In this volume, readers experience, in English translation, the colorful and varied textual fabric of the most important literary and creative repertory of the Middle Ages. The public, organized worship of the Church had a central role in medieval life. Studying its forms and genres allows readers not only to become aware of one of the most important influences on culture and religion, but also to consider these texts, which were widely disseminated and had fundamental effects on daily life.
An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they—not merely the clergy—affected how worship was staged. The book provides an accessible account of what happened in the daily and weekly services, and how churches marked the seasons of Christmas, Lent, Easter, and summer. It describes how they celebrated the great events of life: birth, coming of age, and marriage, and gave comfort in sickness and death. A final chapter covers the English Reformation in the sixteenth century and shows how, alongside its changes, much that went on in parish churches remained as before.
A “wonderful…highly comprehensive” (John Barton, author of A History of the Bible) global history of the world’s best-known and most influential book For Christians, the Bible is a book inspired by God. Its eternal words are transmitted across the world by fallible human hands. Following Jesus’s departing instruction to go out into the world, the Bible has been a book in motion from its very beginnings, and every community it has encountered has read, heard, and seen the Bible through its own language and culture. In The Bible, Bruce Gordon tells the astounding story of the Bible’s journey around the globe and across more than two thousand years, showing how it has shaped and been shaped by changing beliefs and believers’ radically different needs. The Bible has been a tool for violence and oppression, and it has expressed hopes for liberation. God speaks with one voice, but the people who receive it are scattered and divided—found in desert monasteries and Chinese house churches, in Byzantine cathedrals and Guatemalan villages. Breathtakingly global in scope, The Bible tells the story of this sacred book through the stories of its many and diverse human encounters, revealing not a static text but a living, dynamic cultural force.
This book includes four hitherto unpublished papers together with a substantial introductory historiographical and bibliographical overview. Many of the studies concern the liturgical views of figures like Lanfranc, St Hugh of Lincoln, and William of Malmesbury (an edition of William’s Abbreviatio Amalarii is included) and the ways Thomas Becket and the Venerable Bede were viewed liturgically. Others reveal the achievement of an 11th-century Canterbury scribe, lay out a hagiographical puzzle as to the saints venerated on the 19th January, ask why calendars come to be attached to psalters, demonstrate that monks at Canterbury Cathedral were still reading Old English homilies in the 1180s, and present a fascinating, previously misunderstood, psalter owned by bishop Ralph Baldock, c.1300. Two final papers deal with ’Sarum’ services in late medieval parish churches and with the devotional practice called St Gregory’s Trental.
"The 'Missale Gothicum' provides unique evidence relating to the liturgy of early medieval Gaul around 700 AD and its reception in later centuries, and offers insight into the development of the Latin language in this key period of Latinity. Its significance may therefore not be underestimated. The codex in which the text is transmitted, now preserved in the Vatican Library (Vat. reg. lat. 317), comprises the prayers for Mass for the entire liturgical year as recited by the celebrant, most probably the bishop of Autun. The 'Gothic Missal' is the only surviving source of many rites and commemorations that characterise the specific liturgical tradition of late antique and early medieval (Merovingian) Gaul. At the same time, the codex is the earliest known source of a number of liturgical texts still in use in the liturgy of the Western Church, such as the Easter hymn 'Exultet' and prayers featuring in Baptismal rites. This first integral English translation of the text is intended to make its sometimes rather obscure Latin more accessible to scholars of medieval liturgy (musicologists, religious and social historians) and of medieval Latin, as well as to new generations of students interested in the history and religious culture of the Middle Ages. Moreover, it is the hope of the author of the present volume to address a broad audience of interested readers, academic and otherwise, by opening up to them the unique and colourful world of late antique and early medieval liturgical life and its reception until the present day."--
How, Barbara Newman asks, did the myth of the separable heart take such a firm hold in the Middle Ages, from lovers exchanging hearts with one another to mystics exchanging hearts with Jesus? What special traits gave both saints and demoniacs their ability to read minds? Why were mothers who died in childbirth buried in unconsecrated ground? Each of these phenomena, as diverse as they are, offers evidence for a distinctive medieval idea of the person in sharp contrast to that of the modern "subject" of "individual." Starting from the premise that the medieval self was more permeable than its modern counterpart, Newman explores the ways in which the self's porous boundaries admitted openness to penetration by divine and demonic spirits and even by other human beings. She takes up the idea of "coinherence," a state familiarly expressed in the amorous and devotional formula "I in you and you in me," to consider the theory and practice of exchanging the self with others in five relational contexts of increasing intimacy. Moving from the outside in, her chapters deal with charismatic teachers and their students, mind-reading saints and their penitents, lovers trading hearts, pregnant mothers who metaphorically and literally carry their children within, and women and men in the throes of demonic obsession. In a provocative conclusion, she sketches some of the far-reaching consequences of this type of personhood by drawing on comparative work in cultural history, literary criticism, anthropology, psychology, and ethics. The Permeable Self offers medievalists new insight into the appeal and dangers of the erotics of pedagogy; the remarkable influence of courtly romance conventions on hagiography and mysticism; and the unexpected ways that pregnancy—often devalued in mothers—could be positively ascribed to men, virgins, and God. The half-forgotten but vital idea of coinherence is of relevance far beyond medieval studies, however, as Newman shows how it reverberates in such puzzling phenomena as telepathy, the experience of heart transplant recipients who develop relationships with their deceased donors, the phenomenon of psychoanalytic transference, even the continuities between ideas of demonic possession and contemporary understandings of obsessive-compulsive disorder. In The Permeable Self Barbara Newman once again confirms her status as one of our most brilliant and thought-provoking interpreters of the Middle Ages.
This volume provides the first comprehensive introduction to the intersections between Christianity and the digital humanities. DH is a well-established, fast-growing, multidisciplinary field producing computational applications and analytical models to enable new kinds of research. Scholars of Christianity were among the first pioneers to explore these possibilities, using digital approaches to transform the study of Christian texts, history and ideas, and innovative work is taking place today all over the world. This volume aims to celebrate and continue that legacy by bringing together 15 of the most exciting contemporary projects, grouped into four categories. “Canon, corpus and manuscript” examines physical texts and collections. “Words and meanings” explores digital approaches to language and linguistics. “Digital history” uses digital techniques to explore the Christian past, and “Theology and pedagogy” engages with digital approaches to teaching, formation and Christian ideas. This volume introduces key debates, shares exciting initiatives, and aims to encourage new innovations in analysis and communication. Christianity and the Digital Humanities is ideally suited as a starting point for students and researchers interested in this vast and complex field.
