Mémoire et création dans le monde anglo-américain aux XVIIe et XVIIIe siècles
Author: Société d'études anglo-américaines des XVIIe et XVIIIe siècles (France). Colloque
Publisher:
Published: 1984
Total Pages: 180
ISBN-13:
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Author: Société d'études anglo-américaines des XVIIe et XVIIIe siècles (France). Colloque
Publisher:
Published: 1984
Total Pages: 180
ISBN-13:
DOWNLOAD EBOOKAuthor: Mary Ann O'Donnell
Publisher: Routledge
Published: 2017-03-02
Total Pages: 727
ISBN-13: 1351957791
DOWNLOAD EBOOKThis annotated bibliography constitutes a thoroughly revised and more easily readable study of Behn's publications, of those edited or translated by her, of publications that included her works, and of writings ascribed to her, along with an annotated bibliography of over 1600 works about her from 1671 to 2001, with an unannotated update covering 2002. The augmented primary bibliography describes all known editions and issues of her works to 1702, and adds a catalogue of editions to 2002, including on-line sources. The secondary bibliography adds close to 1000 items published since 1984 to the original 600 of the first edition along with about 175 more from 1671 to 1984, with attention to materials not in English. New appendices include a list of dedicatees, actors, recent productions (with reviews), and provenances. This volume will be invaluable for book dealers, collectors and librarians, as well as students and scholars of Aphra Behn and of Restoration literature.
Author: Catherine Gallagher
Publisher: Univ of California Press
Published: 2023-04-28
Total Pages: 363
ISBN-13: 0520917146
DOWNLOAD EBOOKExploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel. The "nobodies" of her title are not ignored, silenced, or anonymous women. Instead, they are literal nobodies: the abstractions of authorial personae, printed books, intellectual property rights, literary reputations, debts and obligations, and fictional characters. These are the exchangeable tokens of modern authorship that lent new cultural power to the increasing number of women writers through the eighteenth century. Women writers, Gallagher discovers, invented and popularized numerous ingenious similarities between their gender and their occupation. The terms "woman," "author," "marketplace," and "fiction" come to define each other reciprocally. Gallagher analyzes the provocative plays of Aphra Behn, the scandalous court chronicles of Delarivier Manley, the properly fictional nobodies of Charlotte Lennox and Frances Burney, and finally Maria Edgeworth's attempts in the late eighteenth century to reform the unruly genre of the novel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel.
Author: Martha Langford
Publisher: McGill-Queen's Press - MQUP
Published: 2007-06-27
Total Pages: 365
ISBN-13: 077357686X
DOWNLOAD EBOOKFinalist: Raymond Klibansky Book Prize Humanities and Social Sciences Federation of Canada (2008) Making a connection between photography and memory is almost automatic. Should it be? In Scissors, Paper, Stone Martha Langford explores the nature of memory and art. She challenges the conventional emphasis on the camera as a tool of perception by arguing that photographic works are products of the mind - picturing memory is, first and foremost, the expression of a mental process. Langford organizes the book around the conceit of the child's game scissors, paper, stone, using it to ground her discussion of the tensions between remembering and forgetting, the intersection of memory and imagination, and the relationship between memory and history. Scissors, Paper, Stone explores the great variety of photographic art produced by Canadian artists as expressions of memory. Their work, including images by Carl Beam, Carole Condé and Karl Beveridge, Donigan Cumming, Stan Denniston, Robert Houle, Robert Minden, Michael Snow, Diana Thorneycroft, Jeff Wall, and Jin-me Yoon, is presented as part of a rich interdisciplinary study of contemporary photography and how it has shaped modern memory.
Author: Robert Letellier
Publisher: Bloomsbury Publishing USA
Published: 2003-02-28
Total Pages: 654
ISBN-13: 0313016909
DOWNLOAD EBOOKThe English novel written between 1700 and 1740 remains a comparatively neglected area. In addition to Daniel Defoe, whose Robinson Crusoe and Moll Flanders are landmarks in the history of English fiction, many other authors were at work. These included such women as Penelope Aubin, Jane Barker, Mary Davys, and Eliza Haywood, who made a considerable contribution to widening the range of emotional responses in fiction. These authors, and many others, continued writing in the genres inherited from the previous century, such as criminal biographies, the Utopian novel, the science fictional voyage, and the epistolary novel. This annotated bibliography includes entries for these works and for critical materials pertinent to them. The volume first seeks to establish the existing studies of the era, along with anthologies. It then provides entries for a wide-ranging selection of works which cover fictional, theoretical, historical, political, and cultural topics, to provide a comprehensive background to the unfolding and understanding of prose fiction in the early 18th century. This is followed by an alphabetical listing of novels, their editions, and any critical material available on each. The next section provides a chronological record of significant and enduring works of fiction composed or translated in this period. The volume concludes with extensive indexes.
Author: New York Public Library. Research Libraries
Publisher:
Published: 1976
Total Pages: 650
ISBN-13:
DOWNLOAD EBOOKVols. for 1975- include publications cataloged by the Research Libraries of the New York Public Library with additional entries from the Library of Congress MARC tapes.
Author: Gerald Eades Bentley
Publisher: Oxford [England] : Clarendon Press
Published: 1995
Total Pages: 816
ISBN-13:
DOWNLOAD EBOOKBlake Books Supplement is a continuation of Blake Books (1977), a bibliographical record of publications covering all aspects of William Blake's life and work - his writings, drawings, and engravings - and works of criticism on them. Most of the information in the Supplement was published inthe period 1972-1992, but there are items newly recorded here which appeared as early as the 1790s. The mass of new material is enormous - the last 20 years have produced almost as many items for inclusion as the preceding 200 years covered in the original Blake Books. Some of the most important discoveries concern newly identified writings and engravings by Blake himself. The work is organizedlike Blake Books, enabling the two volumes to be used side by side.
Author:
Publisher: Presses Universitaires de France - PUF
Published: 1995
Total Pages: 716
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1988
Total Pages: 382
ISBN-13:
DOWNLOAD EBOOKAn illustrated quarterly.
Author: Daniel Royot
Publisher: Presses Universitaires de France - PUF
Published: 1998
Total Pages: 708
ISBN-13:
DOWNLOAD EBOOKDe la période coloniale à nos jours, une anthologie qui répond pour l'essentiel à une volonté pédagogique et est le fruit d'une recherche collective (quatre universitaires : trois Français, un Américain). Tableaux chronologiques comparatifs, notes d'élucidation, introductions et références multiples. Les textes choisis, de bonne longueur, n'ont pas été traduits. [SDM].