Memories of a Southern Woman of Letters
Memories of a Southern Woman of Letters

Author: Grace King

Publisher:

Published: 2008-06-01

Total Pages: 408

ISBN-13: 9781436688659

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

North and South
North and South

Author: Christine DeVine

Publisher: Cambridge Scholars Publishing

Published: 2014-07-24

Total Pages: 260

ISBN-13: 1443865001

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North and South is a multi-dimensional look at a prevailing theme in current discourse on the concept of borders. This collection of essays invites us to cross historical, regional, and disciplinary boundaries. The contributors consider a range of primary texts, use a number of critical approaches, and make some surprising connections. The borders created by the concepts of “north” and “south” provoke us to ask if the terms continue to represent real divisions, or if usage and habit have drained them of any real meaning. And how have literary texts sought to represent and elucidate the divisions and to complicate and undermine such rigid categories? This collection of essays considers such questions and offers some tentative and original answers. The essays in North and South treat a wide variety of topics, generically and geographically, chronologically and creatively. They interrogate the elusive topic of boundaries symbolic and literal; boundaries as means of communication rather than division; boundaries that create borderlands; boundaries that invite transgression; boundaries that resist erasure. Across and within these boundaries, the theme of identity emerges: international, national, regional, gendered, racial, ethnic.

The History of Southern Women's Literature
The History of Southern Women's Literature

Author: Carolyn Perry

Publisher: LSU Press

Published: 2002-03-01

Total Pages: 724

ISBN-13: 9780807127537

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Many of America’s foremost, and most beloved, authors are also southern and female: Mary Chesnut, Kate Chopin, Ellen Glasgow, Zora Neale Hurston, Eudora Welty, Harper Lee, Maya Angelou, Anne Tyler, Alice Walker, and Lee Smith, to name several. Designating a writer as “southern” if her work reflects the region’s grip on her life, Carolyn Perry and Mary Louise Weaks have produced an invaluable guide to the richly diverse and enduring tradition of southern women’s literature. Their comprehensive history—the first of its kind in a relatively young field—extends from the pioneer woman to the career woman, embracing black and white, poor and privileged, urban and Appalachian perspectives and experiences. The History of Southern Women’s Literature allows readers both to explore individual authors and to follow the developing arc of various genres across time. Conduct books and slave narratives; Civil War diaries and letters; the antebellum, postbellum, and modern novel; autobiography and memoirs; poetry; magazine and newspaper writing—these and more receive close attention. Over seventy contributors are represented here, and their essays discuss a wealth of women’s issues from four centuries: race, urbanization, and feminism; the myth of southern womanhood; preset images and assigned social roles—from the belle to the mammy—and real life behind the facade of meeting others’ expectations; poverty and the labor movement; responses to Uncle Tom’s Cabin and the influence of Gone with the Wind. The history of southern women’s literature tells, ultimately, the story of the search for freedom within an “insidious tradition,” to quote Ellen Glasgow. This teeming volume validates the deep contributions and pleasures of an impressive body of writing and marks a major achievement in women’s and literary studies.

Nineteenth-Century Southern Women Writers
Nineteenth-Century Southern Women Writers

Author: Melissa Heidari

Publisher: Routledge

Published: 2019-08-12

Total Pages: 196

ISBN-13: 1000586944

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The essays in this book explore the role of Grace King’s fiction in the movement of American literature from local color and realism to modernism and show that her work exposes a postbellum New Orleans that is fragmented socially, politically, and linguistically. In her introduction, Melissa Walker Heidari examines selections from King’s journals and letters as views into her journey toward a modernist aesthetic—what King describes in one passage as "the continual voyage I made." Sirpa Salenius sees King’s fiction as a challenge to dominant conceptualizations of womanhood and a reaction against female oppression and heteronormativity. In his analysis of "An Affair of the Heart," Ralph J. Poole highlights the rhetoric of excess that reveals a social satire debunking sexual and racial double standards. Ineke Bockting shows the modernist aspects of King’s fiction through a stylistic analysis which explores spatial, temporal, biological, psychological, social, and racial liminalities. Françoise Buisson demonstrates that King’s writing "is inspired by the Southern oral tradition but goes beyond it by taking on a theatrical dimension that can be quite modern and even experimental at times." Kathie Birat claims that it is important to underline King’s relationship to realism, "for the metonymic functioning of space as a signifier for social relations is an important characteristic of the realist novel." Stéphanie Durrans analyzes "The Story of a Day" as an incest narrative and focuses on King’s development of a modernist aesthetics to serve her terrifying investigation into social ills as she probes the inner world of her silent character. Amy Doherty Mohr explores intersections between regionalism and modernism in public and silenced histories, as well as King’s treatment of myth and mobility. Brigitte Zaugg examines in "The Little Convent Girl" King’s presentation of the figure of the double and the issue of language as well as the narrative voice, which, she argues, "definitely inscribes the text, with its understatement, economy and quiet symbolism, in the modernist tradition." Miki Pfeffer closes the collection with an afterword in which she offers excerpts from King’s letters as encouragement for "scholars to seek Grace King as a primary source," arguing that "Grace King’s own words seem best able to dialogue with the critical readings herein." Each of these essays enables us to see King’s place in the construction of modernity; each illuminates the "continual voyage" that King made.