In spite of the tremendous popularity of the guitar there has never been a complete, professional-level urtext edition of the best known sonatas of the nineteenth century masters in one volume-until this series. This is the ultimatecollection which contains all of the original versions for each sonata withadditional cadenzas by Aguado, Guiliani, and Diabelli, filling a void in the guitar'shistorical repertoire. Mr. Glise's astounding musicianship and scholarship (documented in his Preface), establishes this urtext series as a priceless addition to the libraries of both amateur and professional guitarists. The Preface is presented in English, French, German, and Italian. Written in standard notation with extensive performance notes
More than just a note-speller, this work has exercises in which the student writes either the note-name, the note (on the staff) or the note location on the fingerboard through first position. In addition, the second half of the book has dozens of games, puzzles, word search, mazes (and more) that teach the student names of dynamics, articulation, tone color, parts of the guitar, effects on the guitar and note rhythms. This is the most innovative and enjoyable note-speller ever written to reinforce learning along side any beginner's guitar method!
The holdings of the Music Division of the New York Public Library cover virtually all musical subjects; its scores represent a broad spectrum of musical style and history.
This anthology contains a selection of Handel's best-known works and melodies, originally written for a range of instruments, transcribed here for guitar by Martin Hegel.
This collection of arrangements for solo guitar is an ideal introduction to Scarlatti's music. The ten varied pieces were carefully chosen for their musical character and technical suitability at intermediate and advanced levels. Core repertoire for Grades 68 of ABRSM's Guitar syllabus. Includes idiomatic adaptations, with original ornamentation.
These studies constitute an irreplaceable part of the standard study material for classical guitar. They are designed to aid in maximum development of right-hand technique.
"Humanities through the Arts" is intended for introductory-level, interdisciplinary courses offered across the curriculum in the Humanities, Philosophy, Art, English, Music, and Education departments. Arranged topically by art form from painting, sculpture, photography, and architecture to literature, music, theater, film, and dance. This beautifully illustrated text helps students learn how to actively engage a work of art. The new sixth edition retains the popular focus on the arts as an expression of cultural and personal values..
The Guitar in America offers a history of the instrument from America\'s late Victorian period to the Jazz Age. The narrative traces America\'s BMG (banjo, mandolin, and guitar) community, a late nineteenth-century musical and com-mercial movement dedicated to introducing these instru-ments into America\'s elite musical establishments. Using surviving BMG magazines, the author details an almost unknown history of the guitar during the movement\'s heyday, tracing the guitar\'s transformation from a refined parlor instrument to a mainstay in jazz and popular music. In the process, he not only introduces musicians (including numerous women guitarists) who led the movement, but also examines new techniques and instruments. Chapters consider the BMG movement\'s impact on jazz and popular music, the use of the guitar to promote attitudes towards women and minorities, and the challenges foreign guitarists such as Miguel Llobet and Andres Segovia presented to America\'s musicians. This volume opens a new chapter on the guitar in America, considering its cultivated past and documenting how banjoists and mandolinists aligned their instruments to it in an effort to raise social and cultural standing. At the same time, the book considers the BMG community within America\'s larger musical scene, examining its efforts as manifestations of this country\'s uneasy coupling of musical art and commerce. Jeffrey J. Noonan, associate professor of music at Southeast Missouri State University, has performed professionally on classical guitar, Renaissance lute, Baroque guitar, and theorbo for over twenty-five years. His articles have appeared in Soundboard and NYlon Review .
