New Media in Art

New Media in Art

Author: Michael Rush

Publisher:

Published: 2005

Total Pages: 248

ISBN-13: 9780500203781

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Presents an overview of the use of new intellectual and scientific technologies in modern art, discussing the creations of such influential artists as Eadweard Muybridge, Robert Rauschenberg, and Bill Viola and incorporating into the latest edition coverage of new developments in digital work. Original.


Art and Electronic Media

Art and Electronic Media

Author: Edward A. Shanken

Publisher: Phaidon Press

Published: 2014-09-08

Total Pages: 304

ISBN-13: 9780714868585

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A timely survey that addresses the relationship between art and electronic technology, including mechanics, light, graphics, robots, virtual reality and the web.


Mixed Media Magic

Mixed Media Magic

Author: Karen Campbell

Publisher:

Published: 2018-07-15

Total Pages: 114

ISBN-13: 9780996942744

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In Mixed Media Magic, artist Karen Campbell shares her excitement and vast knowledge of mixed media and art journaling techniques by providing ten fun, increasingly challenging, step-by-step creative projects. Karen also shares tips and information about art supplies, creative tools, up-cycling, ways to save money, stay inspired and more!


Relive

Relive

Author: Sean Cubitt

Publisher: MIT Press

Published: 2013-11-08

Total Pages: 395

ISBN-13: 0262318334

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Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future. In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of “new media” and at the same time write the histories of these arts? These scholars and practitioners redefine the nature of the field, focusing on the materials of history—the materials through which the past is mediated. Drawing on the tools of media archaeology and the history and philosophy of media, they propose a new materialist media art history. The contributors consider the idea of history and the artwork's moment in time; the intersection of geography and history in regional practice, illustrated by examples from eastern Europe, Australia, and New Zealand; the contradictory scales of evolution, life cycles, and bodily rhythms in bio art; and the history of the future—how the future has been imagined, planned for, and established as a vector throughout the history of new media arts. These essays, written from widely diverse critical perspectives, capture a dynamic field at a moment of productive ferment. Contributors Susan Ballard, Brogan Bunt, Andrés Burbano, Jon Cates, John Conomos, Martin Constable, Sean Cubitt, Francesca Franco, Darko Fritz, Zhang Ga, Monika Gorska-Olesinska, Ross Harley, Jens Hauser, Stephen Jones, Douglas Kahn, Ryszard W. Kluszczynski, Caroline Seck Langill, Leon Marvell, Rudy Rucker, Edward A. Shanken, Stelarc, Adele Tan, Paul Thomas, Darren Tofts, Joanna Walewska


Materials & Media in Art Therapy

Materials & Media in Art Therapy

Author: Catherine Hyland Moon

Publisher: Routledge

Published: 2011-01-19

Total Pages: 541

ISBN-13: 1135161623

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one of very few books that deal with the electronic media in art therapy editor and contributors are top scholars in the field


Programming Media Art Using Processing

Programming Media Art Using Processing

Author: Margaret Noble

Publisher: CRC Press

Published: 2020-12-17

Total Pages: 220

ISBN-13: 1000330923

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Programming Media Art Using Processing: A Beginner's Guide provides an entry-level exploration into visual design through computer programming using the open source and artist-friendly language, Processing. Used by hundreds of students, this learning system breaks lessons down into strategic steps towards fun and creative media art projects. This book provides a linear series of lessons with step-by-step examples that lead to beginning media art projects, including abstract designs, pixel landscapes, rollover animations, and simple video games. Computer programming can be overwhelming for the first-time learner, but this book makes the learning of code more digestible and fun through a full color, well-diagrammed, and deeply explained text presentation. Lessons are rhythmically broken down into digestible parts with code annotations and illustrations that help learners focus on the details one step at a time. The content is legible, flexible, and fun to work with because of its project-based nature. By following the lessons and producing the projects sequentially in this book, readers will develop the beginning foundational skills needed to understand computer programming basics across many languages and also explore the art of graphic design. Ultimately, this is a hands-on, practical guide.


