Mendelssohn, the Organ, and the Music of the Past

Mendelssohn, the Organ, and the Music of the Past

Author: Jürgen Thym

Publisher: Boydell & Brewer

Published: 2014

Total Pages: 352

ISBN-13: 1580464742

DOWNLOAD EBOOK

Examines Mendelssohn's relationship to the past, shedding light on the construction of historical legacies that, in some cases, served to assert German cultural supremacy only two decades after the composer's death.


Mendelssohn

Mendelssohn

Author: R. Larry Todd

Publisher: Oxford University Press

Published: 2003-10-23

Total Pages: 748

ISBN-13: 9780195110432

DOWNLOAD EBOOK

An extraordinary prodigy of Mozartean abilities, Felix Mendelssohn Bartholdy was a distinguished composer and conductor. Now, in the first major Mendelssohn biography to appear in decades, Todd offers a remarkably fresh account of this musical giant.


Mendelssohn in Performance

Mendelssohn in Performance

Author: Siegwart Reichwald

Publisher: Indiana University Press

Published: 2008-09-25

Total Pages: 274

ISBN-13: 0253002613

DOWNLOAD EBOOK

Exploring many aspects of Felix Mendelssohn's multi-faceted career as musician and how it intersects with his work as composer, contributors discuss practical issues of music making such as performance space, instruments, tempo markings, dynamics, phrasings, articulations, fingerings, and instrument techniques. They present the conceptual and ideological underpinnings of Mendelssohn's approach to performance, interpretation, and composing through the contextualization of specific performance events and through the theoretic actualization of performances of specific works. Contributors rely on manuscripts, marked or edited scores, and performance parts to convey a deeper understanding of musical expression in 19th-century Germany. This study of Mendelssohn's work as conductor, pianist, organist, violist, accompanist, music director, and editor of old and new music offers valuable perspectives on 19th-century performance practice issues.


The Mendelssohns

The Mendelssohns

Author: John Michael Cooper

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 422

ISBN-13: 9780198167235

DOWNLOAD EBOOK

Since about 1970 there has been a veritable renaissance in scholarship and performances concerning the works of Felix Mendelssohn Bartholdy and Fanny Hensel. The essays in this book, presenting the findings of three generations of members of the international community of Mendelssohn/Hensel scholars, constitute a compendium of cutting-edge research relating to these two important representatives of nineteenth-century musical culture.


Fanny Hensel

Fanny Hensel

Author: R. Larry Todd

Publisher: Oxford University Press

Published: 2009-11-25

Total Pages: 455

ISBN-13: 0199884528

DOWNLOAD EBOOK

Granddaughter of the philosopher Moses Mendelssohn and sister of the composer Felix Mendelssohn Bartholdy, Fanny Hensel (1805-1847) was an extraordinary musician who left well over four hundred compositions, most of which fell into oblivion until their rediscovery late in the twentieth century. In Fanny Hensel: The Other Mendelssohn, R. Larry Todd offers a compelling, authoritative account of Hensel's life and music, and her struggle to emerge as a publicly recognized composer.


Rethinking Mendelssohn

Rethinking Mendelssohn

Author: Benedict Taylor Ph.D.

Publisher: Oxford University Press

Published: 2020-04-15

Total Pages: 539

ISBN-13: 0190611804

DOWNLOAD EBOOK

As one of the foremost composers, conductors, and pianists of the nineteenth century, Felix Mendelssohn played a fundamental role in the shaping of modern musical tastes through his contributions to the early music revival and the formation of the Austro-German musical canon. His career allows for a remarkable meeting point for critical engagement with a host of crucial issues in the last two centuries of music history, including the relation between musical meaning and social function, programmatic and absolute music, notions of classicism and Romanticism, modernism and historicism. It also serves as a pertinent case-study of the roles political ideology, racism, and musical ignorance may play in creating and perpetuating a composer's posthumous reception. Fittingly, Rethinking Mendelssohn focuses on critical engagement with the composer's music and aesthetics, and on the interpretation of his works in relation to contemporaneous culture. Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn sets a fresh and exciting tone for research on the composer. Opening new ways of understanding Mendelssohn and setting the future direction of Mendelssohn studies, the contributing scholars pay particular attention to Mendelssohn's contested views on the relationship between art and religion, analysis of Mendelssohn's instrumental music in the wake of recent controversies in Formenlehre, and the burgeoning interest in his previously neglected contribution to the German song.


Mendelssohn and the Organ

Mendelssohn and the Organ

Author: Wm. A. Little

Publisher: Oxford University Press

Published: 2010-06-10

Total Pages: 504

ISBN-13: 0199741832

DOWNLOAD EBOOK

Mendelssohn and the Organ is the first comprehensive historical-critical study in any language to examine the role of the organ in Mendelssohn's personal and professional career. It examines his entire oeuvre for the instrument, including the Berlin-Krakow manuscripts, and presents for the first time Mendelssohn's complete correspondence with his English publisher, Charles Coventry.


Wedding March from a Midsummer's Night Dream

Wedding March from a Midsummer's Night Dream

Author: Sylvia Woods

Publisher: Hal Leonard Publishing Corporation

Published: 2014-07

Total Pages: 0

ISBN-13: 9780936661506

DOWNLOAD EBOOK

(Harp). Felix Mendelssohn composed the "Wedding March" in 1842 as a part of his suite for Shakespeare's play A Midsummer Night's Dream . It is most commonly played as a wedding recessional. This sheet music includes two harp arrangements. The first is for intermediate to advanced lever harp players, or pedal harpists. The second is a bit easier. It can be played on small harps with 22 or more strings, from C to C.