Fiction. Latino/Latina Studies. Women's Studies. Translated from the Spanish by Jeffrey C. Barnett. Edited by Paula Sanmartin and Maria di Franscesco. Second place winner, 2016 International Latino Book Award for Best Novel, Historical Fiction—Bilingual or Spanish. A metaphor of a nation and its Diaspora, this bilingual edition of THE MEMORY OF SILENCE/MEMORIA DEL SILENCIO transcends the Cuban reality and becomes a story of universal breadth, a triumph of love and family over distance and politics. In 1959, at the age of 18, the twin sisters Lauri and Menchu share a common past, but their lives abruptly take on seemingly irreconcilable differences as Lauri leaves with her groom for Miami and Menchu remains in Havana. The text, then, becomes a series of interpolated chronicles, as each alternating chapter recounts one sister's life and then the other until finally in the present, now reunited, the sisters must confront the pain of the past and as well as the promise of the future. The novel's theme of reconciliation presents a refreshing message, and a timely one.
The massacre on October 6, 1976, in Bangkok was brutal and violent, its savagery unprecedented in modern Thai history. Four decades later there has been no investigation into the atrocity; information remains limited, the truth unknown. There has been no collective coming to terms with what happened or who is responsible. Thai society still refuses to confront this dark page in its history. Moments of Silence focuses on the silence that surrounds the October 6 massacre. Silence, the book argues, is not forgetting. Rather it signals an inability to forget or remember—or to articulate a socially meaningful memory. It is the “unforgetting,” the liminal domain between remembering and forgetting. Historian Thongchai Winichakul, a participant in the events of that day, gives the silence both a voice and a history by highlighting the factors that contributed to the unforgetting amidst changing memories of the massacre over the decades that followed. They include shifting political conditions and context, the influence of Buddhism, the royal-nationalist narrative of history, the role played by the monarchy as moral authority and arbiter of justice, and a widespread perception that the truth might have devastating ramifications for Thai society. The unforgetting impacted both victims and perpetrators in different ways. It produced a collective false memory of an incident that never took place, but it also produced silence that is filled with hope and counter-history. Moments of Silence tells the story of a tragedy in Thailand—its victims and survivors—and how Thai people coped when closure was unavailable in the wake of atrocity. But it also illuminates the unforgetting as a phenomenon common to other times and places where authoritarian governments flourish, where atrocities go unexamined, and where censorship (imposed or self-directed) limits public discourse. The tensions inherent in the author’s dual role offer a riveting story, as well as a rare and intriguing perspective. Most of all, this provocative book makes clear the need to provide a place for past wrongs in the public memory.
This edited, one-volume version presents the first ever English translation of the report of The Guatemalan Commission for Historical Clarification (CEH), a truth commission that exposed the details of 'la violenca,' during which hundreds of massacres were committed in a scorched-earth campaign that displaced approximately one million people.
Beyond Memory: Silence and the Aesthetics of Remembrance analyses the intricate connections between silence, acts of remembrance and acts of forgetting, and relates the topic of silence to the international research field of Cultural Memory Studies. It engages with the most recent work in the field by viewing silence as a remedy to the traditionally binary approach to our understanding of remembering and forgetting. The international team of contributors examine case studies from colonialism, war, politics and slavery from across the globe, as well as drawing examples from literature, philosophy and sites of memory to draw three main conclusions. Firstly, that the relationship between remembering and forgetting is relational rather than ‘hermetic’, and the space between the two is often occupied by silence. Secondly, silence is a force in itself, capable of stimulating more or less remembrance. Finally, that silence is a necessary and key element in the interaction between the human mind and the ‘outer world’, and enables people to challenge their understanding of art, music, literature, history and memory. With an introduction by the editors discussing Memory Studies, and concluding remarks by Astrid Erll, this collection demonstrates that acceptance and consideration of silence as having both a performative and aesthetic dimension is an essential component of history and memory studies.