New Media in the White Cube and Beyond

New Media in the White Cube and Beyond

Author: Christiane Paul

Publisher: Univ of California Press

Published: 2008

Total Pages: 284

ISBN-13: 0520243978

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"New Media in the White Cube and Beyond perceptively addresses the challenges inherent in the digital arts. The book will be a great asset to the study and practice of presenting media art for many years to come."--Barbara London, curator, Museum of Modern Art, New York "Provocative and original, New Media in the White Cube and Beyond represents an important contribution to the fields of new media, museum studies, and contemporary art."--Alexander Alberro, author of Conceptual Art and the Politics of Publicity


Alternative Art Surfaces

Alternative Art Surfaces

Author: Sandra Duran Wilson

Publisher: Penguin

Published: 2014-04-25

Total Pages: 144

ISBN-13: 1440329540

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Indulge your creative curiosity and take your art off the canvas, off the board, and into the brave new world of Alternative Art Surfaces! Mixed-media powerhouse duo Darlene Olivia McElroy and Sandra Duran Wilson, authors of the best-selling books Image Transfer Workshop, Surface Treatment Workshop and Mixed Media Revolution, blaze new creative territory with more than 100 techniques for working on more than 35 unique surfaces in this, their jam-packed fourth book!You'll find something new and exciting on every page: • More than 35 alternative surfaces, including galvanized tin, mica, rawhide, nylon, unsanded grout, slate, spray foam and more • More than 100 techniques for painting, sculpting, creating textures, encasing, carving, printing, transferring and more • More than 125 tips for troubleshooting, preparing your surfaces, finishing and mounting your art, and taking your work to the next level • More than 50 inspiring finished pieces of art showcasing the surfaces and techniques


Abstract Art Painting

Abstract Art Painting

Author: Debora Stewart

Publisher: National Geographic Books

Published: 2015-05-06

Total Pages: 0

ISBN-13: 1440335842

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Would you love to take your art in a new direction? In Abstract Art Painting, you will enter a realm of tactile, intuitive excitement, combining pastel and acrylic to achieve results as unique as you are. You'll learn how to explore the use of color theory in abstraction and to use underpainting to bring structure and depth to your art. In addition you'll begin to understand how to work in a series and how this can help you develop your own personal style. A sampling of what you'll add to your creative toolbox: • Pastel and acrylic techniques to use to complete your own paintings • The benefits of expressing your ideas abstractly • How to loosen up by using your nondominant hand and drawing to music • Ways to express emotions through mark-making • Using color and symbolism for expression • Working with photos for inspiration • Tips for using color studies Step into your own abstract frame of mind today!


Digital Art History

Digital Art History

Author: Anna Bentkowska-Kafel

Publisher: Intellect Books

Published: 2005

Total Pages: 142

ISBN-13:

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This book looks at the transformation that Art and Art history is undergoing through engagement with the digital revolution. Since its initiation in 1985, CHArt (Computers and the History of Art) has set out to promote interaction between the rapidly developing new Information Technology and the study and practice of Art. It has become increasingly clear in recent years that this interaction has led, not just to the provision of new tools for the carrying out of existing practices, but to the evolution of unprecedented activities and modes of thought. This collection of papers represents the variety, innovation and richness of significant presentations made at the CHArt Conferences of 2001 and 2002. Some show new methods of teaching being employed, making clear in particular the huge advantages that IT can provide for engaging students in learning and interactive discussion. It also shows how much is to be gained from the flexibility of the digital image 'Äì or could be gained if the road block of copyright is finally overcome. Others look at the impact on collections and archives, showing exciting ways of using computers to make available information about collections and archives and to provide new accessibility to archives. The way such material can now be accessed via the internet has revolutionized the search methods of scholars, but it has also made information available to all. However the internet is not only about access. Some papers here show how it also offers the opportunity of exploring the structure of images and dealing with the fascinating possibilities offered by digitisation for visual analysis, searching and reconstruction. Another challenging aspect covered here are the possibilities offered by digital media for new art forms. One point that emerges is that digital art is not some discreet practice, separated from other art forms. It is rather an approach that can involve all manner of association with both other art practices and with other forms of presentation and enquiry, demonstrating that we are witnessing a revolution that affects all our activities and not one that simply leads to the establishment of a new discipline to set alongside others.