The Journals of Thomas Babington Macaulay Vol 2

The Journals of Thomas Babington Macaulay Vol 2

Author: William Thomas

Publisher: Routledge

Published: 2021-03-24

Total Pages: 267

ISBN-13: 1000419177

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Presents the candid diary of Thomas Macaulay, Victorian statesman, historian and author of "The History of England". This work shows how, spanning the period 1838 to 1859, the journal is the longest work from Macaulay's pen. It states that these unique manuscripts held at Trinity College, Cambridge, are most revealing of all his writings. Volume 2 includes entries for 18 November 1848–27 July 1850.


The Journals of Thomas Babington Macaulay

The Journals of Thomas Babington Macaulay

Author: William Thomas

Publisher: Taylor & Francis

Published: 2024-07-31

Total Pages: 1669

ISBN-13: 1040156134

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Presents the candid diary of Thomas Macaulay, Victorian statesman, historian and author of "The History of England". This work shows how, spanning the period 1838 to 1859, the journal is the longest work from Macaulay's pen. It states that these unique manuscripts held at Trinity College, Cambridge, are most revealing of all his writings.


Actors, Audiences, and Emotions in the Eighteenth Century

Actors, Audiences, and Emotions in the Eighteenth Century

Author: Glen McGillivray

Publisher: Springer Nature

Published: 2023-02-20

Total Pages: 231

ISBN-13: 3031228995

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This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.