In the aftermath of the 1994 genocide, Rwandan women faced the impossible—resurrecting their lives amidst unthinkable devastation. Haunted by memories of lost loved ones and of their own experiences of violence, women rebuilt their lives from “less than nothing.” Neither passive victims nor innate peacemakers, they traversed dangerous emotional and political terrain to emerge as leaders in Rwanda today. This clear and engaging ethnography of survival tackles three interrelated phenomena—memory, silence, and justice—and probes the contradictory roles women played in postgenocide reconciliation. Based on more than a decade of intensive fieldwork, Genocide Lives in Us provides a unique grassroots perspective on a postconflict society. Anthropologist Jennie E. Burnet relates with sensitivity the heart-wrenching survival stories of ordinary Rwandan women and uncovers political and historical themes in their personal narratives. She shows that women’s leading role in Rwanda’s renaissance resulted from several factors: the dire postgenocide situation that forced women into new roles; advocacy by the Rwandan women’s movement; and the inclusion of women in the postgenocide government. Honorable Mention, Aidoo-Snyder Book Prize, Women’s Caucus of the African Studies Association
This book explores national attitudes to remembering colonialism in Britain and France. By comparing these two former colonial powers, the author tells two distinct stories about coming to terms with the legacies of colonialism, the role of silence and the breaking thereof. Examining memory through the stories of people who incited public conversation on colonialism: activists; politicians; journalists; and professional historians, this book argues that these actors mobilised the colonial past to make sense of national identity, race and belonging in the present. In focusing on memory as an ongoing, politicised public debate, the book examines the afterlife of colonial history as an element of political and social discourse that depends on actors’ goals and priorities. A thought-provoking and powerful read that explores the divisive legacies of colonialism through oral history, this book will appeal to those researching imperialism, collective memory and cultural identity.
"Absorbing . . . a testament to the ways in which narrative truth-telling—from the greatest works of literature to the most intimate family stories—sustains and strengthens us.”—O: The Oprah Magazine In this stunning personal story of growing up in Iran, Azar Nafisi shares her memories of living in thrall to a powerful and complex mother against the backdrop of a country’s political revolution. A girl’s pain over family secrets, a young woman’s discovery of the power of sensuality in literature, the price a family pays for freedom in a country beset by upheaval—these and other threads are woven together in this beautiful memoir as a gifted storyteller once again transforms the way we see the world and “reminds us of why we read in the first place” (Newsday). BONUS: This edition contains a Things I've Been Silent About discussion guide. Praise for Things I've Been Silent About “Deeply felt . . . an affecting account of a family’s struggle.”—New York Times “A gifted storyteller with a mastery of Western literature, Nafisi knows how to use language both to settle scores and to seduce.”—New York Times Book Review “An immensely rewarding and beautifully written act of courage, by turns amusing, tender and obsessively dogged.”—Kirkus Reviews (starred review) “A lyrical, often wrenching memoir.”—People
In an age of information and new media the relationships between remembering and forgetting have changed. This volume addresses the tension between loud and often spectacular histories and those forgotten pasts we strain to hear. Employing social and cultural analysis, the essays within examine mnemonic technologies both new and old, and cover subjects as diverse as U.S. internment camps for Japanese Americans in WWII, the Canadian Indian Residential School system, Israeli memorial videos, and the desaparecidos in Argentina. Through these cases, the contributors argue for a re-interpretation of Guy Debord’s notion of the spectacle as a conceptual apparatus through which to examine the contemporary landscape of social memory, arguing that the concept of spectacle might be developed in an age seen as dissatisfied with the present, nervous about the future, and obsessed with the past. Perhaps now “spectacle” can be thought of not as a tool of distraction employed solely by hegemonic powers, but instead as a device used to answer Walter Benjamin’s plea to “explode the continuum of history” and bring our attention to now-time.
