Medieval Art and Architecture in the Diocese of St Andrews

Medieval Art and Architecture in the Diocese of St Andrews

Author: John Higgitt

Publisher: Routledge

Published: 1994

Total Pages: 288

ISBN-13:

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The wealth of St. Andrew's diocese, the richest in medieval Scotland, was reflected in its ecclesiastical art and architecture. Religious changes in the sixteenth century led to the ruin of the cathedral and monastic houses and to the stripping of churches. Much important, although often fragmentary, architecture still remains; and there are significant if tantalising survivals of the furnishings. This volume consists of papers on the history of the medieval diocese, on the cult of St Andrew, on the eleventh to thirteenth century churches of St Andrews, Dunfermline and Arbroath as well as on facades and piers and distinctively Scottish architecture of the later Middle Ages. Other papers deal with Romanesque sculpture, sixteenth-century woodwork, the metalwork of the university maces of St Andrews and an altarpiece by Hugo van der Goes and there are surveys of the surviving stained glass and floor tiles of the diocese.


Medieval Art, Architecture and Archaeology in the Dioceses of Aberdeen and Moray

Medieval Art, Architecture and Archaeology in the Dioceses of Aberdeen and Moray

Author: Jane Geddes

Publisher: Routledge

Published: 2016-04-14

Total Pages: 328

ISBN-13: 1317248066

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Exploring the medieval heritage of Aberdeenshire and Moray, the essays in this volume contain insights and recent work presented at the British Archaeological Association Conference of 2014, based at Aberdeen University. The opening, historical chapters establish the political, economic and administrative context of the region, looking at both the secular and religious worlds and include an examination of Elgin Cathedral and the bishops’ palaces. The discoveries at the excavations of the kirk of St Nicholas, which have revealed the early origins of religious life in Aberdeen city, are summarized and subsequent papers consider the role of patronage. Patronage is explored in terms of architecture, the dramas of the Reformation and its aftermath highlighted through essentially humble parish churches, assailed by turbulent events and personalities. The collegiate church at Cullen, particularly its tomb sculpture, provides an unusually detailed view of the spiritual and dynastic needs of its patrons. The decoration of spectacular ceilings, both carved and painted, at St Machar’s Cathedral, Provost Skene’s House and Crathes Castle, are surveyed through the eyes of their patrons and the viewers below. Saints and religious devotion feature in the last four chapters, focusing on the carved wooden panels from Fetteresso, which display both piety and a rare glimpse of Scottish medieval carnal humour, the illuminated manuscripts from Arbuthnott, the Aberdeen Breviary and Historia Gentis Scotorum. The medieval artistic culture of north-east Scotland is both battered by time and relatively little known. With discerning interpretation, this volume shows that much high-quality material still survives, while the lavish illustrations restore some glamour to this lost medieval world.


Medieval Art, Architecture & Archaeology at Canterbury

Medieval Art, Architecture & Archaeology at Canterbury

Author: Alixe Bovey

Publisher: Routledge

Published: 2017-07-05

Total Pages: 325

ISBN-13: 1351558617

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"From the time of the foundation of its cathedral in 597, Canterbury has been the epicentre of Britain's ecclesiastical history, and an exceptionally important centre for architectural and visual innovation. Focusing especially but not exclusively on Christ Church cathedral, this legacy is explored in seventeen essays concerned with Canterbury's art, architecture and archaeology between the early Anglo-Saxon period and the close of the middle ages. Papers consider the relationship between between architectural setting and liturgical practice, and between stationary and movable fittings, while fresh insights are offered into the aesthetic, spiritual, and pragmatic considerations that shaped the fabric of Christ Church and St Augustine's abbey, alongside critical reflections on Canterbury's historiography and relationship to the wider world. Taken together, these studies demonstrate the richness of the surviving material, and its enduring ability to raise new questions.


Medieval Art and Architecture in the Diocese of Glasgow

Medieval Art and Architecture in the Diocese of Glasgow

Author: Richard Fawcett

Publisher: Taylor & Francis

Published: 2024-11-01

Total Pages: 251

ISBN-13: 104029507X

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This volume includes many of the papers given at the 1997 conference of the British Archaeological Association. It focuses on aspects of patronage, the wider architectural context of the cathedral, and on the Romaneque sculpture and manuscripts with the diocese.


The Grove Encyclopedia of Medieval Art and Architecture

The Grove Encyclopedia of Medieval Art and Architecture

Author: Colum Hourihane

Publisher:

Published: 2012

Total Pages: 4064

ISBN-13: 0195395360

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This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.


