that belief in this fabulous creature resulted from misinterpretations of rare events in natural history. The vegetable lamb, a mainstay of museums in the seventeenth century, was allegedly half plant, half animal: it had the shape of a little lamb, but grew from a stem. After examining two vegetable lambs still in London today, Bondeson offers a new theory to explain this old fallacy.
We no longer ascribe the term ’mermaid’ to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid’s image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mermaid’s existence. This, author Tara Pedersen argues, makes it difficult for contemporary scholars to consider the mermaid as a figure who wields much social significance. During the early modern period, however, this was not the case, and Pedersen illustrates the complicated category distinctions that the mermaid inhabits and challenges in 16th-and 17th-century England. Addressing epistemological questions about embodiment and perception, this study furthers research about early modern theatrical culture by focusing on under-theorized and seldom acknowledged representations of mermaids in English locations and texts. While individuals in early modern England were under pressure to conform to seemingly monolithic ideals about the natural order, there were also significant challenges to this order. Pedersen uses the figure of the mermaid to rethink some of these challenges, for the mermaid often appears in surprising places; she is situated at the nexus of historically specific debates about gender, sexuality, religion, the marketplace, the new science, and the culture of curiosity and travel. Although these topics of inquiry are not new, Pedersen argues that the mermaid provides a new lens through which to look at these subjects and also helps scholars think about the present moment, methodologies of reading, and many category distinctions that are important to contemporary scholarly debates.
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