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Excerpt from Mercy Warren There are few consecutive incidents save the catalogue of births, marriages and deaths, to be gathered concerning the life of Mercy Otis Warren. Therefore it seems necessary to regard her through those picturesque events of the notional welfare which touched her most nearly and of which she was a part. It is impossible to trace her, step by step, through her eighty-six years; she can only be regarded by the flashlight of isolated topics. In compiling this sketch of the Revolutionary period, I am especially indebted to Winslow Warren, Esq., and Charles Francis Adams, Esq., for their generosity and courtesy in allowing me the use of the valuable manuscripts in their possession. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Catharine Macaulay and Mercy Otis Warren were radical friends in a revolutionary age. They produced definitive histories of the English Civil War and the American Revolution, attacked the British government and the United States federal constitution, and instigated a debate on women's rights which inspired Mary Wollstonecraft, Judith Sargent Murray, and other feminists. Drawing on new research (including recently discovered correspondence) this is the first book to consider Macaulay and Warren in the context of the revolutionary Atlantic. In a series of detailed interdisciplinary studies, Davies suggests the centrality of both women to transatlantic political cultures between the middle of the eighteenth century and the turn of the nineteenth. The experience of Anglo-American conflict formed Macaulay and Warren's friendship and radically changed their writing lives. In showing how it did so, Davies also explains how the revolutionary Atlantic shaped modern ideas of gender difference. Anglo-American separation had a politics of gender which defined Warren and Macaulay's awareness of themselves as women and of which their writing also offered important critiques. Davies's book reveals the political significance of Mercy Otis Warren and Catharine Macaulay to an era when the truths of patriotism, nationhood and empire were never wholly self-evident but were hotly contested.
Early American Women Critics demonstrates that performances of various kinds - religious, political and cultural - enabled women to enter the human rights debates that roiled the American colonies and young republic. Black and white women staked their claims on American citizenship through disparate performances of spirit possession, patriotism, poetic and theatrical production. They protected themselves within various shields which allowed them to speak openly while keeping the individual basis of their identities invisible. Cima shows that between the First and Second Great Religious Awakenings (1730s–1830s), women from West Africa, Europe, and various corners of the American colonies self-consciously adopted performance strategies that enabled them to critique American culture and establish their own diverse and contradictory claims on the body politic. This book restores the primacy of religious performances - Christian, Yoruban, Bantu and Muslim - to the study of early American cultural and political histories, revealing that religion and race are inseparable.
"The Enlightenment has been represented in radically opposing ways: on the one hand, as the throwing off of the chains of superstition, custom, and usurped authority; on the other hand, in the Romantic period, but also more recently, as what Michel Foucault termed "the great confinement," in which "mind-forged manacles" imprison the free and irrational spirit. The debate about the "Enlightenment project" remains a topical one, which can still arouse fierce passions. This collection of essays by distinguished scholars from various disciplines addresses the central question: "Was Enlightenment a force for emancipation?" Their responses, working from within, and frequently across the disciplinary lines of history, political science, economics, music, literature, aesthetics, art history, and film, reveal unsuspected connections and divergences even between well-known figures and texts. In their turn, the essays suggest the need for further inquiry in areas that turn out to be very far from closed. The volume considers major writings in unusual juxtaposition; highlights new figures of importance; and demonstrates familiar texts to embody strange implications."--Publisher's website.
The established reference work Guide to Reprints has been radically reworked for this edition. Bibliographical data was substantially increased where information was obtainable. In addition, the user-friendliness of Guide to Reprints was raised to the high level of other K.G. Saur directories through author-title cross-references, a subject volume, a person index and a publisher index. In this edition, the directory lists more than 60,000 titles from more than 350 publishers.
Theatre has often served as a touchstone for moments of political change or national definition and as a way of exploring cultural and ethnic identity. In this book Steve Wilmer selects key historical moments in American history and examines how the theatre, in formal and informal settings, responded to these events. The book moves from the Colonial fight for independence, through Native American struggles, the Socialist Worker play, the Civil Rights Movement, and up to works of the last decade, including Tony Kushner's Angels in America. In addition to examining theatrical events and play texts, Wilmer also considers audience reception and critical response.
