John Constable

John Constable

Author: Anthony Bailey

Publisher: Random House

Published: 2012-03-31

Total Pages: 394

ISBN-13: 1448137713

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Born in 1776 in East Anglia near the river Stour, John Constable was destined for his father's business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote: 'I have a kingdom of my own, both fertile and populous - my landscape and my children'. In recent times, after a period of relative ignominy, Constable's influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.


The Illustrator and the Book in England from 1790 to 1914

The Illustrator and the Book in England from 1790 to 1914

Author: Gordon Norton Ray

Publisher: Courier Corporation

Published: 1991-01-01

Total Pages: 390

ISBN-13: 9780486269559

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Combines essays, bibliographical descriptions, and 295 illustrations to chronicle a golden era in the art of the illustrated book. Artists range from Blake, Turner, Rowlandson, and Morris to Caldecott, Greenaway, Beardsley, and Rackham.


A Century of British Painters

A Century of British Painters

Author: Richard Redgrave

Publisher: Cornell University Press

Published: 1981

Total Pages: 628

ISBN-13: 9780801492174

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In the 1860s, the brothers Richard and Samuel Redgrave sat down to write the book that was, in effect, the first popular account of British painting. With remarkable industry, they examined and sifted through the earlier studies and documentary sources while also contributing a great deal of firsthand knowledge. Many of the artists of the time were personal friends or acquaintances, and Richard Redgrave was a member of the Royal Academy.