Medieval and Early Modern Art, Architecture and Archaeology in Norwich

Medieval and Early Modern Art, Architecture and Archaeology in Norwich

Author: Sandy Heslop

Publisher: Taylor & Francis

Published: 2024-11-15

Total Pages: 393

ISBN-13: 1040293085

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This volume explores the importance of Norwich as the second city of England for 500 years. It addresses two of the most ambitious Romanesque buildings in Europe: cathedral and castle, and illuminates the role of Norwich-based designers and makers in the region.


Coventry: Medieval Art, Architecture and Archaeology in the City and its Vicinity

Coventry: Medieval Art, Architecture and Archaeology in the City and its Vicinity

Author: Linda Monckton

Publisher: Routledge

Published: 2017-07-05

Total Pages: 408

ISBN-13: 1351570889

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The British Archaeological Association's 2007 conference celebrated the material culture of medieval Coventry, the fourth wealthiest English city of the later middle ages. The nineteen papers collected in this volume set out to remedy the relative neglect in modern scholarship of the city's art, architecture and archaeology, as well as to encompass recent research on monuments in the vicinity. The scene is set by two papers on archaeological excavations in the historic city centre, especially since the 1970s, and a paper investigating the relationships between Coventry's building boom and economic conditions in the city in the later middle ages. Three papers on the Cathedral Priory of St Mary bring together new insights into the Romanesque cathedral church, the monastic buildings and the post-Dissolution history of the precinct, derived mainly from the results of the Phoenix Initiative excavations (19992003). Three more papers provide new architectural histories of the spectacular former parish church of St Michael, the fine Guildhall of St Mary and the remarkable surviving west range of the Coventry Charterhouse. The high-quality monumental art of the later medieval city is represented by papers on wall-painting (featuring the recently conserved Doom in Holy Trinity church), on the little-known Crucifixion mural at the Charterhouse, and on a reassessment of the working practices of the famous master-glazier, John Thornton. Two papers on a guild seal and on the glazing at Stanford on Avon parish church consider the evidence for Coventry as a regional workshop centre for high quality metalwork and glass-painting. Beyond the city, three papers deal with the development of Combe Abbey from Cistercian monastery to country house, with the Beauchamp family's hermitage at Guy's Cliffe, and with a newly identified stonemasons' workshop in the 'barn' at Kenilworth Abbey. Two further papers concern the architectural patronage of the earls and dukes of Lancaster in the 14th century at Kenilworth Castle and in the Newarke at Leicester Castle.


Medieval Art, Architecture and Archaeology in Cracow and Lesser Poland

Medieval Art, Architecture and Archaeology in Cracow and Lesser Poland

Author: Agnieszka Roznowska-Sadraei

Publisher: Taylor & Francis

Published: 2024-11-01

Total Pages: 341

ISBN-13: 1040282326

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This book explores the medieval art, architecture and archaeology of the city of Cracow and the surrounding region of Lesser Poland. It highlights the role of Cracow and Lesser Poland as a vibrant artistic centre fostering links with Italy, Bohemia, Germany and France.


Medieval Art and Architecture in the Diocese of St Andrews

Medieval Art and Architecture in the Diocese of St Andrews

Author: John Higgitt

Publisher: Routledge

Published: 1994

Total Pages: 290

ISBN-13:

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The wealth of St. Andrew's diocese, the richest in medieval Scotland, was reflected in its ecclesiastical art and architecture. Religious changes in the sixteenth century led to the ruin of the cathedral and monastic houses and to the stripping of churches. Much important, although often fragmentary, architecture still remains; and there are significant if tantalising survivals of the furnishings. This volume consists of papers on the history of the medieval diocese, on the cult of St Andrew, on the eleventh to thirteenth century churches of St Andrews, Dunfermline and Arbroath as well as on facades and piers and distinctively Scottish architecture of the later Middle Ages. Other papers deal with Romanesque sculpture, sixteenth-century woodwork, the metalwork of the university maces of St Andrews and an altarpiece by Hugo van der Goes and there are surveys of the surviving stained glass and floor tiles of the diocese.


Westminster Part II: The Art, Architecture and Archaeology of the Royal Palace

Westminster Part II: The Art, Architecture and Archaeology of the Royal Palace

Author: Warwick Rodwell

Publisher: Routledge

Published: 2020-04-27

Total Pages: 383

ISBN-13: 1317248007

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Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.