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Author: Joseph Monteyne
Publisher: University of Toronto Press
Published: 2022-02-07
Total Pages: 316
ISBN-13: 1487527748
DOWNLOAD EBOOKDark Media and the Materiality of Nothing -- Haunted Media -- Good Copies, Bad Copies -- Social Detritus, Paper Detritus.
Author: Joseph Monteyne
Publisher:
Published: 2022
Total Pages:
ISBN-13: 9781487527754
DOWNLOAD EBOOKAuthor: Alice Loxton
Publisher: Icon Books
Published: 2023-03-02
Total Pages: 439
ISBN-13: 1785789562
DOWNLOAD EBOOK**A brilliant new history of Georgian Britain through the eyes of the artists who immortalised it, by one of the UK's most exciting young historians** 'Alice Loxton is the star of her generation ... the next big thing in history' Dan Snow London, 1772: a young artist called Thomas Rowlandson is making his way through the grimy backstreets of the capital, on his way to begin his studies at the Royal Academy Schools. Within a few years, James Gillray and Isaac Cruikshank would join him in Piccadilly, turning satire into an artform, taking on the British establishment, and forever changing the way we view power. Set against a backdrop of royal madness, political intrigue, the birth of modern celebrity, French revolution, American independence and the Napoleonic Wars, UPROAR! follows the satirists as they lampoon those in power, from the Prince Regent to Georgiana, Duchess of Devonshire. Their prints and illustrations deconstruct the political and social landscape with surreal and razor-sharp wit, as the three men vie with each other to create the most iconic images of the day. UPROAR! fizzes with energy on every page. Alice Loxton writes with verve and energy, never failing to convince in her thesis that Gillray and his gang profoundly altered British humour, setting the stage for everything from Gilbert and Sullivan to Private Eye and Spitting Image today. This is a book that will cause readers to reappraise everything they think they know about genteel Georgian London, and see it for what it was - a time of UPROAR!
Author: Diana Seave Greenwald
Publisher: Princeton University Press
Published: 2021-02-16
Total Pages: 256
ISBN-13: 0691192456
DOWNLOAD EBOOK"An innovative application of economic methods to the study of art history, demonstrating that new insights can be uncovered by using quantitative and qualitative methods together, which sheds light on longstanding disciplinary inequities"--
Author: Paddy Bullard
Publisher:
Published: 2019
Total Pages: 744
ISBN-13: 0198727836
DOWNLOAD EBOOKThis handbook is a guide to the kinds of satire written in English during the 'long' eighteenth century and it focuses on texts that appeared between the restoration of the Stuart monarchy in 1660 and the outbreak of the French Revolution in 1789.
Author: Joseph Monteyne
Publisher: Routledge
Published: 2017-07-05
Total Pages: 311
ISBN-13: 1351541269
DOWNLOAD EBOOKPresenting an inventive body of research that explores the connections between urban movements, space, and visual representation, this study offers the first sustained analysis of the vital interrelationship between printed images and urban life in early modern London. The study differs from all other books on early modern British print culture in that it seeks out printed forms that were active in shaping and negotiating the urban milieu-prints that troubled categories of high and low culture, images that emerged when the political became infused with the creative, as well as prints that bear traces of the roles they performed and the ways they were used in the city. It is distinguished by its close and sustained readings of individual prints, from the likes of such artists as Wenceslaus Hollar, Francis Barlow, and William Faithorne; and this visual analysis is complemented with a thorough examination of the dynamics of print production as a commercial exchange that takes place within a wider set of exchanges (of goods, people, ideas and money) across the city and the nation. This study challenges scholars to re-imagine the function of popular prints as a highly responsive form of cultural production, capable not only of 'recording' events, spaces and social actions, but profoundly shaping the way these entities are conceived in the moment and also recast within cultural memory. It offers historians of print culture and British art a sophisticated and innovative model of how to mobilize rigorous archival research in the service of a thoroughly historicized and theorized analysis of visual representation and its relationship to space and social identity.
Author: Joseph Monteyne
Publisher: Paul Mellon Centre
Published: 2013
Total Pages: 0
ISBN-13: 9780300196351
DOWNLOAD EBOOKFrom Still Life to the Screen explores the print culture of 18th-century London, focusing on the correspondences between images and consumer objects. In his lively and insightful text, Joseph Monteyne considers such themes as the display of objects in still lifes and markets, the connoisseur's fetishistic gaze, and the fusion of body and ornament in satires of fashion. The desire for goods emerged in tandem with modern notions of identity, in which things were seen to mirror and symbolize the self. Prints, particularly graphic satires by such artists as Matthew and Mary Darly, James Gillray, William Hogarth, Thomas Rowlandson, and Paul Sandby, were actively involved in this shift. Many of these images play with the boundaries between the animate and the inanimate, self and thing. They also reveal the recurring motif of image display, whether on screens, by magic lanterns, or in "raree-shows" and print-shop windows. The author links this motif to new conceptions of the self, specifically through the penetration of spectacle into everyday experience. Published for the Paul Mellon Centre for Studies in British Art
Author: John D. H. Downing
Publisher: SAGE
Published: 2000-08-18
Total Pages: 441
ISBN-13: 1452238243
DOWNLOAD EBOOKThis is an entirely new edition of the author′s 1984 study (originally published by South End Press) of radical media and movements. The first and second sections are original to this new edition. The first section explores social and cultural theory in order to argue that radical media should be a central part of our understanding of media in history. The second section weaves an historical and international tapestry of radical media to illustrate their centrality and diversity, from dance and graffiti to video and the internet and from satirical prints and street theatre to culture-jamming, subversive song, performance art and underground radio. The section also includes consideration of ultra-rightist media as a key contrast case. The book′s third section provides detailed case-studies of the anti-fascist media explosion of 1974-75 in Portugal, Italy′s long-running radical media, radio and access video in the USA, and illegal media in the dissolution of the former Soviet bloc dictatorships.
Author: Michael Billig
Publisher: SAGE
Published: 2005-10-03
Total Pages: 276
ISBN-13: 9781412911436
DOWNLOAD EBOOKFrom Thomas Hobbes' fear of the power of laughter to the compulsory, packaged "fun" of the contemporary mass media, Billig takes the reader on a stimulating tour of the strange world of humour. Both a significant work of scholarship and a novel contribution to the understanding of the humourous, this is a seriously engaging book' - David Inglis, University of Aberdeen This delightful book tackles the prevailing assumption that laughter and humour are inherently good. In developing a critique of humour the author proposes a social theory that places humour - in the form of ridicule - as central to social life. Billig argues that all cultures use ridicule as a disciplinary means to uphold norms of conduct and conventions of meaning. Historically, theories of humour reflect wider visions of politics, morality and aesthetics. For example, Bergson argued that humour contains an element of cruelty while Freud suggested that we deceive ourselves about the true nature of our laughter. Billig discusses these and other theories, while using the topic of humour to throw light on the perennial social problems of regulation, control and emancipation.
Author:
Publisher: BRILL
Published: 2021-12-13
Total Pages: 209
ISBN-13: 9004495398
DOWNLOAD EBOOKHow did humans respond to the eighteenth-century discovery of countless new species of animals? This book explores the gamut of human-animal interactions: from love to cultural identifications, moral reflections, philosophical debates, classification systems, mechanical copies, insults and literary creativity.
