I have been a member of the Academy of Motion Picture Arts and Sciences for quite some years and they and some of my friends in the film industry have asked me to write something about the experiences and the stories about the more than 40 feature films I worked on in over 40 years.
Funny, thoughtful, and deeply moving—with a unique blend of fantasy and actual science—this novel explores both personal grief in the face of family loss and collective grief in the face of climate crisis, and how the only way to move forward is through friendship of all kinds. In Shajarpur, everyone is always happy. The weather is always perfect. But newcomer Savi, a lonely teenager, doesn’t know what happiness means anymore. If she were to make a list of things that were the absolute worst, moving to Shajarpur would be right on top. Well, right after missing her father, who just died of a heart attack. As Savi grapples with loss in a strange new town, she discovers something startling. Not only can she communicate with her father’s plants—all forty-two of them—she can talk to the giant ficus tree behind her school. Savi soon learns that Tree (as they are known) knew her father as well and that their friendship was at the heart of a magical network of animals and plants working together to protect Shajarpur. However, Tree is in danger, along with everything else, and needs Savi’s help. As she joins with all kinds of living things to save the town, Savi is shocked to find she is happy again, even if forces of nature are beyond her control.
This book focuses on the myriad ways that people collectively remember or forget shared pasts through popular dance. In dance classes, nightclubs, family celebrations, tourist performances, on television, film, music video and the internet, cultural memories are shared and transformed by dancing bodies adapting yesterday’s steps to today’s concerns. The book gathers emerging and seasoned scholarly voices from a wide range of geographical and disciplinary perspectives to discuss cultural remembering and forgetting in diverse popular dance contexts. The contributors ask: how are Afro-diasporic memories invoked in popular dance classes? How are popular dance genealogies manipulated and reclaimed? What is at stake for the nation in the nationalizing of folk and popular dances? And how does mediated dancing transmit memory as feelings or affects? The book reveals popular dance to be vital to cultural processes of remembering and forgetting, allowing participants to pivot between alternative pasts, presents and futures.
This a collection of memories that cover a major part of what started out as a very ordinary life. But somehow. and certainly not by design, it became a life filled with extraordinary people and exceptional experiences. For the most part it is a memoir of my long time relationship and engagement to Jack L. Warner, the last "Warner Brother". An untold story. My first brush with Jack Warner took place when I was six years old and he was a grown man running Warner Brothers; the studio he and his brothers had built. Three decades later, he became the most important person in my life. It was a long road filled with extraordinary chance encounters. Even before Jack, my life's experiences were anything but ordinary. This memoir is about friendships, personal relationships and observations of the private lives of some of the most interesting and talented people in the world of entertainment and beyond. The possibility of my life being touched by any of them was very slim. The most recognizable names who became friends and took me into their confidence were, Fredrick Loewe, Fred Zinneman, Winthrop Rockefeller, Arthur Godfrey, Frank Sinatra, Mervyn Leroy, Peter Lawford, Jonas Salk and a couple of infamous, compelling and not very ordinary scoundrels. These friendships and events cover a span of over twenty five years. I had the good fortune to have had many interesting people fill a large part of what would have been a very ordinary life. I have often wondered..why me? But then..why not me ? "One man who has kept a sharp eye for over three generations on the effects of celluloid on the chemistry of society, is Jack Warner, head of Warner Brother Pictures." "In his decades, Jack Warner furnished dreams and memories that will live beyond us all."
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
(Piano/Vocal/Guitar Artist Songbook). This songbook includes all 15 songs from the 2006 release, Jackson's first ever gospel album. Songs: Blessed Assurance * How Great Thou Art * I'll Fly Away * In the Garden * The Old Rugged Cross * Softly and Tenderly * What a Friend We Have in Jesus * and more.
Available again for the first time in decades, this jewel of a memoir is the poignant story of a young Jewish girl growing up in a Polish farm village, from the peaceful early 1930s through the tragic war years, and finding safe harbor at last. “Deeply moving”—Elie Wiesel “A tone poem evocative of a vanished world”—Chaim Potok In her own words and with her own beautiful paintings and drawings, artist Toby Knobel Fluek (1926–2011) lovingly unfurls a unique view of Jewish life. She introduces us to her village, to her family, to the people among whom they lived; she shows us how customs and holidays were observed; and, with both feeling and restraint, she illustrates how this long-enduring way of life was shattered by World War II. She depicts her family’s experiences through Russian occupation and the devastation wreaked by the Nazis—and, finally, her new beginning in America. New to this edition is a foreword by Rakhmiel Peltz, PhD, PhD, Founding Director of the Judaic Studies Program at Drexel University, which he led for twenty years.
A superb fiction collection by the great Uruguayan writer: If I hadn't read the stories of Felisberto Hernández in 1950, I wouldn't be the writer I am today. --Gabriel García Márquez
La Colonia is half a square mile of land separated from the rest of Oxnard by the railroad tracks and home to the people who keep an agricultural empire running. In decades past, milpas of corn and squash grew in tiny front yards, kids played in the alleys and neighbors ran tortillerias out of their homes. Back then, it was the place to get the best raspadas on Earth. It was a home to Cesar Chavez and a campaign stop for presidential candidate Robert Kennedy. As one Colonia native put it, "We may not have had what the other kids had, but we were just as rich." Through the voices of the people, the authors share the challenges and triumphs of growing up in this treasured place.
The Norte Grande of Chile, the world's driest desert, had ''engendered contemporary Chile, everything that was good about it, everything that was dreadful,'' writes Ariel Dorfman in his brilliant exploration of one of the least known and most exotic corners of the globe. For 10,000 years the desert had been mined for silver, iron, and copper, but it was the 19th-century discovery of nitrate that transformed the country into a modern state and forced the desert's colonization. The mines' riches generated mansions and oligarchs in Chile's more temperate region—and terrible inequalities throughout the country. The Norte Grande also gave birth to the first Chilean democratic and socialist movements, nurturing every major political figure of modern Chile from Salvador Allende to Augusto Pinochet. In this richly layered personal memoir, illustrated with the author's own photographs, Dorfman sets out to explore the origins of contemporary Chile—and, along the way, seek out his wife's European ancestors who came years ago to Chile as part of the nitrate rush. And, most poignantly, he looks for traces of his friend and fellow 1960s activist, Freddy Taberna, executed by a firing squad in a remote Pinochet death camp.