Catalogue of the Library of the Young Men's Christian Association of Louisville, Kentucky ...
Author: Young Men's Christian Associations. Louisville, Ky. Library
Publisher:
Published: 1871
Total Pages: 30
ISBN-13:
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Author: Young Men's Christian Associations. Louisville, Ky. Library
Publisher:
Published: 1871
Total Pages: 30
ISBN-13:
DOWNLOAD EBOOKAuthor: Russell Institution, London. Library
Publisher:
Published: 1835
Total Pages: 298
ISBN-13:
DOWNLOAD EBOOKAuthor: Gibraltar Garrison Library (GIBRALTAR)
Publisher:
Published: 1837
Total Pages: 448
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert Harrison
Publisher:
Published: 1875
Total Pages: 1074
ISBN-13:
DOWNLOAD EBOOKAuthor: Hull subscription libr
Publisher:
Published: 1876
Total Pages: 706
ISBN-13:
DOWNLOAD EBOOKAuthor: Lodovica Braida
Publisher: Springer Nature
Published: 2022-09-22
Total Pages: 229
ISBN-13: 3031038983
DOWNLOAD EBOOKThis book focuses on the different forms in which authorship came to be expressed in eighteenth-century Italian publishing. It analyses both the affirmation of the “author function”, and, above all, its paradoxical opposite: the use of anonymity, a centuries-old practice present everywhere in Europe but often neglected by scholarship. The reasons why authors chose to publish their works anonymously were manifold, including prudence, fear of censorship, modesty, fear of personal criticism, or simple divertissement. In many cases, it was an ethical choice, especially for ecclesiastics. The Italian case provides a key perspective on the study of anonymity in the European context, contributing to the analysis of an overlooked topic in academic studies.
Author: Gibraltar Garrison Library (Gibraltar)
Publisher:
Published: 1837
Total Pages: 486
ISBN-13:
DOWNLOAD EBOOKAuthor: South Kensington Museum. Forster Collection
Publisher:
Published: 1888
Total Pages: 768
ISBN-13:
DOWNLOAD EBOOKAuthor: John Rudlin
Publisher: Routledge
Published: 1994
Total Pages: 293
ISBN-13: 1134945884
DOWNLOAD EBOOKThere has been an enormous revival of interest in Commedia dell'arte. And it remians a central part of many drama school courses. In Commedia dell'arte in the Twentieth Century John Rublin first examines the orgins of this vital theatrical form and charts its recent revival through the work of companies like Tag, Theatre de Complicite and the influential methods of Jacques Lecoq. The second part of the book provides a unique practical guide for would-be practitioners: demonstrating how to approach the roles of Zanni, Arlecchion, Brighella, Pantalone, Dottore, and the Lovers in terms o.