Based on a true, still-unfolding story, Silence of the Chagos is a powerful exploration of cultural identity, the concept of home, and above all the neverending desire for justice. Shenaz Patel draws on the lives of exiled Chagossians in this tragic example of 20th century political oppression. Every afternoon a woman in a red headscarf walks to the end of the quay and looks out over the water, fixing her gaze “back there”: to Diego Garcia, one of the small islands forming the Chagos archipelago in the Indian Ocean. With no explanation, no forewarning, and only an hour to pack their belongings, the Chagossians are deported to Mauritius. Officials tell her that the island is “closed”— there is no going back for any of them. Charlesia longs for life on Diego Garcia, where the days were spent working on a coconut plantation; the nights dancing to sega music. As she struggles to come to terms with her new reality, Charlesia crosses paths with Désiré, a young man born on the one-way journey to Mauritius. Désiré has never set foot on Diego Garcia, but as Charlesia unfolds the dramatic story of his people, he learns of the home he never knew and the disrupted future of his people. With the sovereignty of Chagos currently being debated on an international judiciary level, Silence of the Chagos is an important and timely examination of the rights of individuals in the face of governmental corruption. Praise for Silence of the Chagos: “Some twenty years ago, I was struck by a photo showing barefoot women on the road facing the armed police. They were Chagossian women protesting in Mauritius with astonishing determination.” This photo, which she's never forgotten, is the inspiration for the Mauritian novelist and journalist Shenaz Patel's third book. Mingling various voice, Patel describes, in a bitter, clear-cut style, the tragedy of the inhabitants of the Chagos, those coral islands of the Indian Ocean that were turned into an American military base and whose inhabitants had been banished to Mauritius between 1967 and 1972. With a prose that seeps and stings, and a sharp sensibility, Shenaz Patel breathes life into the painful nostalgia, the lingering memories, and the eternal incomprehension of these expelled from a string of lost islands.” —Le Monde “This novel has two voices, those of Charlesia and Désiré, both of whom are foreigners, natives of the Chagos archipelago, living in exile in Mauritius, an island that is a paradise for some but a hell for them. The Chagos are an archipelago that would have been hidden in the depths of the Indian Ocean, had Americans not built a military base to bombard other countries. Charlesia and Désiré live and breathe; the Mauritian writer Shenaz Patel introduces us to them and gives them voice again.” —Libération “From scenes of daily life to the horrors of forced exile, through the grief of deculturation and the experience of an impossible identity, Patel interrogates the relationship between political expediency and its all-too-human consequences, between the abstract needs of international security and the concrete needs of the individual, and above all between the rich and the poor.” —L'Express
In the last decade, a focus on memory in the human sciences has encouraged new approaches to the study of the past. As the humanities and social sciences have put into question their own claims to objectivity, authority, and universality, memory has appeared to offer a way of engaging with knowledge of the past as inevitably partial, subjective, and local. At the same time, memory and memorial practices have become sites of contestation, and the politics of memory are increasingly prominent. This inter-disciplinary volume demonstrates, from a range of perspectives, the complex cultural work and struggles over meaning that lie at the heart of what we call memory.The chapters in this volume offer a complex awareness of the workings of memory, and the ways in which different or changing histories may be explained. They explore the relation between individual and social memory, between real and imaginary, event and fantasy, history and myth. Contradictory accounts, or memories in direct contradiction to the historical record are not always the sign of a repressive authority attempting to cover something up. The tension between memory as a safeguard against attempts to silence dissenting voices, and memory's own implication in that silencing, runs throughout the book. Topics covered range from the Basque country to Cambodia, from Hungary to South Africa, from the Finnish Civil War to the cult Jim Jarmusch movie Dead Man, from the Rock and Roll Hall of Fame to Australia. Part I, ""Transforming Memory"" is concerned primarily with the social and personal transmission of memory across time and generations. Part II, ""Remembering Suffering: Trauma and History,"" brings the after-effects of catastrophe to the fore. Part III, ""Patterning the National Past,"" the relation between nation and memory is the central issue. Part IV, ""And Then Silence,"" reflects on the complex and multiple meaning of silence and oblivion, wherein amnesia is often used as a figure for the denial of shamefu
