DigiCat Publishing presents to you this special edition of "Memoirs of Mistral" by Frédéric Mistral. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
'Memoirs of Mistral' is an autobiography written by Frédéric Mistral about his life. He was a French writer of Occitan literature and lexicographer of the Provençal form of the language. He received the Nobel Prize in Literature "in recognition of the fresh originality and true inspiration of his poetic production, which faithfully reflects the natural scenery and native spirit of his people, and, in addition, his significant work as a Provençal philologist".
Written in the relaxed conversational style of an elderly gentlemen reminiscing about old days, the Memoirs describe the circumstances of mistral's childhood and early manhood--the Provencal landscapes, the seasonal life of the farm, the religious observances and seasonal festivities, many clearly of pagan origin. Memoirs, which is not so much an autobiography as a recollection of the life of ordinary country people in his early years, filled with delightful anecdotes, tales, folksongs, and poetry.
Mistral is a portrait of Provence seen through its legendary wind. Photographer Rachel Cobb illustrates the effects of this relentless wind that funnels down the Rhône Valley, periodically gusting to 120 km per hour--hurricane strength on the Beaufort wind force scale. The region has, accordingly, adjusted to accommodate the mistral's impact. Some houses are built the traditional way, with few or no windows on the windward side and the main entrance on the sheltered side. Heavy stones hold down terra-cotta roof tiles. Rows of trees lining fields create windbreaks to shield crops. Cobb spent years chasing this capricious wind, challenging herself to photograph the invisible. As she became sensitive to its rhythms and effects, Cobb realized the mistral was not just a weather phenomenon; it was an integral part of the fabric of Provençal life. It was everywhere, yet always unseen. Mistral captures this invisible force of nature through its effects: a leaf caught in flight, a bride tangled in her veil, spider webs oriented to withstand the wind and grapes lashed by powerful gusts ("You can taste the wine better when the mistral blows," a Châteauneuf-du-Pape winemaker says). Writers have also tried their hand at conjuring this ungraspable phenomenon. Excerpts from writings by Paul Auster, Lawrence Durrell, Jean Giono and Frédéric Mistral are included in this volume, a luminous evocation of nature's unseen power.
A breezy, charming, and perfectly escapist mystery set in the heart of sun- and wine-soaked Aix-en-Provence--where murder investigations are always put on hold for lunch and the only thing more sweeping than the story is the Mediterranean coastline. Provençal Mystery Series #9 Watch the series! Murder in Provence is now on Britbox. Something strange has happened at the unassuming Musée de Quentin-Savary in Aix-en-Provence. When the director, Monsieur Achille Formentin, walks in one beautiful April morning, he is shocked to find the whole museum emptied of its contents--only a bench, the reception desk, and a lowly fern remain. Distressed, he calls the local police, and Aix's examining magistrate Antoine Verlaque sets out to discover the thief's identity. But it's the most baffling case Verlaque has ever encountered. Why would someone want to steal porcelain dessert plates, some old documents, and a few small paintings? Could this have something to do with the mysterious robbery of Madame de Montbarbon's apartment a few weeks earlier? And how can Verlaque possibly concentrate on the theft when he and his wife, Marine Bonnet, are going to have a baby?
They were three generations of magnificent red-haired beauties born to scandal, bred to success, bound to a single extraordinary man—Julien Mistral, the painter, the genius, the lover whose passions had seared them all. Maggy: Flamboyant mistress of Mistral’s youth, the toast of Paris in the‘20s. Her luminous flesh was immortalized in the paintings that made Mistral legendary. Teddy: Maggy’s daughter, the incomparable cover girl who lived fast and left as her legacy Mistral’s dazzling love child. Fauve: Mistral's daughter, the headstrong, fearless glory girl whose one dark secret drove her to rule the world of high fashion and to risk everything in a feverish search for love. From the ‘20s Paris of Chanel, Colette, Picasso and Matisse to New York’s sizzling new modeling agencies of the ‘50s, to the model ward of the‘70s, Mistral's Daughter captures the explosive glamour of life at the top of the worlds of art and high fashion. Judith Krantz has given us a glittering international tale as spellbinding as her other celebrated bestsellers, Scruples, Princess Daisy, I'll Take Manhattan, Till We Meet Again, Scruples Two, Dazzle, and Lovers.
NATIONAL BESTSELLER • Julia's story of her transformative years in France in her own words is "captivating ... her marvelously distinctive voice is present on every page.” (San Francisco Chronicle). Although she would later singlehandedly create a new approach to American cuisine with her cookbook Mastering the Art of French Cooking and her television show The French Chef, Julia Child was not always a master chef. Indeed, when she first arrived in France in 1948 with her husband, Paul, who was to work for the USIS, she spoke no French and knew nothing about the country itself. But as she dove into French culture, buying food at local markets and taking classes at the Cordon Bleu, her life changed forever with her newfound passion for cooking and teaching. Julia’s unforgettable story—struggles with the head of the Cordon Bleu, rejections from publishers to whom she sent her now-famous cookbook, a wonderful, nearly fifty-year long marriage that took the Childs across the globe—unfolds with the spirit so key to Julia’s success as a chef and a writer, brilliantly capturing one of America’s most endearing personalities.
________________ 'Absorbing... his gift for dialogue is exceptional' - The Observer ________________ First published in 1983, An Orderly Man is volume three of Dirk Bogarde's best-selling memoirs. After completing work on Visconti's Death in Venice, the celebrated actor seeks a refuge from 20 years of 'continual motion'. This dream of a peaceful retreat materialises itself in the form of a neglected farmhouse in the South of France. However, before he is rewarded with the calm he craves, he is forced to endure the relative evils of dying olive trees and the rampaging mistral. In this pursuit of the tranquil, Bogarde manages to portray the simplest of issues in the most delicate and humane way. This volume also covers the years in which Dirk Bogarde gave some of his finest acting performances and began his career as a gifted writer, imposing order on a rich and varied life.
In Cruel Modernity, Jean Franco examines the conditions under which extreme cruelty became the instrument of armies, governments, rebels, and rogue groups in Latin America. She seeks to understand how extreme cruelty came to be practiced in many parts of the continent over the last eighty years and how its causes differ from the conditions that brought about the Holocaust, which is generally the atrocity against which the horror of others is measured. In Latin America, torturers and the perpetrators of atrocity were not only trained in cruelty but often provided their own rationales for engaging in it. When "draining the sea" to eliminate the support for rebel groups gave license to eliminate entire families, the rape, torture, and slaughter of women dramatized festering misogyny and long-standing racial discrimination accounted for high death tolls in Peru and Guatemala. In the drug wars, cruelty has become routine as tortured bodies serve as messages directed to rival gangs. Franco draws on human-rights documents, memoirs, testimonials, novels, and films, as well as photographs and art works, to explore not only cruel acts but the discriminatory thinking that made them possible, their long-term effects, the precariousness of memory, and the pathos of survival.
