Readers can have hours of fun navigating their way through 13 of Munro's amazingly detailed, interconnected mazes with challenges including tracking the family's car on each page to hunting for a hidden alphabet. Includes six punch-out cards. Full-color illustrations.
"In sixteen landmark essays Anthony F. C. Wallace illuminates the interconnections between cognition and culture and the formative social conditions of the modern world. Probing the psychological reality (or realities) of culture, Wallace offers incisive analyses of the cognitive foundations of kinship terms and the ability of cultures, past and present, to process complexity. He also examines whether beavers have a culture and reveals how the mazeway of modern American culture equips and enables a routine drive to work. In the volume’s second section, Wallace interrogates the consequences of revolutionary changes in labor, technology, and society in the modern world. A series of essays details the multifaceted, pervasive impact of the Industrial Revolution on the coal-mining communities of Rockdale and Saint Clair, Pennsylvania. He also considers the implications of the disaster-prone coal-mining industry for risky technological enterprises today, such as nuclear power plants. An in-depth comparison between the administrative structures of a modern university and Iroquois-Seneca leadership rounds out this volume."--pub. description.
Khesh City floats above the surface of the uninhabitable planet of Vellern. Topside, it's extravagant, opulent, luxurious; the Undertow is dark, twisted and dangerous. Khesh City is a place where nothing is forbidden - but it's also a democracy, of sorts, a democracy by assassination, policed by the Angels, the élite, state-sponsored killers who answer only to the Minister, their enigmatic master. Taro lived with Malia, his Angel aunt, one of the privileged few, until a strange man bought his body for the night, then followed him home and murdered Malia in cold blood. Taro wants to find the killer who ruined his future, but he's struggling just to survive in the brutal world of the Undertow. Then an encounter with the Minister sets him on a new course, spying for the City; his target is a reclusive Angel called Nual. Elarn Reen is a famous musician, sent to Khesh City as the unwilling agent of mankind's oldest enemy, the Sidhe. To save her own life, she must find and kill her ex-lover, a renegade Sidhe. Though they come from different worlds, Taro and Elarn's fates are linked, their lives apparently forfeit to other people's schemes. As their paths converge, it becomes clear that the lives of everyone in Khesh City, from the majestic, deadly Angels to the barely-human denizens of the Undertow, are at risk. And Taro and Elarn, a common prostitute and an uncommon singer, are Khesh City's only chance ...
Fifty Key Anthropologists surveys the life and work of some of the most influential figures in anthropology. The entries, written by an international range of expert contributors, represent the diversity of thought within the subject, incorporating both classic theorists and more recent anthropological thinkers. Names discussed include: Clifford Geertz Bronislaw Malinowski Zora Neale Hurston Sherry B. Ortner Claude Lévi-Strauss Rodney Needham Mary Douglas Marcel Mauss This accessible A-Z guide contains helpful cross-referencing, a timeline of key dates and schools of thought, and suggestions for further reading. It will be of interest to students of anthropology and related subjects wanting a succinct overview of the ideas and impact of key anthropologists who have helped to shape the discipline.
This annotated bibliography, a volume in the Greenwood series, Bibliographies and Indexes in Religious Studies, provides access to the numerous writings, from the 1960s through the 1990s, on feminism and Christian tradition. Major feminist theologians and sociologists are represented. As a guide to further research, this cross-disciplinary approach presents themes and issues in both a historical and a topical framework. An extensive overview of feminism in relation to the women's movement, women's studies, sociology and American religion introduces the literature and provides a historical context for the nearly one thousand entries that follow. Cross-referenced throughout, the literature is presented in six thematic categories that include introductory and background materials, feminism and the development of feminist theology, topical literatures in feminist theology, feminism and womanist theology, religious leadership of women, and responses and recent developments. Separate author, subject, and title indexes complete the volume.
Psychological Anthropology: A Reader in Self in Culture presents a selection of readings from recent and classical literature with a rich diversity of insights into the individual and society. Presents the latest psychological research from a variety of global cultures Sheds new light on historical continuities in psychological anthropology Explores the cultural relativity of emotional experience and moral concepts among diverse peoples, the Freudian influence and recent psychoanalytic trends in anthropology Addresses childhood and the acquisition of culture, an ethnographic focus on the self as portrayed in ritual and healing, and how psychological anthropology illuminates social change
What is ‘creativity’? And what is ‘madness’? How far can we interpret an artist’s work through our knowledge of his or her mental state, and how far can we infer a mental state from a work of art? When does a work of art cease to be a personal statement by the artist and become a matter of public concern? The contributions to this book attempt to answer some of these questions. They come from a wide range of disciplines and experiences – a practising psychiatrist, a practising artist suffering from reactive depression, and critics working in literature, film, music and the visual arts. The essays include discussions of the ‘myth of creativity’, the music of Robert Schumann, the borders of sanity in the writing of Lawrence Durrell, the ‘insane truth’ of Virginia Woolf, the meeting of doctor and patient in the poetry of Anne Sexton, mood disorders in the fiction of David Foster Wallace, love and madness in the poetry of Hafiz of Shiraz, and the paintings of Adolf Wölfli. Central to this discussion of creativity, madness and civilisation is the difficulty of establishing an appropriate and effective vocabulary and mindset between critics and clinical psychiatrists, which would enable them to work together in understanding mental disturbance in creative artists.